Sentences with phrase «of a large sculpture representing»

Nevertheless consists of a large sculpture representing a theatre set in a roped - off section of the gallery, a small sculpture of a bookshelf and book, -LSB-...]

Not exact matches

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Established in 1991 as the first fine art gallery in Hudson, NY, Carrie Haddad Gallery represents professionally committed artists as well as emerging talent specializing in all types of painting, both large and small sculpture, works on paper and a variety of techniques in photography.

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Villareal's work is represented in the Gallery's collection by Multiverse, one of his largest and most complex light sculptures.

The 63 large - format paintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonic designs.

The New Art Centre, which was set up by Madeleine Bessborough in London in 1958 before moving to rural Salisbury, represents (among others) the estates of Barbara Hepworth and Kenneth Armitage: they do a good line in large sculptures built to last.

Richard Stankiewicz is best known for «junk» sculptures of found objects welded together to represent larger forms, as in Picasso's work of the late 1920s.

It is an uneven playing ground with no potential for dialogue, an imbalance further shown in several instances by artworks that do not represent an artist's best contribution (a large wall relief by Camargo, for instance, would have better represented his ideas than the selection of tiny sculptures).

Kusama's original artistic output is represented by a rich selection of paintings, drawings and sculpture, along with large spatial installations and material from her happenings and performances in 1960s New York.

The gums, mimicking the larger form of the folded sculptures, represent scars or growths and contrast with Wilke's flirtatious advertisement style glamour poses.

The extremely large sculptures around 2007, which have overwhelming presence like a forest itself, or «vague figures with the characteristics of plants, animals and minerals» (Ibid., p. 22), represent a decisive change in Yamamoto's practice.

After Green, Mr. Bellamy continued to show young artists and always kept up with developments on the art scene, but he also turned to artists he considered unjustly neglected or whose work was unwieldy, like the large - scale sculpture of Mr. di Suvero, whom Mr. Bellamy continued to represent until his own death.

The exhibition features nine sculptures completed over the past five years, which represent the largest body of work Johns has completed in his more than 50 year career.

In 1990 he was given a retrospective exhibition at the National Gallery of Canada and is represented in Toronto by the Barbara Edwards Contemporary Gallery, Jonathan Lippincott, author of Large Scale, was born the year after the first sculptures were made at Lippincott, and grew up watching the work that took place there.

From large painted and altered canvases by 2010 Turner Prize short - listed artist Angela de la Cruz to monumental reflective sculpture by Anish Kapoor, a variety of media are represented.

Drawn from the artist's residency in Shanghai last year (review: Residency Artist Joshua Nathanson in Shanghai), a new body of works including five large - scaled paintings, a hand - painted mural, a video animation, and a towering 3D - designed sculpture will be exhibited in the gallery, representing a continuation and a twist in the artist's practice — a «scope creep» of his concerns within painting to new surfaces, dimensions, and geographies.

Artworks in the exhibition represent a range of mediums, including mural art, sculpture, illustration, portraiture, large - scale installations, graphic novels, photography, and more.

Spread over five galleries and extending out into the public areas of the museum - including its facade - the exhibition includes paintings, sculpture, films and temporary large - scale installations representing urban and rural sights, sounds and environments as well as the people to be found there.

Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.

The show, which represents the largest exhibition of his work to date, is somewhat shocking to behold; the 45 paintings and sculptures resemble less the work of a single man than a collective of slightly disturbed, post-war folk artists from the Deep South.

Erwin Wurm, represented by Lehmann Maupin, is Austria's biennale choice, alongside Brigitte Kowanz; an edition of Wurm's large - scale sculpture «Big Disobedience» (2016) sold to Aventura Mall, a luxury shopping complex near Miami.