TL; DR — Women in games are being attacked in front
of a live audience because they're women in games.
Not exact matches
Gould once told an interviewer in 1966 that
live audiences were a «force
of evil»
because pleasing them took precedence over his pursuit
of perfection.
«If they do morph into what they were coached to become, it usually serves to alienate them from their previously existing
audience and their «new found success» is usually short
lived because it's not coming from a place
of authenticity.»
Audiences can trust this influencer
because she's proven that she won't abandon them after pushing a piece
of content
live; she interacts with her
audience, positions herself as a resource, and actively helps others in her network.
I think it's really cool to be able to include my
audience, especially for this trip
because it's not just this constant stream
of my entire
life — there is [a] very clear start when we took off and a very clear end where we land back in the same location in California.
That movie, for all it's exhilarating presentation
of youthful
life on the road as you experience those who make music which can speak to large
audiences, is nonetheless all about how you ought to get sucked into the rock «n roll way
of life (albeit eschewing the drugs and sex part
of it)
because somehow rock «n roll is supposedly important.
In a statement, the president
of the network said, «We are releasing these
live / same day ratings
because Fear the Walking Dead delivered record - breaking numbers that are all the more special in this era
of time - shifted viewing and
audience fragmentation.»
Most
of the rest of the chapter (John 6:30 - 64) tells of Jesus often speaking metaphorically AS the Holy Spirit in order to try to awaken his audience to being OF the Spirit, because he himself was living and being fully IN the Spiri
of the rest
of the chapter (John 6:30 - 64) tells of Jesus often speaking metaphorically AS the Holy Spirit in order to try to awaken his audience to being OF the Spirit, because he himself was living and being fully IN the Spiri
of the chapter (John 6:30 - 64) tells
of Jesus often speaking metaphorically AS the Holy Spirit in order to try to awaken his audience to being OF the Spirit, because he himself was living and being fully IN the Spiri
of Jesus often speaking metaphorically AS the Holy Spirit in order to try to awaken his
audience to being
OF the Spirit, because he himself was living and being fully IN the Spiri
OF the Spirit,
because he himself was
living and being fully IN the Spirit.
He is highly invested in the word
because of his upbringing, his whole
life work and the
audience he can reach now to continue making money.
So I said, somewhat dubiously,
because this was a secular lecture to a general
audience and I was afraid
of being misunderstood, that my point
of view about
life was going to show under the story,
because that's inevitable, but I never consciously write about moral precepts, and I do not like moralism, which is another form
of do - it - yourselfism.
The video was judged to be «inappropriate» for French
audiences because it conveyed happy people with Down syndrome, who were «likely to disturb the consciences
of women who had lawfully made different personal
life choices.»
There will be sponsors on uniforms, and in - game advertising on the stands, and whatever else the leagues and their television partners can plaster onto a TV screen — if only
because the attention spans
of the
audience will only get shorter, and their patience for enduring even the biggest and most coveted
live sports broadcasts more scarce.
The
audience is watching these scenes
of life in power, we realise,
because we see what the Stasi sees.
I mean, on his 70th birthday, C. P. Snow said
of Dirac that he was the greatest
living Englishman, Churchill having died, and the
audience were nonplussed
because most
of them had never heard
of him.
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The film bustles along through a series
of reveals — a storytelling technique that can lose an
audience's sympathy or suspension
of disbelief pretty fast, but which works flawlessly here
because the filmmakers and the performers know exactly who their characters are and what kind
of world they
live in.
But the story
lives in the hearts
of audiences because of Robert Wise's 1965 film adaptation starring Julie Andrews as Maria, the would - be nun trying to quench her yearning heart, and Christopher Plummer as Captain Von Trapp, the stoic Austrian unwilling to reignite his.
Pearl Harbor is the worst film
of the year (over Glitter, Joe Somebody, Affair
of the Necklace, The Musketeer, etc.) simply
because it took the death
of thousands
of American servicemen and fashioned a cheap, excruciatingly written
life - support system for a CGI attack so poorly executed that it inspired hoots
of joy from some
audiences that didn't know any better.
Final thoughts: Finding Dory has been able to dominate the box office
because of its appeal to both adults and children, and while The Secret
Life of Pets won't have as big
of an appeal, it should be able to find a big
audience.
Manufactured Landscapes is a powerful picture primarily
because it never proselytizes but simple allows its visually - overwhelmed
audience to draw its own conclusions about the unconsidered downside
of living beyond our ecological means.
Audiences love this brand
of cinema du bad behavior precisely
because we get to
live vicariously through it, going along for the ride while crooks try to pull off their daring plan and ride off into some metaphorical sunset.
It's incredible that Doss survived those horrors without the aid
of a weapon, and director Mel Gibson notes during the accompanying documentary that Doss did some other things in real
life that aren't in the movie
because audiences would have assumed they were fabricated to puff up the story.
Hopefully it will find an
audience on DVD and, appropriately, online,
because Blackhat is a sublime merging
of form and content, a film about the experience
of living in our interconnected world on a psychological, political and philosophical level that conveys this experience beautifully through its narrative, stylistic and generic features.
It's an interesting contrast
because the
audience witnesses an ugly side
of life.
Audiences loved him, though, and I suspect it was
because they identified with him not as a larger - than -
life hero, but as a regular guy who seemed mildly amused to be the center
of attention.
Jackson told the
audience it is time to kill the current discourse
because ultimately it isn't about pro-union, pro-charters or the notion that we are
living in a «post-racial» society
because none
of those «challenges» get to the root
of a «systems failure problem.»
In fact, when asked by ABC anchorman Peter Jennings which one
living person he would most like to meet, former president Bill Clinton told a prime - time television
audience that it was President Mwai Kibaki
of Kenya, «
Because he has abolished school fees,» which «would affect more
lives than any president had done or would ever do by the end
of this year.»
But it's getting more and more possible for midlist authors to find an
audience of appreciative readers and make a
living or at least pay some bills as self - published authors and it's
because of the rise
of eBooks and online distributors like Amazon.
I'm really excited about PSN, [Xbox]
Live and some
of the stuff on Steam,
because it really allows you to directly engage with your
audience.
Of course, he's a master of his own game, in part because of his persistence — it took him a few tries, but he was able to complete the game in full before a live audience, even through its final Hyperhexagonest mode unlocked after 60 seconds surviving the hardest difficult
Of course, he's a master
of his own game, in part because of his persistence — it took him a few tries, but he was able to complete the game in full before a live audience, even through its final Hyperhexagonest mode unlocked after 60 seconds surviving the hardest difficult
of his own game, in part
because of his persistence — it took him a few tries, but he was able to complete the game in full before a live audience, even through its final Hyperhexagonest mode unlocked after 60 seconds surviving the hardest difficult
of his persistence — it took him a few tries, but he was able to complete the game in full before a
live audience, even through its final Hyperhexagonest mode unlocked after 60 seconds surviving the hardest difficulty.
«Each one
of these artworks was selected
because of its power to elucidate meaning for our
audiences, for its ability to serve as a lasting catalyst for dialogue, and for its responsiveness to experiences that define modern
life in Mississippi and the nation.»
And she'd better
because in her new performance, «Forget yourself...,» commissioned by Triple Canopy for their new performance series, Patek will take on the roles
of performer and director for a
live filming session involving the
audience.
Though produced with conceptually rigorous and minimalist strategies, these works were chosen
because they represent intimate moments in these artists»
lives which may include autobiographical or narrative qualities, often presented in the form
of giving themselves over to their
audience in a metaphorical or literal sense.
«The Prize is very meaningful to me
because I believe my task as an artist is to make connections — to connect worlds that normally are unconnected, like art and politics, like the experience
of the lost
lives of victims
of political violence with the experience and memories
of the viewers who approach or contemplate the work — and I think the Prize will widen this
audience,» said Doris Salcedo.
This dialogue about him being full
of pontifical nonsense flows one way, without a response, this silence is a buffer extending his
life span as a legitimate skeptic by default, since he can't stand the heat from real climate scientists left on the way side, crushing legitimate science away from any chance to reach a badly mislead
audience, simply
because he is more popular in the fringe right wing media world dwelling on sound bites and stupidity.
You should come be part
of that
live audience,
because it's going to be a party.
If you're here
because you haven't seen The Vergecast in your podcast feed yet and wanted to vent, take heart: this week, we're recording it at SXSW in front
of a
live audience at 12PM CT / 1PM ET!
Without really describing how the Apple Pay support in the iPhone 7 and iPhone 7 Plus would work and how they would be more commendable than before, Apple introduced this feature to the
live audience of the event by banking on the idea that the company is bringing Apple Pay to Japan using FeliCa technology, one that will not only be useful in doing some shopping, but for travel as well,
because of its support for Japan's transit system.
Yet, in an age when parenting is less available, when marriage has almost become a thing
of the past, and when children are being turned into commodity machines, it may make sense to reflect, as Plotz (1999) pointed out, that America is obsessed with youth
because corporations are obsessed with youth: early intervention means netting an eager consumer
audience for
life.
One month later,
because this is
live theatre the
audiences still expect that same level
of excitement and energy.