Sentences with phrase «of a living artist ever»

His 2009 exhibit at the Pompidou was the largest show of a living artist ever staged by the museum.

The most popular exhibition of a living artist ever held at the Tate was David Hockney's recent retrospective, which attracted 478,082 visitors.

Not exact matches

Beyoncé was one of the many artists who helped Coachella draw a record 41 million live viewers from 232 countries during its first weekend, making it the most viewed live music festival ever on YouTube.

But for content creators of all kinds, blockchain technology provides an ideal solution to preserve intellectual property, create demand and increase value for digital content.The digital revolution is often blamed for making life harder than ever for artists.

Twain was a bad man, yes, in some ways, but he was the same mixture of good and bad as the rest of us, and every other artist and writer who ever lived, including the saintly ones.

It's about how you see things, your approach to life, and the creativity of your mind — it's who you are, not what you do, and she would always be an artist whether or not she ever painted or drew again.

Her husband would live a life of next - table whispers and down - the - practice - range chuckles: Costantino Rocca, the most famous gag artist ever.

With sly wit and boyish wonder, Kean's vignettes about key events in the understanding of air include numerous entertaining detours, such as the work of «William McGonagall, probably the worst poet who ever lived,» and Le Pétomane, a flatulence artist.

Based on the tell - all book «The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made» co-written by Sestero and Tom Bissell, «The Disaster Artist» is one of those stranger - than - fiction stories that very few people would believe if it hadn't actually happened, but here we are.

The Disaster Artist is adapted from Sestero's memoir of the same name (subtitle: «My Life Inside The Room, The Greatest Bad Movie Ever Made»).

But when an obvious labor of love and / or passion project like the potential adaptation of Greg Sestero's tell - all memoir, «The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made,» comes across Franco's virtual desk, it's a near certainty Franco will bring A-level effort along with his A-level talent to the proceedings.

Reviewed by Harris Dang on the 15th of December 2017 Roadshow presents a film by James Franco Produced by James Franco, Evan Goldberg, Vince Jolivette, Seth Rogen, James Weaver Written by Scott Neustadter, Michael H. Weber, based on the book «The Disaster Artist: My Life Inside «The Room,» the Greatest Bad Movie Ever Made» by Greg Sestero, Tom Bissell Starring James Franco, Dave Franco, Seth Rogen, Judd Apatow, Hannibal Burress, Jerrod Carmichael, Bryan Cranston, Zoey Deutch, Zac Efron, Nathan Fielder, Ari Graynor, Melanie Griffith, Josh Hutcherson, Jason Mantzoukas, Christopher Mintz - Plasse, Megan Mullally, Paul Scheer, Sharon Stone, Jacki Weaver Cinematography Brandon Trost Edited by Stacey Schroeder Running Time: 103 minutes Rating: M Release Date: the 7th of December 2017

Based on The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made by The Room star Greg Sestero (played by Franco's younger brother Dave in the film) and Tom Bissell, The Disaster Artist combines elements of Ed Wood, American Movie, and The Producers to tell the story of how Wiseau and Sestero became friends in San Francisco during the late»90s, moved to Los Angeles, and eventually teamed up to make The Room (which had a possible, unverified production budget of $ 6 million).

The Room, the preeminent Z - grade cult movie of our time, gets the Ed Wood treatment in this adaptation of Greg Sestero's memoir The Disaster Artist: My Life Inside The Room, The Greatest Bad Movie Ever Made.

On Tuesday, Simon & Schuster will publish The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, Greg Sestero's first - hand account (co-authored with Tom Bissell) of the making of the film.

The Artist is a talkie life - lesson with some of the best dialogue ever heard on screen.

In the book (full title: The Disaster Artist: My Life Inside «The Room,» the Greatest Bad Movie Ever Made), Sestero recounts Wiseau's ridiculous antics during production, of which there are way too many to list, so let's just pick the best one.

Co-directors Dorota Kobiela and Hugh Welchman have put together a movie that is the first ever to be assembled entirely via oil paintings on canvas, with each frame of the animated feature brought to life by the efforts of 125 artists.

Based on the best - selling tell - all book about the making of the cult - classic disasterpiece The Room, «The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made», by Greg Sestero and Tom Bissell, and written for the screen by Scott Neustadter & Michael H. Weber, The Disaster Artist tells the hilarious true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — into a celebration of friendship, artistic expression, and dreams pursued against insurmountableArtist: My Life Inside The Room, the Greatest Bad Movie Ever Made», by Greg Sestero and Tom Bissell, and written for the screen by Scott Neustadter & Michael H. Weber, The Disaster Artist tells the hilarious true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — into a celebration of friendship, artistic expression, and dreams pursued against insurmountableArtist tells the hilarious true story of aspiring filmmaker and infamous Hollywood outsider Tommy Wiseau — an artist whose passion was as sincere as his methods were questionable — into a celebration of friendship, artistic expression, and dreams pursued against insurmountableartist whose passion was as sincere as his methods were questionable — into a celebration of friendship, artistic expression, and dreams pursued against insurmountable odds.

And the story gets even stranger when you tell it, as Franco does, from the perspective of Wiseau's friend and collaborator, Greg Sestero; Franco's film is based on Sestero's memoir The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made, which he co-wrote with Tom Bissell.

For anyone who's ever wondered what being married to a tortured, world - famous director must be like, «My Life Directed by Nicolas Winding Refn» suggests the sacrifices required of those who live in an artist's orbit, but it fails to offer what groupies surely want, which is insight into Refn's creative process.

Kyd also created the faded Americana acoustic score for Undead Labs» STATE OF DECAY, the fastest selling original game on Xbox Live Arcade, and the surreal fantasy score for the action - adventure DARKSIDERS II, created by comic book writer / artist Joe Madureira, which garnered numerous critic accolades including Entertainment Weekly's «Most Played Best Songs of 2012,» Machinima's «Top 5 Songs of 2012,» «Best Video Game Score of 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public RadiOF DECAY, the fastest selling original game on Xbox Live Arcade, and the surreal fantasy score for the action - adventure DARKSIDERS II, created by comic book writer / artist Joe Madureira, which garnered numerous critic accolades including Entertainment Weekly's «Most Played Best Songs of 2012,» Machinima's «Top 5 Songs of 2012,» «Best Video Game Score of 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public Radiof 2012,» Machinima's «Top 5 Songs of 2012,» «Best Video Game Score of 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public Radiof 2012,» «Best Video Game Score of 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public Radiof 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public Radio.

Adapted from Greg Sestero's best - selling tell - all of the same name, «The Disaster Artist» chronicles the real - life friendship between Sestero and Wiseau and the calamitous roller - coaster ride they went on to create their 2003 stinker - of - epic - proportions, «The Room,» widely considered one of the worst films ever committed to celluloid.

His work on the monumental Pennyroyal Caxton Bible was the only one - man exhibit ever to be mounted at the Library of National Gallery of Art in Washington D.C. by a living artist.

If you ever wanted to have the coolest music from the biggest franchises in the history of video games then you'll soon have that chance — EMI Classics, Video Games Live and IMG Artists will release an album celebrating some of the best known, most popular video game music of all time.

Grammy Award - Winning DJ and platinum selling artist Paul Oakenfold is telling the «not quite true» story of his life as one of the progenitors of electronic music and one the greatest DJ's of all time with his first ever book, a graphic novel which features an original soundtrack by Oakenfold.

Let alone do each of the environments live thanks to the creativity of the level designers and artists, the game also tells a vivid story with each room that will eventually be flooded with demons.While it would be quite easy to carry on about the level design, the monsters have also gotten a rather unique re-imagining that brings them to life no more than ever.

Many artists suffer from a fear that their art isn't good enough to sell, or that they won't be able to sell enough of their art to make a living — ever.

Frieze enjoys a strong tradition of commissioning artists» time - based work, with live and participatory works by Dora Budor, Pia Camil, Maurizio Cattelan, Giosetta Fioroni, Liz Glynn, Anthea Hamilton, Ryan McNamara and Eduardo Navarro featured in recent editions of Frieze New York; the first performance work ever acquired for the collection of the Tate, meanwhile, was acquired from Frieze London in 2004.

It is a deeply overdue career retrospective for the German artist Isa Genzken, who was born in 1948 near Hamburg and has lived in Berlin for the past two decades, ever since it became the center of the German art world.

Lerma's installation, created specifically for this site using found materials, paintings, and personal artifacts, will evolve over the period of a month with the artist laboring in the gallery every day to create an ever - changing still life and socio - political portrait.

Frieze New York 2018 has tapped scholar, curator and writer Adrienne Edwards to oversee its first - ever Artist Award in New York and Live programming, a slate of performance, installation, and interactive projects.

By the early 1860's Monet was a young and ambitious French painter living in Paris with an ever widening circle of young artist colleagues.

The premise of the exhibition, which also includes Amy Sillman, Charline von Heyl, Joe Bradley and Rashid Johnson, is that contemporary artists continue to cull techniques from various 20th - century traditions, breathing new life into an old medium that appears more relevant than ever.

On view at Guild Hall in East Hampton, «Connie Fox and William King, An Artist Couple» offers a joyful exploration of the artistry, civic idealism and joie de vivre of one of the most beloved artist couples ever to live and work on Long Island's EasArtist Couple» offers a joyful exploration of the artistry, civic idealism and joie de vivre of one of the most beloved artist couples ever to live and work on Long Island's Easartist couples ever to live and work on Long Island's East End.

In Delahunty's words, this sculpture is «one of the first commissioned works by a living female artist to be installed at the entrance of an American Museum» and it is «by far the most ambitious sculpture she has ever made in terms of scale and painted surface.»

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

However, the image's conceptual origins go back to the beginning of his career as an artist, with an abstract sculpture that he called the Rhythms of Life, a theme that has obsessed him ever since.

That was in 2007, a year after the Metropolitan Museum of Art in New York had given Betty, then 76, her first US retrospective — its first ever of a living female artist.

Putting the ultramarine color aside, this artist also introduced ideas such as sponge sculptures, living paintbrushes, fire paintings and other conceptual works, as well as some of the most original performance acts ever assembled.

Zarina's first - ever retrospective, spanning 50 years of the Indian - born artist's work, presents not only a deeply felt personal commentary on a life lived in exile, but also a catalog of the remarkable breadth of technique that has become integrated into the printer's art in the last half century.

Couple this with the nature of the Louise Bourgeois exhibition he was covering in the article, with the 97 - year - old artist as spiky, irreverent and threatening as ever, and you get a sense of the spark that flickered to life when Bob and Roberta Smith read it.

A British painter whose harrowing, anguished paintings and infamously licentious personal life have provided endless fodder for movie - makers, scholars, and artists alike, Francis Bacon has achieved the stature of a contemporary - art legend — all the more so now that his triptych portrait of his friend Lucian Freud made headlines when it sold for $ 142.4 million at Christie's, making it the priciest artwork to ever go under the hammer.

About The Artists Gilbert & George first met as students at Saint Martin's School of Art in 1967 and have lived and worked together in east London as a single artist ever since.

Sixty dealers signed on for New York Gallery Week, actually a three - day, fraternal rush of living artists and more than a few — namely Keith Haring, Jack Smith, Martin Kippenberger, Robert Mapplethorpe, Donald Judd, and Salvatore Scarpitta — who have left their bodies but not the market, ravenous as ever for the new, the tried, and occasionally the true.

Bringing together the expansive practices of some of the most provocative and engaged artists working today — Yael Bartana, Liam Gillick, Natascha Sadr Haghighian, Renzo Martens, Bjarne Melgaard, Nástio Mosquito, Hito Steyerl, and Danh Vo — the show examines ways that they negotiate the complicities and contradictions of living in an ever more complex and networked world.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Death had, after all, been the defining experience of his life, and one feels that of all the Hollywood artist biopics to ever hit the screen, Gorky's life would probably make the most compelling (and after three biographies written over the course of the last decade, we duly await studio interest).

The Pulitzer presents the first major U.S. museum exhibition of the work of Ruth Asawa since 2006, and the first ever outside the West Coast, where the artist lived and worked for six decades.

The first is «Future Shock,» a large - scale exhibition by 10 contemporary artists who will explore the impact of the ever - increasing pace of change on our lives.