Sentences with phrase «of a major retrospective survey»

In 2016, Innes was the subject of a major retrospective survey exhibition and accompanying monograph, I'll Close My Eyes, at the De Pont Museum in Tilburg Netherlands.

Not exact matches

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

In 2012, Tate Modern, London presented a major retrospective survey of Hirst's work in conjunction with the 2012 Cultural Olympiad.

The first major survey of the artist to be presented since 2006, «Power Stations» spans a pivotal period in Hoyland's career, punctuated by his first solo museum show, at the Whitechapel Gallery in 1967, and his defining retrospective at the Serpentine Gallery (1979 — 80).

Dine has been the subject of nine major surveys and retrospectives since 1970, including Jim Dine, Some Drawings, organized by the Allen Memorial Art Museum (2005 — 2007); Drawings of Jim Dine, a major traveling retrospective organized by the National Gallery of Art, Washington, D.C. (2004); Jim Dine: Walking Memory 1959 — 1969, the Solomon R. Guggenheim Museum, NY (1999); Jim Dine, Isetan Museum, Tokyo (1990 — 91); Jim Dine: Five Themes, the Walker Art Center, Minneapolis (1984 — 85); and Jim Dine, Whitney Museum of American Art, NY (1970).

Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

A major retrospective surveying the work of French multidisciplinary artist Christian Boltanski will open at the Israel Museum on June 1, 2018.

The enduring legacy of his artistic achievement has been recognized through major surveys and retrospectives presented at The Museum of Fine Arts, Houston (2015); the National Gallery of Art, Washington, D.C. (1998), traveling to the Whitney Museum of American Art, New York, and the Musée d'Art Moderne de la Ville de Paris; the Kawamura Memorial Art Museum, Japan, traveling to three museums in Japan (1995); and Tate Gallery, London, traveling to Museum Ludwig, Cologne (1987).

Cassel Oliver has also mounted numerous solo exhibitions including a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the surveys Donald Moffett: The Extravagant Vein (2011); Jennie C. Jones: Compilation (2015); Angel Otero: Everything and Nothing (2016) and most recently, Annabeth Rosen: Fired, Broken, Gathered, Heaped (2017).

The eminent German curator Kasper König has had an extraordinary career in Europe, organizing his first show — a survey of Claes Oldenburg's work — at the age of 23, working on Pontus Hultèn's seminal Warhol retrospective at the Moderna Museet at 25, and going on to curate dozens of major exhibitions, found Frankfurt's esteemed Portikus kunsthalle, and hold professorships at the Academy of Fine Arts in Düsseldorf and the Städelschule.

This substantial Ruff overview accompanies a major retrospective survey at the Whitechapel Gallery in London, and contains all of his most renowned series, including portraits, disasters, sky and cityscapes, internet nudes, photograms, manga images, magnetically generated images and found press photographs.

This major exhibition, the first collaborative undertaking between the Musée d'art moderne de la Ville de Paris and the Musée d'art contemporain de Montréal, provides a critical, retrospective survey of the work of internationally renowned Québec artist David Altmejd.

Previous exhibitions include: Uncertain States of America, a major survey of forty - five young American artists curated by Hans Ulrich Obrist, Daniel Birnbaum and Gunnar Kvaran (Summer 2006); major retrospective exhibitions of the Brazilian sculptor Tunga (1997) and American artist Dave Muller (2002); and the first museum exhibitions of Kara Walker (1995) and David Shrigley (2001).

In Britain, there has been no major retrospective of his work since 1981, while the last big US survey, at the Guggenheim in New York, took place in 1997.

In 2013 she had a major retrospective at the Whitechapel Gallery, which was followed by surveys of her work at Secession in Vienna (2013 - 14) and at Tramway in Glasgow (2014).

Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, PhiladRetrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadretrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.

This volume, which accompanies a major retrospective organized by the Museum of Contemporary Art, Los Angeles, offers the first comprehensive survey of Graham's work.

The first full - scale survey of Benglis's oeuvre since Dual Natures at the High Museum of Art, Atlanta, 1991 (Benglis's last major retrospective), this traveling exhibition highlights works from the 1960s through 2009, including three video works and a selection of ephemera.

His major museum exhibitions include a ten - year survey at the Whitney Museum of American Art, New York in 1975; «Richard Tuttle: Perceived Obstacles» (Stiftung Schleswig - Holsteinische Landesmuseen, Schloss Gottorf, Schleswig, Germany, toured to two other venues, 2000 - 2001); and a two - year traveling retrospective, «The Art of Richard Tuttle» (San Francisco Museum of Modern Art, San Francisco, touring to the Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; and three other venues, 2005 - 2007).

We intentionally chose one distinct, concise group of seven works for two reasons; one, to not distract from the upcoming major retrospective at the Hammer Museum, organized by Ali Subotnick and planned for February 2013, which will present a comprehensive and extensive survey; and two, to take a re-appearing thread of the landscape in Foulkes» work to discuss a specific content within Foulkes» overall body of work, and also demonstrate the incredible variation and nuanced use of description and material within this specific thread.

As for the DMA, it's in the middle of its first major Islamic art exhibition and in recent memory has hosted a surprising Edward Hopper drawing survey, an equally revelatory Jean Paul Gaultier retrospective, and The Mourners: Medieval Masterworks from the Court of Burgundy.

The National Museum of Women in the Arts announces Lois Mailou Jones: A Life in Vibrant Color, the first major retrospective surveying Jones» diverse subjects and styles, on view October 9, 2010, through January 9, 2011.

Major surveys and retrospectives of the artist's work have been held in international institutions: in 1972, Jan J. Schoonhoven traveled from the Städtisches Museum, Mönchengladbach, Germany, to the Westfälischer Kunstverein, Münster, and the Museum van Bommel van Dam, Venlo, the Netherlands; in 1985 — 86, Jan Schoonhoven Retrospektiv: Tekeningen en reliëfs traveled from the Gemeentemuseum Den Haag, The Hague, to the Kunsthalle Nürnberg, Nuremberg, and finally to the Badischer Kunstverein, Karlsruhe, Germany; and in 1995 — 96, Jan J. Schoonhoven — retrospektiv traveled from Museum Folkwang, Essen, to the Bonnefantenmuseum, Maastricht, and the Aargauer Kunsthaus, Aarau, Switzerland.

In the main section, these span figures such as Zoe Leonard (Galleria Raffaella Cortese, Milan), coinciding with her career survey at Whitney Museum, New York to David Hockney (Pace, New York), following the British artist's major retrospective at Museum of Modern Art (New York).

The National Museum of Women in the Arts announces Loïs Mailou Jones: A Life in Vibrant Color, the first major retrospective surveying Jones» wide array of subjects and styles.

Exhibitions range from historical surveys and in - depth retrospectives of major twentieth - century and contemporary artists to group shows introducing young or relatively unknown artists to a larger public.

Moses's career was the subject of a major retrospective at the Los Angeles Museum of Contemporary Art (LACMA) in 1996, and his art was featured in the Centre Georges Pompidou's 2006 survey exhibition Los Angeles: Birth of an Artistic Capital, 1955 - 1985.

Martin Creed gives Adrian Searle a glimpse into his retrospective at London's Hayward Gallery, the first major survey of Creed's work

Landmark surveys of major figures in the history of art will include the largest display of work by Canaletto ever to be shown in Scotland, an exploration of the extraordinary impact of Rembrandt's work in Britain, only to be seen in Edinburgh, and a retrospective of the great German Expressionist painter, Emil Nolde.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball event at The Joule Hotel.

Taking place during Dallas Arts Month, the fair is accompanied by major exhibitions presented by local institutions, including Laura Owens» traveling retrospective at the Dallas Museum of Art; Eric Fischl's art scene paintings, a survey of Sara Rahbar's figurative sculptures and Harry Nuriev's contemporary design objects at the Dallas Contemporary; Adam Gordon's immersive installation art at the Power Station; and the annual Eye Ball at The Joule Hotel.

This major retrospective, the most extensive survey to date of the artist's production, highlights his most influential artworks ranging from monumental letter forms, to lightboxes, to two - dimensional works that create the illusion of three dimensions.

A major survey at London's Hayward Gallery at Southbank Centre (May 18 to August 29) purports to examine «every period of her career,» a retrospective and memoir rolled into one.

She also has organized several major retrospectives and single - artist exhibitions: Born in the State of FLUX / us (2010), which was devoted to the work of Benjamin Patterson, a contrabass musician, long - time arts administrator and founding member of Fluxus; the survey Donald Moffett: The Extravagant Vein (2011); Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing (2014); Compilation (2015), a retrospective of work by sonic and visual artist Jennie C. Jones.; and most recently, Everything and Nothing (2016), a 10 - year survey of work by painter and sculptor Angel Otero.

Although Jackson Pollock (1912 — 1956) is widely considered to be one of the most important artists of the 20th century, Tate Liverpool's major new retrospective is the first exhibition in over thirty years to properly survey the artist's late works.

Mayor Gallery then included him in its major survey of British Surrealism, whilst Blond Fine Art had a solo retrospective show in 1986, Gothick Dream Fine Art a memorial exhibition in 1987 and the Westbourne Gallery another in 1996.

PS: In 2010, the Kunstmuseum Basel presented a major survey of the work of Gabriel Orozco: Gabriel Orozco Retrospective at Kunstmuseum Basel.

«Tate Modern's major exhibition of the work of Robert Rauschenberg (1925 - 2008), organised in collaboration with The Museum of Modern Art in New York, is the first posthumous retrospective and the most comprehensive survey of the artist's work for 20 years.

Major solo exhibitions include a retrospective at the Museo Nacional Centro de Arte Reina Sofia, Madrid (2003) which traveled to MALBA, Buenos Aires (2003); a survey at Foundation Cartier pour l'art contemporain, Paris (2000) and a one - man exhibition, «Projects 30», at the Museum of Modern Art, New York (1991).

«Tea for Two (The Collector)» was included in «Robert Colescott: A Retrospective, 1975 - 1986,» the first major survey of his work, which was organized by the San Jose Museum of Art in 1987, and co-curated by Lowery Stokes Sims.

Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley's career from 2001 to the present.

The result is «David Hockney Retrospective: Photoworks,» the first major survey of the artist's work in photography, at the Museum of Contemporary Art in downtown Los Angeles.

The Influence of Cartoons in Contemporary Art (2003); the acclaimed Double Consciousness: Black Conceptual Art Since 1970 (2005); Black Light / White Noise: Sound and Light in Contemporary Art (2007); Cinema Remixed and Reloaded: Black Women Artists and the Moving Image with Dr. Andrea Barnwell Brownlee (2009); Hand + Made: The Performative Impulse in Art and Craft (2010); a major retrospective on Benjamin Patterson, Born in the State of Flux / us, as well as the survey Donald Moffett: The Extravagant Vein (2011).

Rothko has been the subject of six major surveys and retrospectives, including the National Gallery of Art, Washington, D.C. (1998), which traveled to the Whitney Museum of American Art, New York and the Musée d'Art Moderne de la Ville de Paris; the Kawamura Memorial Art Museum, Japan, which traveled to three museums in Japan (1995 - 96); the Tate Gallery, London, which traveled to Museum Ludwig, Cologne (1987 - 88); the Solomon R. Guggenheim Museum, New York (1978 - 79); and two exhibitions at The Museum of Modern Art, New York, in 1970 and 1961 — the retrospective in 1961 traveled to London, Amsterdam, Basel, Rome, and Paris.

One of the highlights in a year of major museum shows, Bill Viola: A Retrospective is a comprehensive survey of Viola's career to date.

Last year the Metropolitan Museum gave a brilliant retrospective to Los Angeles veteran John Baldessari, while MoMA surveyed the career of Gabriel Orozco, a major world star.

Highlights include the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; the Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; the Wexner Center for the Arts, Columbus (2011 - 2012); and a major survey at the Centre Georges Pompidou, Paris (2012).

This publication accompanies a major retrospective exhibition of Caro's work opening at Tate Britain in January 2005 and is the most up - to - date survey of Caro's work in print.

Garage's exhibition programme ranges from major surveys of important collections to single - artist retrospectives and group exhibitions.