Creator of the influential Deitch Projects gallery, Deitch facilitated the rise
of a new generation of artists for nearly 15 years.
Not exact matches
Johnson has been teaching
for eight years at the Brehm Center at Fuller Theological Seminary, which «empowers and equips a
new generation of artists and church leaders... Continue Reading»
Johnson has been teaching
for eight years at the Brehm Center at Fuller Theological Seminary, which «empowers and equips a
new generation of artists and church leaders to effectively integrate worship, theology, and the arts.»
The soulful main theme, «Trouble Man», wields the idiosyncrasies
of the legendary Motown
artist while echoing the emotional journey
of Robert Hooks» lead character Mr T. Advancing Gaye's outline
of soundtracking
for a
new generation of film and music lovers, Lamar evidently foregrounds his own musical identity while adding nuance to Black Panther's characters via the lead single «All The Stars».
The vast technical background necessary
for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses
of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands
of people to dedicate their lives to filmmaking, and thanks to the wonders
of modern technology, these priceless cultural beams
of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a
new generation of artists who might persevere and thrive to one day fill the shoes
of the likes
of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens
of others whose work continually delight and move us in every way possible.
What a tribute to the great
artist while giving a brand
new tale
for future
generations of kids.
Disc 1: Rise
of the Planet
of the Apes Blu - ray ** 11 Deleted Scenes ** The Genius
of Andy Serkis ** Scene Breakdown ** A
New Generation of Apes ** Breaking Motion Capture Boundaries ** The Great Apes ** Mythology
of the Apes ** Composing the Score with Patrick Doyle ** Audio Commentaries by Director and Writers ** Character Concept Art Gallery ** Digital Disc 2: Dawn
of the Planet
of the Apes Blu - ray ** Journey to Dawn ** Andy Serkis: Rediscovering Caesar ** Humans and Apes: The Cast
of Dawn ** The World
of Dawn ** The Ape Community ** Move Like an Ape: An
Artist's Medium ** Weta and Dawn ** The Fight
for a
New Dawn ** Deleted Scenes With Optional Audio Commentary by Matt Reeves ** Feature Audio Commentary by Matt Reeves ** Gallery ** Digital Disc 3: War
for the Planet
of the Apes Blu - ray ** Audio Commentary by Director Matt Reeves ** Deleted Scenes with Optional Audio Commentary by Director Matt Reeves ** Waging War
for the Planet
of the Apes ** All About Caesar ** WETA: Pushing Boundaries ** Music
for Apes ** Apes: The Meaning
of It All ** The Apes Saga: An Homage ** Concept Art Gallery ** Theatrical Trailers ** Digital
A graduate
of the University
of Virginia, Sara is a 2016 Stevie Award Winner
for «Female Innovator
of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (
Generation Peace Award); the only U.S. recipient
of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board
of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute
New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator
for the Women's Information Network 18th Annual Young Women
of Achievement Award; 1
of 3
Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.
«Twenty years from now, when a
new generation of more tolerant and inclusive
artists finds themselves in the position to organize events like this, let's not be dicks like our forefathers... There's room enough
for everyone.
Now, to share his remarkable story with
new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whol
new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and
New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whol
New York Times best - selling
artist Nate Powell (winner
of the Eisner Award and LA Times Book Prize finalist
for Swallow Me Whole).
Congressman John Lewis, an American icon and one
of the key figures
of the civil rights movement, joins co-writer Andrew Aydin and
artist Nate Powell to bring the lessons
of history to vivid life
for a
new generation, urgently relevant
for today's world.
Andy Warhol revolutionized visual art, bringing it into the living rooms
of the masses and paving the way
for a
new generation of artists.
As the most visited art museum in the state
of New Mexico and the first museum in the United States that is dedicated to a single woman
artist, we work hard every day to ensure the preservation
of these treasures
for the enjoyment
of generations to come.
Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point
for a
new generation of artists from the Islamic world who are using the language
of contemporary art to inflect their work with multiple layers
of meaning.
1951 was also a critical year
for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure
of the Swiss
artist, Max Bill, who was to exert great influence on this
new generation of artists.
In his catalogue essay
for the Hodler retrospective that was held at the Guggenheim Museum,
New York, in 1973, Peter Selz describes the
artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes
of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters
of the previous
generation:
COVER ART April 7: Work by Chicago - based
artist Hebru Brantley appears on cover
of «The BreakBeat Poets:
New American Poetry in the Age
of Hip - Hop,» which the publisher describes as «the first poetry anthology by and
for the hip - hop
generation.»
During the 1970s Viola was at the forefront
of experimentation with the
new medium
of video, paving the way
for subsequent
generations of media
artists.
It was in 1982, a time when a
new generation of American
artists, and a
generation concerned with painting — which had not been the case with young
artists for years — was coming to the fore.
The activities
of that era provided a path
for the increasingly influential voices and innovative practices
of new generations of contemporary
artists working today, figures such as Nina Chanel Abney, Mark Bradford, and Adam Pendleton, whose recent publications are also among the best
of 2017.
The influential museum selected 28 up - and - coming
artists for its «Freestyle» exhibition (April 28 to June 24, 2001)-- introducing a
new generation of visionaries emerging at the dawn
of the
new century.
The initiators behind MELK want to showcase the
new generation of photographic
artists in Norway and Scandinavia and discuss photography as art in an exhibition context in an intricate time
for the media.
Through audio interviews with founders and key staff, a reading room
of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story
of pioneering spaces — like P.S. 1,
Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront
for Art and Architecture, Just Above Midtown, and many more — as well as document a
new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.
Watch the livestreamed event here → Join us
for a special conversation between Anri Sala, one
of the most esteemed
artists of his
generation, and Massimiliano Gioni, Artistic Director
of the
New Museum.
Saatchi's taste
for fast art — rapidly clocked, swiftly absorbed, abruptly administering whatever one - two punch it has — is ideal
for the hyper - quick
generation,
for the time - starved traveller,
for a quick check
of the briefly
new at home and abroad, especially if you are sizing up the market as a young
artist yourself.
Bopape has the distinct voice
of a
new generation of South African
artists, coming
of age in the immediate post-apartheid era, and the issues she addresses in her work about our relationship with the earth are urgent
for us all.»
Join us
for a special conversation between Anri Sala, one
of the most esteemed
artists of his
generation, and Massimiliano Gioni, Artistic Director
of the
New Museum.
Born in West Bengal and now living and working in
New Delhi,
for more than two decades Mithy Sen has been at the forefront
of a
generation of contemporary female
artists questioning and negotiating feminist issues in South Asia.
The
artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues
of race, gender, identity, and belonging has inspired a
generation of socially - conscious
artists across all media, although her impact is just now being fully recognized: she was the recipient
of the Golden Lion
for best
artist at this year's Venice Biennale, and MoMA has recently announced plans
for, in the words
of Robin Pogrebin in the
New York Times, «the most comprehensive exhibition to date on the conceptual
artist,» set to open in 2018.
Throughout his career, he has sustained his use
of found materials and chance - based processes, transforming the conventions
of painting and opening the door
for a
new generation of young
artists.
Annet Gelink Gallery, «What's
New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next
Generation: Heavenly Creatures», Salzburg, Austria The Dreamland
Artist Club, «Creative Time in conjunction with a public project
for Coney Island redevelopment»,
New York NY Kunsthaus Baselland, «Strategies
of Desire», Basel, Switzerland Le Confort Moderne, «Out
of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field
of Death», Amsterdam, Netherlands
Particularly important to the
new generations of artists in Russia, V - A-C's focus is on practically supporting and expanding the platform
for home - grown talent, challenging
artists to experience, engage with and interrogate international cultural practices whilst developing an authentic and autonomous artistic language.
In November, when the German government gave Haus der Kunst $ 23 million
for renovations, Enwezor said the funding «affirms and strengthens our core mission to serve old and
new audiences, and provide them a lively forum and strong access
for the encounter and appreciation
of the art and ideas
of different
generations of contemporary
artists.»
A Selection
of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries,
New York Re-Framing Cartoons, Loughelton Gallery,
New York Grids, Vrej Baghoonian Gallery,
New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American
Artists of the 80s, Tony Shafrazi Gallery,
New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery,
New York Classical Modernism: Six
Generations, Sidney Janis Gallery,
New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show
of the Essay, Anne Plumb Gallery,
New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn
of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery,
New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum
of Art, Sarasota, FL (catalogue); travelled to Center
for the Fine Arts, Miami Paula Cooper Gallery,
New York A Climate
of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End
of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery,
New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum
of Art, Fort Worth, TX; travelled to San Francisco Museum
of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery
of Art, Washington, DC;
Artists» Union Hall
of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery
of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue)
New Editions, Pace Prints,
New York Psychological Abstraction, Deste Foundation
for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play
of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center
for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery,
New Haven, CT (catalogue)
New Work by Gallery
Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery,
New York Gober, Halley, Kessler, Wool: Four
Artists from
New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery,
New York
A classically trained
artist who studied at age eleven in the Leonardo da Vinci Art School, the same atelier that Isamu Noguchi attended, which was created
for New York's working poor in Alphabet City, Carone went on to become a member
of the first
generation of Abstract Expressionists.
Breslin offers us not only an enticing look at Rothko as a person, but delivers a lush, in - depth portrait
of the
New York art scene
of the 1930s,»40s, and»50s — the world
of Abstract Expressionism,
of Pollock, Rothko, de Kooning, and Klein, which would influence
artists for generations to come.
Thus they spread the way
for a
new generation of artists who combine virtual reality with other media in a seemingly effortless manner, the Internet as their ubiquitous and inexhaustible source
of inspiration.
Under the tutelage
of the photographers and conceptual
artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this
generation of photographers took the methodical, taxonomic approach
of the Bechers and applied conceptual modifications, veering from the pure «straight» photography
of their mentors to produce works that functioned more self - consciously as art, and ushering in a
new era
for photography where the medium was not simply accepted as art but embraced.
Given his spotlight - stealing video piece Re'Search Wait»S at the
New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one
of the most important
artists of his
generation, Ryan Trecartin seems to be a prudent choice
for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.
2005 The Last
Generation, curated by Max Henry, Apex Art,
New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center
for Contemporary Art, Long Island City,
New York, USA The Disasters
of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns,
New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art
of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery,
New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery,
New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art,
New York, NY Word
of Mouth, A Selection: Part 1, Dinter Fine Art,
New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects,
New York, USA Bush League, Roebling Hall, Brooklyn,
New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo,
New York, USA 150
artists make 150 T - Shirts, Daniel Silverstein Gallery,
New York, USA Cartoon, Riva Gallery,
New York, USA Melvins, Anton Kern Gallery,
New York, USA 2002 The Presidential Suite, Nassau County Museum
of Art, Roslyn Harbor,
New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery,
New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery,
New York; Conner Contemporary Art, Washington, USA 2001 How is everything?
He Xiangyu has also been included in various group exhibitions including Tales
of Our Time Film Program (Screening
of the film «The Swim»), Guggenheim Museum
New York,
New York, USA (2017); Hedge House Wijlre: Family Tree, Contemporary Chinese art from the Sigg collection, Bonnefanten Museum, Maastricht, Netherlands (2016); Juxtapoz x Superflat, Vancouver Art Gallery, Vancouver, Canada (2016); Chinese Whispers, Paul Klee Zentrum, Kunstmuseum Bern, Bern, Switzerland (2016) The 13th Biennale de Lyon (2015), Fire and Forget, KW Institute
for Contemporary Art, Berlin (2015), Shanghai Biennale (2014), Future
Generation Art Prize: Exhibition
of the Shortlisted
Artists at the Pinchuk Art Centre, Kiev, Ukraine (2014), Busan Biennale, (2014), Yokohama Triennale, (2014), 28 Chinese and the Rubell Family Collection, Miami (2013).
It has been a great honour to have been able to select with the family, museum quality works by the
artist, to show London and, by doing so, to have the opportunity to expose his work to a
new generation of collectors, further strengthening awareness
of Chillida's work around the world» Chillida considered his relentless search
for the unknown in art to be an adventure in learning, and his sculptural study
of temporal and spatial relationships have transformed the field
of sculpture; he is hugely respected by many
artists working today including Sir Anthony Caro, David Hockney, Ellsworth Kelly and Richard Serra.
The school carries on the legacy
of Mrs. Whitney
for a
new generation of artists and reaches out to the public with a continual schedule
of art exhibits and lectures by
artists, historians, and art critics.
The
new Tate Britain show is billed as the largest exhibition
of the
artist's work
for a
generation, covering all
of Nash's output from early watercolours through to his final landscapes.
Significant exhibitions include: Andy Warhol's Campbell's Soup Boxes in December 1986, just weeks before the
artist's untimely death; She: Works by Richard Prince and Wallace Berman, brought together,
for the first time, two
generations of leading
artists from different coasts; Bruce Conner: Work from the 1970s, which inspired the
artist's first solo retrospective in Europe at the Kunsthalle Wien and Kunsthalle Zurich (2010); other shows
of important
New York - based artists have included new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Hari
New York - based
artists have included
new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Hari
new works by Christopher Wool, Richard Tuttle, Mark Tansey, Kenny Scharf, and Keith Haring.
1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery,
New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three
Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery,
New York, NY; Museum
of African American Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum
of the National Center
of Afro - American
Artists, Boston, MA; Telfair Museum
of Art, Savannah, GA; Center
for the Study
of African American Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century
of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question
of Modernity, National Academy
of Design,
New York, NY
Turning 90 this year, the American
artist Alex Katz is considered as one
of the most inspirational
artists for the
new and emerging younger
generation of authors.
We, as the
new generation of feminist
artists, need to keep being visible, using all the digital tools to make these works available to a wider audience
for the next
generations to come, and on an international level.
As he elaborates on their similarities and differences in accordance with his rejection
of residual European influences in favor
of the
new application
of fabricated objects and industrial products, we realize that his argument is part
of his greater advocacy
for the works
of the
artists of his
generation (similar to what Clement Greenberg wrote a decade earlier in 1956, in his equally significant essay, «American - Type Painting»), and further deriving from his own artistic output at the time.
Los Angeles in the early»60s was a blank canvas
for a
new generation of artists.