Sentences with phrase «of a new generation of artists in»

Since the late 1990s, when he first presented the seminal work Fiorucci Made Me Hardcore, Mark Leckey's dynamic and varied output has made a significant impact and continues to be an important influence on the work of a new generation of artists in the UK and internationally.

Not exact matches

The past 10 - 15 years have seen jumps in the popularity of names Rhianna, Beyonce, Taylor, Miley and Shakira as a new generation of parents opt to name their offspring after their favourite artists.

The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.

Columbia is committed to building partnerships in schools and communities across the region in order to build a new generation of engaged artists.

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

«Twenty years from now, when a new generation of more tolerant and inclusive artists finds themselves in the position to organize events like this, let's not be dicks like our forefathers... There's room enough for everyone.

Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Wholnew generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me WholNew York Times best - selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).

So I'd like to propose a bit of a promise to our future selves: Twenty years from now, when a new generation of more tolerant and inclusive artists finds themselves in the position to organize events like this, let's not be dicks like our forefathers.

by Jill Andreasen and Wendy Rancier, Collection Development Librarians It's clear that authors, artists, and creators in the children's publishing world feel a responsibility, an urgency, to raise a level of empathy and awareness in the newest generation around many issues our country is facing.

As the most visited art museum in the state of New Mexico and the first museum in the United States that is dedicated to a single woman artist, we work hard every day to ensure the preservation of these treasures for the enjoyment of generations to come.

«Now, our hope is that artists and technicians are empowered to employ these technologies and techniques to usher in a whole new generation of real - time cinematography that will take interactive entertainment and storytelling to a level of efficiency and quality that has never been achieved before.»

In working directly with the core creators at Lucafilm Animation, Virtuos artists have once again helped bring the magic of Star Wars to a whole new generation of youth.

Curated by Dr Nicholas Cullinan, Director of the Gallery, this major new show spanning several generations of artists across all media will open in the summer of 2018, to coincide with what would have been the King of Pop's 60th birthday (on August 29, 2018).

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

The new element in the late sixties was the coming of age of the diverse first wave of the baby boom generation of artists born between 1937 and 1950.

1951 was also a critical year for constructivism in Brazil, with the first São Paulo Biennale, which asserted its modern foundations in concrete art and concrete poetry, and with the figure of the Swiss artist, Max Bill, who was to exert great influence on this new generation of artists.

At the beginning of 2013 Tate Britain commissioned Adam Chodzko to create a new work in response to its Kurt Schwitters retrospective - a link between one generation of artists and another that, by chance, links the legacy of Marlborough to its future.

In his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generatioIn his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generatioin 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generation:

The work of these artists was brought into fresh focus and given renewed impetus by the revival of interest in figurative painting by a younger generation that took place in the late 1970s and the 1980s (see neo-expressionism and new spirit painting).

«Coming To Power» pays homage to the first generation of women artists who pioneered a new artistic genre in the mid 60s and early 70s using explicit sexual imagery.

Helen Frankenthaler's life and art produced a remarkable body of work that inspired an artistic movement and continues to inspire new generations of artists and viewers in her unique pursuit of truth and beauty.

Lebanese - born artist, academic and poet Etel Adnan produces with her palette knife luminous abstracted landscapes — blocks of bright colour on canvas — that, late in life (Adnan is now nearly 90 years old), have brought her a new generation of devotees.

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.

With highly successful art schools in New York and Provincetown, he exerted a lasting impact on an entire generation of American artists of the postwar period.

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

1957 She participated in the Artists of the New York School: Second Generation exhibition organized by Meyer Schapiro at the Jewish Museum in New York.

The exhibition's title aims to reflect Borgmann's prescience in acquiring works by a new generation of artists.

Gianfranco Foschino is a key figure in a new generation of artists from Chile.

, New City Art, December 1 Maidman, Daniel, «Memory Visible», Huffington Post, November 13 Cascone, Sarah, «One Model, 10 Nudes», Artnet, Online October 11 Pini, Gary, «11 Must See - Art Shows», Paper Magazine, Online, May 10 Gregory, Mary, «Commuting Art», Long Island Pulse, Online, March 27 Nunes, Andrew, «Generations of Artist - Provocateurs Join Forces in Piss and Vinegar, Vice, Creators Online, February 6

From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.

Karen Wilkin, «Greenberg and the Syracuse Artists», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Suzanne Shane, «Greenberg in Syracuse, Then And Now», The Mirror Eye, Clement Greenberg in Syracuse, catalogue to the exhibition, Greenberg in Syracuse, Then and Now, May / June 2005, Syracuse, NY Clement Greenberg, «Interview with Clement Greenberg», Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006 Robert Morgan, Clement Greenberg, Late Writings, University of Minnesota Press 2003 Donald Kuspit, «A Critic's Collection», Artnet.com, August 3, 2001 Karen Wilkin; Bruce Guenther, Clement Greenberg A Critic's Collection, Princeton University Press 2001 «Recontre avec Darryl Hughto, L'mour de la matiere», Pratique Des Arts, no. 36 Fevrier - Mars 2001 Michael Ennis, «Long on Art», Architectural Digest, May 1996 Dodie Kazanjian, «On Target», Vogue, February 1990 Karen Wilkin, «At the Galleries», Partisan Review, no. 2, 1989 Grace Glueck, «1 + 1 on Madison, Couples Show Adds Up», The New York Times, Feb. 17, 1984 Valentin Tatransky, «The Art of Painting; Jules Olitski, Lawrence Poons, and Darryl Hughto», Arts Magazine, May 1983 Terry Fenton, Darryl Hughto, Recent Paintings, Catalogue to the exhibition, The Edmonton Art Gallery, November 1981 Karen Wilkin, «The New Generation; A Curator's Choice», art magazine, May / June 1981 Ken Carpenter, «New Abstract Art», art magazine, May / June 1981 Stephen Pentak, «Darryl Hughto», Arts Magazine, May 1981 Vivien Raynor, «Darryl Hughto», The New York Times, May 30, 1980 Kenworth Moffett, The New Generation; A Curator's Choice, Rhineburgh Press, NY, 1980 Ken Carpenter, Darryl Hughto, catalogue to the exhibition, Meredith Long Contemporary, NY, 1980 John Russell, «The 20th Century at the Met», The New York Times, August 12, 1979 Suzanne Shane, «Darryl Hughto», 57th Street Review, Feb. 1976 Ken Carpenter, «Third Generation Abstraction: Darryl Hughto», Arts Magazine, Feb. 1975 James Harithas, Notes on Darryl Hughto, Catalogue to the exhibition, Everson Museum, Mar. 1973

It was the exploitation of such unexpected moments that this generation of artists that came into prominence in the 1940s and 50s were open to, and these artists, composers and writers became associated with the New York School.

As figurative painting made a comeback in the late»80s and»90s, a younger generation of artists began to see Katz with new appreciation.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideliNew York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sidelinew kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

COVER ART April 7: Work by Chicago - based artist Hebru Brantley appears on cover of «The BreakBeat Poets: New American Poetry in the Age of Hip - Hop,» which the publisher describes as «the first poetry anthology by and for the hip - hop generation.»

Phyllida Barlow is a British artist who came of age in the wake of the «New Generation» of British sculptors of the early 1960s.

It was in 1982, a time when a new generation of American artists, and a generation concerned with painting — which had not been the case with young artists for years — was coming to the fore.

Minimalism emerged in the late 1950s when artists such as Frank Stella, whose Black Paintings were exhibited at the Museum of Modern Art in New York in 1959, began to turn away from the gestural art of the previous generation.

This group show establishes a dialog between three young São Paulo artists represented by the gallery — Pedro Caetano (b. 1979), Rafael Carneiro (b. 1985), and Tiago Tebet (b. 1986)-- and a selection of artists from the same generation who are based in New York City: Gustavo Prado (b. 1981, Brazil), Nicole Wittenberg (b. 1979, USA), Guy Yanai (b. 1977, Israel), and G.T. Pellizzi (b. 1978, Mexico).

Indeed, the social histories and identity politics explored in work made during the Civil Rights, Black Power, and Black Arts Movements is being investigated by a new generation of scholars and curators, bringing attention to overlooked artists central to the era, AfriCOBRA artists in particular.

The exhibition centers on L.A. artist Rico Lebrun's (1900 - 1964) significant impact upon a generation of Mexican artists; particularly the Mexico's new generation of muralists, when Lebrun moved to Mexico and taught at the Instituto Allende in San Miguel de Allende.

Featuring paintings, sculptures, works on paper, photographs, site - specific installations and more, in The Beyond, you'll enjoy the renowned artwork of Georgia O'Keeffe while discovering a new generation of American artists working today:

The initiators behind MELK want to showcase the new generation of photographic artists in Norway and Scandinavia and discuss photography as art in an exhibition context in an intricate time for the media.

Willamson has been described by Robert Storr, former director of the Museum of Modern Art in New York as «one of the foremost artists of her generation», and her early series A Few South Africans, acquired by the Tate Modern, London last year, is currently on display on Citizens and State.

Bringing together a new generation of artists interested in Thomas Bayrle's legacy, this panel will look at how younger voices take up questions around corporate production, political spectacle, digital...

Considered one of the most important painters of the twentieth century, Still was among the first generation of Abstract Expressionist artists who developed a new, powerful approach to painting in the years following World War II.

His early works were inspired by the Abstract Expressionists he encountered in New York, Stella later commenting: «I wouldn't have bothered becoming an artist if I didn't like the artists of that generation so much.»

Bopape has the distinct voice of a new generation of South African artists, coming of age in the immediate post-apartheid era, and the issues she addresses in her work about our relationship with the earth are urgent for us all.»

We've argued, in lifting the age limit, that the purpose of the prize is established to the point where it can confidently reflect the fact that new art, art taking new directions, can be made by artists of any generation.

That show set a new generation of African American artists in motion — Julie Mehretu, Trenton Doyle Hancock, Rashid Johnson and Atlanta's Kojo Griffin.