Sentences with phrase «of a new survey exhibition»

January 2004 marked the opening of a new survey exhibition which travels to museums in Turin, Düsseldorf, Sydney, Montreal and Johannesburg.

Not exact matches

(winner of Best Marketing Campaign of the Year at the Association of Event Organisers Excellence Awards in 2012, and Best UK Trade Show Exhibition (under 2,000 sqm) in 2010 & 2011); Casual Dining (new for 2014); Ocean Business (including Offshore Survey Conference & Ocean Careers); MARELEC Marine Electromagnetics conference in Hamburg, Germany; camexpo; office *; SITS — The Service Desk & IT Support Show; SITS Europe in Berlin, Germany (new for 2014); Natural Products magazine; and the Natural Beauty Yearbook.

Opening: «Pipilotti Rist: Pixel Forest» at New Museum New York is long overdue for a Pipilotti Rist survey, and the New Museum has appropriately given over the majority of its exhibition space to this exhibition, subtitled «Pixel Forest.»

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

Outside of her work for museums and biennials, Edwards has independently curated exhibitions at galleries, most notably «Blackness in Abstraction,» an expansive survey of the color black in non-figurative work, for New York's Pace Gallery in 2016.

On the heels of his new, encyclopedic monograph published by Damiani and a forthcoming survey exhibition at the Museé d'Art Moderne de la Ville de Paris, we are proud to present David Altmejd's fourth solo exhibition at the gallery.

In celebration of his traveling survey exhibition and newly - launched, fully - illustrated monograph, Tony Feher will speak in a dialogue with Zoe Leonard at the New York Public Library.

Her extensive exhibition history includes solo and group exhibitions at Blumenbar Verlag, Berlin (2008); Victoria & Albert Museum, London (2010); Blanton Museum of Art, Austin (2010); a major survey exhibition Love Is What You Want at the Hayward Gallery, London (2011); Turner Contemporary, Margate (2012); Malba — Museo de Arte Latinoamericano de Buenos Aires, Argentina (2012), a two gallery solo show at Lehmann Maupin, New York (2013).

NORTH ADAMS, MASSACHUSETTS — The powerful sculpture of artist Richard Nonas transforms MASS MoCA's largest gallery in a monumental exhibition that features both a survey of past works and a new site - specific commission for some 15,000 sq. ft. of space.

It comprises a major exhibition at the Whitechapel Gallery surveying five decades of his career, a large - scale sculptural commission in Tate Modern's Turbine Hall and a new publication.

The massive group exhibition serves as a survey of the burgeoning New Contemporary Art Movement for art lovers in the United Kingdom, handpicked by two of the scene's most respected galleries.

Together with the Museum Ludwig in Cologne and in cooperation with the Joan Mitchell Foundation in New York, Kunsthaus Bregenz will be presenting a large - scale survey exhibition, in 2015, of the legendary artist Joan Mitchell (1925 — 1992).

E.V. Day has had numerous solo exhibitions, at such institutions as the Whitney Museum of American Art at Philip Morris, New York; Bellevue Art Museum, Bellevue, Washington; and a 10 - year survey at the Johnson Museum of Art, Cornell University.

2005 — BRIC PROJECT DIVERSITY, Corridor Gallery, Brooklyn, NY 2004 — THE MELTING, Rockefeller Arts Center, SUNY Fredonia — TELL ME A STORY OF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF A WORLD WITHOUT WORDS, City Without Walls, Newark, NJ — A SLOW READ, BRIC Rotunda Gallery, Brooklyn, NY, curated by Katarina Wong — SIX NEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicNEW YORK ARTISTS, Linda Warren Gallery, Chicago — SEEN & UNSEEN, Broadway Gallery, New York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicNew York 2003 — ANNUAL JURIED EXHIBITION, Delaware Center for Contemporary Arts, Wilmington 2002 — ART AT STEEPLETOP, Millay Colony for the Arts, Austerlitz, NY 2001 — ART CONTEMPORANI DE MUNTANYA, Ecomuseu, Valls d'Aneu, Spain 1999 — LEST WE FORGET, Amory Arts Center, West Palm Beach, FL 1996 — RED CLAY SURVEY BIENNIAL, Huntsville Museum of Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, AL 1995 — CONFESSIONS, Woodruff Arts Center, Atlanta 1994 — ALEX O'NEAL AND JAN HANKINS, P. S. 122, New York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicNew York 1989 — NEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicNEW AMERICAN TALENT, Austin Museum of Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art, Austin, TX, curated by John Caldwell 1988 — BIGGER THAN A BREADBOX, S.I.T.E., Culver City, California 1987 — FIFTY YEARS OF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, ChicaOF VISUAL CREATION, Memphis College of Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicaof Art 1986 — FOUR ARTISTS, Randolph Street Gallery, Chicago

The first major survey of Rivers» work in New York in over a decade, the exhibition includes Rivers» famous nude portrait of Frank O'Hara in boots, and highlights the artist's strong interest in appropriation as well as the broad range of inventive methods and materials he employed over the course of his career.

The Jewish Museum, New York, organized a retrospective in 1966, and at the Museum of Modern Art, New York hosted a survey exhibition in 1991.

The exhibition presented a group of five walls drawn from prior exhibitions including Christopher Williams: The Production Line of Happiness, the artist's first major museum survey which travelled from The Art Institute of Chicago to The Museum of Modern Art in New York and London's Whitechapel Gallery in 2014 - 2015.

Although Pettibon is unquestionably a pivotal figure of American art since the 1990s, he has never before had a major museum survey exhibition in New York.

This mid-career survey explores Jones's 15 - year career and features paintings, works on paper and sculpture, along with a new series of Acoustic painting and a site - specific installation created especially for the exhibition.

In addition to presenting a dynamic schedule of exhibitions, the gallery collaborates with renowned curators to present museum quality surveys and invests considerable resources in new scholarship and research.

A new film giving a survey of Howard Hodgkin's 2014 exhibition at the Gagosian Gallery, Paris — his first solo exhibition in the city — is available to view online.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

For the ninth iteration of Thinkspace's traveling group exhibitions, we have teamed up with D * Face and his crew to present the largest survey of the New Contemporary Art Movement to ever take place in the United Kingdom.

«This exhibition is not necessarily a comprehensive survey of the New York art scene, but an investigation or a report on ideas recently generated by artists,» said Alanna Heiss, Director of P.S. 1 Contemporary Art Center.

Kunsthaus Bregenz, Austria: Together with the Museum Ludwig in Cologne and in cooperation with the Joan Mitchell Foundation in New York, Kunsthaus Bregenz will be presenting a large - scale survey exhibition, in 2015, of the legendary artist Joan Mitchell (1925 — 1992).

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

If you stop in to see «Younger than Jesus,» the New Museum's first triennial survey of new art from around the world, check out «Wiser than God,» May 27 - July 27, 2009, an exhibition organized by art critic Adrian Dannatt at the BLT Gallery, located across the streNew Museum's first triennial survey of new art from around the world, check out «Wiser than God,» May 27 - July 27, 2009, an exhibition organized by art critic Adrian Dannatt at the BLT Gallery, located across the strenew art from around the world, check out «Wiser than God,» May 27 - July 27, 2009, an exhibition organized by art critic Adrian Dannatt at the BLT Gallery, located across the street.

With more than double the exhibition space in its new permanent home, ICA Miami presents its first thematic survey and most ambitious exhibition to date, bringing together the work of contemporary innovators with that of modern masters.

Featuring the Beijing - based artist's earliest video works to newest sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.

The Mighty Scheme presents Fagen's most ambitious survey exhibition to date, in part comprising a new body of work originally conceived and exhibited as part of the Scotland + Venice, 56th International Art Exhibition of the Venice Biennale (curated by Lucy Byatt, Director of Hospitalfield, exhibition to date, in part comprising a new body of work originally conceived and exhibited as part of the Scotland + Venice, 56th International Art Exhibition of the Venice Biennale (curated by Lucy Byatt, Director of Hospitalfield, Exhibition of the Venice Biennale (curated by Lucy Byatt, Director of Hospitalfield, Arbroath).

The first exhibition in its new space will be «Readymades Belong to Everyone,» a survey of artists positioning objects within architectural spaces curated by Fredi Fischli and Niels Olsen.

This exhibition, which is on view parallel with the survey of Tino Sehgal, captures another level of what we consider «live» and represents the artistic approach of new director Beatrix Ruf for the Stedelijk to ask questions about contemporaneity through exhibitions and displays of artistic visions.

Andrea Rosen Gallery is delighted to announce Michael Raedecker's fifth exhibition at the gallery, highlighting substantial new developments in the artist's practice and anticipating an important traveling mid-career survey show opening at the Wilhelm - Hack Museum at the end of this year.

10/4 to 10/22 Nader Tehrani, Dean, Chanin School of Architecture, Daniel Libeskind AR ’70, Laurie Hawkinson AR» 83, Gina Pollara AR» 91, Bradley Samuels, AR» 05, are part of a group exhibition, Work in Progress, which showcases alternative visions for New York City development projects, as well as a photographic survey of active construction sites throughout the city.

Solo exhibitions include the Carnegie Museum of Art, Pittsburgh, Witte de With, Rotterdam, Neuer Aachener Kunstverein, Aachen, and a survey exhibition at Artspace, Auckland, New Zealand.

He has exhibited internationally with recent major exhibitions including those at Museo Stefano Bardini, Florence (2016); DHC / ART Foundation for Contemporary Art, Montreal, Canada (2011); and in 2003 a mid-career survey of his painting which travelled to the Serpentine Gallery, London, the Whitney Museum of American Art, New York, and the Museum of Contemporary Art, Chicago.

This event is being held in conjunction with «Sarah Charlesworth: Doubleworld,» the first major survey exhibition in New York of the work of the influential artist.

This touring exhibition will be a kind of «survey» of my work, but it will be structured around a series of new works that each rebound off some of my work to date, thus attempting to critique the usual static nature of institutionalized surveys or retrospectives, while at the same time allowing some rethinking to take place about conditions and the sound of my own making.

In addition to numerous group exhibitions, recent solo shows include the New Museum in New York, Pigna Projectspace in Rome, and Cornerhouse in Manchester (a survey of her solo works from 2008 to 2012) with an accompanying book.

Recent projects include the eight - part permanent installation The Matter of Time at the Guggenheim Bilbao (2005) and a survey exhibition at The Museum of Modern Art, New York (2007) twenty years after his first survey show there in 1986.

2004 Eye of the Needle, Roberts & Tilton, Los Angeles, USA Glory, Glamour & Gold, The Proposition, New York, USA She's Come Undone, Greenberg Van Doren, New York, USA The New York Mets and Our National Pastime, Queens Museum of Art, Queens, New York, USA Beauty, Kravets + Wehby, New York, USA African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, USA

That same year he was the subject of a mid-career survey exhibition at the Brooklyn Museum in New York, entitled A New Republic, which continues to travel the country and is currently on view at the Toledo Museum of Art in Toledo, Ohio.

EXHIBITION David Hammons: Five Decades @ Mnuchin Gallery, New York, N.Y. (March 15 - May 27, 2016): Mnuchin Gallery is mounting a career survey of David Hammons, exploring the entire arc of his practice, from the late 1960s in Los Angeles to the present in New York, with the artist's support.

Surface Survey is a new solo exhibition by Clement Valla, comprised of digital prints and 3D printed sculptures that are structured around concepts of archaeology, computer software, meaning - making, and images that are not meant for human consumption.

Noguchi's portrait of the painter Jose Orozco is included in a survey exhibition of Caribbean and Latin American artists who pursued careers in New York at El Museo del Barrio, New York.

Since participating in Dokumenta X in Kassel in 1997, solo shows of Kentridge's work have been hosted by the Museum of Modern Art in New York and MCA San Diego, and during 1998 and 1999 a survey exhibition of his work was seen in Brussels, Munich, Barcelona, London, Marseille and Graz.

Like other encounters with «masterpieces» at the Guggenheim, a 1996 survey of abstract painting and «The Tradition of the New» from 1994, this exhibition pretty much ends twenty years ago, with Art Povera.

Sims, the Curator at the Museum of Arts and Design in New York, hand - picked the piece for the museum's ambitious exhibition, the Global Africa Project, which surveys the global influences on African art and vice versa, African art's influence on the globe.

SJMA hosted four collaborative exhibitions with the Whitney Museum of American Art — and as Willem de Kooning is a major presence in the Whitney collection as an immigrant from Europe who developed his craft in New York it is easy to understand SJMA as an ideal location for Il Lee's survey.

This gallery exhibition, the forthcoming museum exhibitions at the Harnett Museum of Art and the Pennsylvania Academy of the Fine Arts, and the new survey monograph, arrive at a crucial time as our understanding of Andrade's highly technical approach continues to evolve.