Sentences with phrase «of a photographic print into»

transformation of a photographic print into a singular, unique artwork through his / her annotation or inscription.

Including works by Aaron Siskind, André Kertész, Frederick Evans, Robert Doisneau, Diane Arbus, Keith Smith, Constantin Brancusi, Francesca Woodman, Alfred Stieglitz, Erwin Blumenfeld and John Wood, this exclusive collection reveals the artist's transformation of a photographic print into a singular, unique artwork through his / her annotation or inscription.

Not exact matches

-- into their checklists, including Reality Check: Representational Paintings from the Modern and Contemporary Collection of the MFAH, Houston Collects: African American Art (MFAH): Second Nature: Contemporary Landscapes From the MFAH Collection, NeoHooDoo: Art for a Forgotten Faith (Menil), Cosmopolitan Routes: Houston Collects Latin American Art, The Progress of Love (Menil), plus any number of photographic and prints - and - drawings show at the MFAH that might not be «Big A» enough for Tibbits's criteria.

In sculpture, video and photographic prints, Rana transforms snapshots of shop signs in Lahore into abstracted cityscapes or renders reproductions of Old Master paintings as digital fields of colour.

September 19 — December 7, 2008 Best known for his exploration of the interstices between art, science and photographic illusion, Barcelona - based artist Fontcuberta created these 40 large - scale prints using computer software that transformed well - known paintings and photographs into virtual landscapes.

The definition of collage is as complex as the range of print, paint, photographic, or sculptural media that artists integrate into works of art.

In her woven work she integrates many components in her process, capturing her unique images multiple times through a repetitive sequence of traditional analog photographic methods, then arranging the large format prints into precise and deliberate pairings.

Doty Glasco's photographic silk prints depict the landscape as a symbol of geologic time embedded into an ethereal material that ripples with the viewer's movements.

These prints represent all manner of special processes and innovative techniques in printing — such as using linen and cotton pulp paint and photo - luminescent inks; black and white and colored lithography; creative integration of collage and cut paper; incorporation of photographic images into digital prints; screen printing; and many others.

The photographic print Madame Psychosis Holds a Séance: Film Still # 3 is a glimpse into the fictional world of an mysterious woman obsessed with the assassination of John F. Kennedy.

This exhibition is the culmination of a year's investigation into the artist's family archive of photographic prints.

Petzel Gallery's solo exhibition of Heineckens work from the 1960s and 70s highlights his photographic journey into this cross-section of consumer culture and the nature of photography through his photo - based paintings, sculpture photograms, silver gelatin prints and installation works.

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

From William Henry Fox Talbot's earliest «photogenic drawings» and Charles Nègre's translation of photographic images into a variety of mechanical processes, to the photogram process that was a staple for Man Ray, Dada, and the Surrealists, Past Picture draws from the extraordinary holdings of late nineteenth and early twentieth - century photographs in the collection of the National Gallery of Canada to present prints and images by some of photography's most innovative and influential inventors and practitioners.

Since the late 1990s, Simpson has extended these concerns into a series of film and video installations and large - scale photographic works printed on felt.

«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.

Silver Eye has made it easier for you by curating a selection of presses, booksellers, and artists for a two - day immersion into photographic printed matter.

Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes and silkscreen.

In 2006, she created Equivalents: After Stieglitz 1 - 18, a suite of 18 photographic prints which break down the gray scale of the original photographs into chessboard - pattern squares of solid hues.

Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.

In this series, I began to experiment with printing images of natural scenes, plants, and other items on to cotton and silk that I then sewed, staged, and re-photographed to create digital photographic collages or sewed the printed fabric into soft sculptures.

Scott's large - scale pieces — often in excess of four feet in dimension — blend photographic prints, found materials, drawing and painting into complex strata of emotion, historical narrative and nostalgia.

Meditating on the power of photographic representation, Kate Steciw assembles imagery taken from social media, stock photography and iPhone cameras, which she then collages, prints and cuts into miscellaneous, generic shapes of aluminum mounted on Sintra PVC.

Four Compositions from the Stuart Davis Group consists of billboard size prints of photographic details of Stuart Davis» «Report from Rockport» 1940, and «Mural for Studio B, WNYC, Municipal Broadcasting Company, 1939» on which Hyde has painted, working the Davis fragments into new compositions.

James Hyde, Roll (Davis), 2008 Acrylic on digital print on vinyl, 114 x 152 inches May 28 — June 27, 2010 Four Compositions from the Stuart Davis Group consists of billboard size prints of photographic details of Stuart Davis» «Report from Rockport» 1940, and «Mural for Studio B, WNYC, Municipal Broadcasting Company, 1939» on which Hyde has painted, working the Davis fragments into new compositions.

Into the woods The colours and textures of the woodland landscape are influencing designers too, with lots of forest - inspired homewares in rich autumnal tones, from painterly prints and photographic imagery to tactile whittled woods, woodgrains and glossy ombre glaze ceramics.