Sentences with phrase «of a piece of music by»

I seem to recall you were quite enamored of a piece of music by Samuel Barber.

Not exact matches

Westergren began by thinking about how any musician would describe a piece of music and came up with about 600 qualities.

I recently listened to a piece of music called Veni Redemptor Gentium sung by lisbeth Scott..

I held a loaf of bread in my hands, tearing off a piece for each pair of cupped hands that went by, slowly, as music played.

What's even more incredible is that PRISM extolls a piece of music written by a man whose very character PRISM would call into question because of his s3xual orientation - except PRISM is so ignorant he failed to educated himself sufficiently to know that Barber was openly gay.

There are things in this piece of art called music that can do more for you than your finite mind impaired by «logic» can ever do!

A mostly derivative pastiche of questionable musical integrity, the piece was roasted (backstage, of course» as professionals we will play as well as we can anything that is put on our music stands) by most of my colleagues, and we complained bitterly that the last minute programming of the piece (replacing Brahms» Third Symphony) was no more than a marketing ploy foisted upon us by Sony Classical in order to boost CD sales of the work.

Hear almost a dozen pieces of great music known by their numbers.

We chose a special piece of music by Dr. Harry Henshaw called Enlightenment, for our Edition 7 Hypnobabies audio tracks» background music and relaxation music that has within it...

First, it's a piece of music intended to make a political point about a modern conflict, one inherent in the nature of networked digital communications — authors and copyright holders have long profited from creative works by charging to distribute them, but in a digital world, books, music and movies can be made in unlimited copies and shared essentially for free.

The band gets credit, too, for their several musical interludes during the course of the show, from an original piece of music inspired by the DNA sequence for blue to the conclusion, when the audience was literally dancing in the aisles to the band's account of «We Are Family» by Sister Sledge.

But if an advertising agency gets an appropriate piece of music and the right level of complexity, it could put viewers in the mood to buy, according to research conducted by psychologists at the University of Leicester.

«By combining functional brain imaging and detailed behavioral assessments using a specific experimental paradigm to investigate personal relevance or meaning of music pieces, we were able to elucidate the neurobiological correlates of personal relevance processing in the brain,» Preller says.

One was designed by synesthetes to accompany a piece of music; the other was designed by nonsynesthetes.

Imagine trying to recreate a musical score by listening to an orchestra perform a piece of music.

Using functional magnetic resonance imaging (fMRI), the research team, led by Dr. Vinoo Alluri from the University of Jyväskylä, Finland, recorded the brain responses of individuals while they were listening to music from different genres, including pieces by Antonio Vivaldi, Miles Davis, Booker T. & the M.G.'s, The Shadows, Astor Piazzolla, and The Beatles.

Professor Grzywacz and his colleagues suggest that high surprises in the harmony of a song, as well as high surprises followed by a lower - surprise section, can both contribute to the enjoyment of an unfamiliar piece of music.

Blais is accustomed to covering space in his music by now — his recent piece on cosmic background radiation, to the tune of Circle of Life, lays down the science behind the search for evidence of cosmic inflation and gravitational waves in space's emissions.

One of the art contributions was a music piece by William Benckert, a student at the Royal College of Music, interpreting single cell research into smusic piece by William Benckert, a student at the Royal College of Music, interpreting single cell research into sMusic, interpreting single cell research into sound.

Start by eliminating any distractions and choosing a slower piece of music.

To this day, if Im going through something and I cant seem to shake it, I will put on a really passionate piece of music — by Sinead OConnor or Alanis Morissette or Annie Lennox or Seal — and close my eyes and just dance.

All of these pieces work together because they're from William Rast a cool and contemporary brand inspired by music and available at Macy's.

My biggest interests are music and film I like to believe everyone can be touched by music or a great piece of film.

Questlove has become the go - to guy for pop - music perspective in music documentaries for a reason he proves once again here: He brings a musician's knowledge of why a piece of music is special (his analysis here of «Don't Stop «Til You Get Enough» is a mini-music class) as well as a fan's appreciation for what that music meant to millions of ordinary people — how Jackson's music during this era not only defined the time, but made the world a better place simply by its existence.

Will they remain compatible during the course of the competition?Dancing with the Stars has broad appeal, offering viewers dazzling costumes, dancing, celebrity gossip, behind - the - scenes training and contemporary music performed by a live 15 - piece band.

Dan Jones» music track is right on cue between pieces of Schubert and songs by Chuck Berry.

If you're wondering why there are shouts of jubilation from film buffs and aficionados of pre-swing-era music it's because the Criterion Collection has released a beautiful Blu - ray and DVD of King of Jazz (1930), The movie features Bing Crosby's first appearance onscreen, as part of the Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the piece just six years earlier.

The trailer indicates that Ridley's film is as much a work of Impressionism about Hendrix's experience performing as part of the 1960s London music scene as anything else - a sentiment backed up by the early reviews, with the Seattle Times» Moira Macdonald calling the movie «a mood piece, not a biopic» in her overall positive critique.

You can't do anything really cool, like listen to that piece of music without dialogue or SFX, so anyone who's ever used IMDb won't be too knocked out by this.

It is at this funeral, after a series of delightfully frivolous set pieces — all scored with jaunty balalaika music by composer Alexandre Desplat — that the plot kicks in.

Blu - ray extras include a making - of documentary; four deleted songs and two deleted scenes; a discussion with co-directors John Musker and Ron Clements; a piece on the Broadway adaptation of Aladdin; outtakes from Williams» recording session as the Genie; and, for those so inclined, music videos of Aladdin tunes by the likes of Clay Aiken and Jessica Simpson.

The performances are top notch, and Drive «s score (by Cliff Martinez) and music selections, too, are hypnotic and of a piece — nervous, pulsing and desirous gems that give the movie a dreamlike hold.

What makes this whole thing work in an album context is that all the thematic and sonic pieces fit together — these weird, morning - after tales of lust, hurt, and over-indulgence («Bring the drugs, baby, I can bring my pain,» goes one refrain) are matched by this incredibly lush, downcast music.

I can only imagine three audiences for Campus Man — those that collect every piece of 80s piffle purely for nostalgia, those that want to see homoerotic music montages featuring hunky men in swimsuits, or perhaps you're curious to see some early work by John Dye of «Touched by an Angel» or Kim Delaney (Mission to Mars, Body Parts) of «NYPD Blue».

What does not help is the fact that each revealing piece of information is accompanied by heightened music.

The sensation of being caught in an endless loop is reinforced by the main musical theme, by Kitano regular Joe Hisaishi, a piece of treacle featuring piano and orchestra that's repeated so many times it drills its way into your skull, like one of the elevator - music themes of a comedy by Jacques Tati (or, perhaps closer to the mark, Ryuichi Sakamoto's main theme for Nagisa Oshima's Merry Christmas, Mr. Lawrence, which featured Kitano's first film performance).

Confounding logic or any readily apparent consistent standards, the music branch says The King's Speech score by Alexandre Desplat is good to go, despite the extensive presence of classical pieces on the soundtrack.

It's a matter of record that Jonny Greenwood earned an Oscar nomination for scoring Paul Thomas Anderson's Phantom Thread... but a significant piece of music that sets the tone for this moody character portrait is Victor Young's «My Foolish Heart,» played by pianist Oscar Peterson.

Over them is a piece of music called «Roar,» written by Oscar - winning composer Michael Giacchino.

That's followed by a 12 - minute making - of featurette, five deleted scenes (each presented with the optional accompaniment of the commentary crew), a fun and brief piece called «The B Team» that spends some time with three cast members (Juliette Lewis, David Koechner, and Kick Gurry) who felt left out after they joined the filming a few days late, a blooper reel, and a music video for «Put Your Head on My Shoulder» by Blue Mother Tupelo.

The scene also features a gorgeous piece of music by Danny Elfman.

«Building the Band» (3:06) is a promotional making - of short covering some of the same ground as the first piece above regarding the cast's musical training by executive producer / music consultant / «Sopranos» alum / E Street Band guitarist Steven Van Zandt.

Best Scores and Soundtracks of the Year (some of them talked about in depth here) Michael Andrews» «Jeff Who Lives At Home» (he's criminally underrated), Nick Urata's score for «Ruby Sparks» (beautiful and heartrending, maybe my fave of the year), «Beasts of the Southern Wild» (anthemic, celebratory, overwhelmingly burst - into - tear inducing), Hans Zimmer's «The Dark Knight Rises» (typically thrilling and towering), Howard Shore and Metric — «Cosmopolis» (sinisterly futuristic; we overlooked by accident), the soundtrack to «The Comedy» (poignantly wistful soul), the soundtrack to «Take This Waltz,» «Rust & Bone,» «Nobody Walks» and «Keep The Lights On» (an excellent soundtrack of forlorn Arthur Russell songs that we regrettably failed to mention at length in our music piece).

Because of the film's haphazard and confusing flashback structure, however, we already know that eight years later she is alive, and being kept in a locked basement by a creepy perv called Mika with a creepy perv's tache (Kevin Durand, unsurprisingly) who only ever seems to listen to one piece of music in his designer home: the Queen of the Night's aria from Mozart's «The Magic Flute.»

Doubling as an effective romance, Zemeckis story of Hanks's FedEx worker Chuck Noland becoming stranded on a deserted Pacific Ocean island after a plane crash, driven to survive by the thought of returning to his girlfriend Kelly (played by Helen Hunt) is one of the director's most restrained (even the music cues by Alan Silvestri don't start till over an hour into the film) and in - command pieces of work that sees the esteemed filmmaker largely hold back on artistic flashes and instead focusing on his leading man Hanks working his magic as the determined Chuck.

DVD extras include a making - of featurette; a piece on the St. Bernard; and a music video by Alison Kraus and Robert Plant.

Because of the film's haphazard and confusing flashback structure, however, we already know that eight years later she is alive, and being kept in a locked basement by a creepy perv called Mika (Kevin Durand, unsurprisingly), with a creepy perv «stache, who only ever seems to listen to one piece of music in his designer home: the Queen of the Night's aria from Mozart's «The Magic Flute.»

Composer Junkie XL («Batman v Superman: Dawn of Justice») throws his extensive prowess into the music, though he underscores far too much, overusing and smothering the potential of his pieces by the end.

The movie takes its title from a brutal piece of music composed by Hank Levy, «Whiplash 7/4 and 14/8» which was recorded by Don Ellis.

With pieces written by artists such as VHS Dreams and Do Nothing Club, the soundtrack has a mix of techno, electric, and disco music.