Sentences with phrase «of a real book cover»

Limited Edition Leather Case Reader's Edition comes with a limited edition, rustic brown leather case that gives the look and feel of a real book cover and protects the tablet from accidental scratches.

Fire HD 8 Reader's Edition comes with a limited edition, rustic brown leather case that gives the look and feel of a real book cover and protects the tablet from accidental scratches.

Not exact matches

Significantly expand the scope of Canadian prosecutorial jurisdiction to cover activities of Canadians (including officers and directors) and Canadian corporations, even if all the activities related to the alleged bribery take place or the falsification of books and records occurs outside Canada, thereby displacing the previous requirement that there be a «real and substantial link» between the offence and Canada.

In my book I cover specific strategies to cope with the 9 types of difficult PhD supervisor, with real stories from former PhD students.

don't judge the book by its cover., finding a real, nice serious type of person... friendly also respectful... same with me music lover..

«It's been 72 hours since I've seen it and I don't know what the moral of the «Batman v Superman» movie is other than, maybe, maybe, if you stretch it real thin, «Hey kids, don't judge a book by its cover,»» he continued.

When they turn to the back cover and then open the book, the design must continue to make them feel comfortable, in the presence of a «real» book in every way.

Divided into 11 categories, the book covers the gamut of real - life scenarios out of doors (how to tie a bowline knot), in the home (how...

The first edition was a leather - bound showpiece, with a real silver peso on the cover of each book, and sold out years ago.

Most writers will create the artwork for their book covers in flat 2d format — which is what you need to upload to the various book sites but we are then faced with the dilemma of wanting to show our digital work as something more tangible — as a real book, paperback or hardback, and that's not easy if you're not a designer.

The costumed characters are freakish yet believable, and he puts in lots of little touches, such as real book titles and album covers, that help define the characters and create a sense of the era.

The timing is perfect — in the age of Dan Savage's It Gets Better (2011) and recent Supreme Court rulings on marraige equality, a book meant for young adults features a real - life gay teen couple kissing on the cover, standing in for the book's two fictional boys, ex-boyfriends hoping to share the world's longest kiss.

But there is a definite trade - off in terms of control and production time... since my book covers the ins and outs of self - publishing, the long production cycle was a real detriment since technology is changing so quickly.

To be sure, a lot of self - pubbed books are «crap» (a favorite word commonly used by the New York - pubbed writers), in dire need of a decent editor and a real cover designer.

Their real identities are an «open secret,» so it's more about having the «right» kind of name on the cover for a potential reader to be willing to check out the book.

Yes, plenty of games and other books get second editions available on Kickstarter, but it doesn't seem like the minimum goal has any real changes to them; perks like color inserts and new covers are stretch goals.

The subjects covered in the book are diverse and «real,» from college roommate struggles, jealousy at work, and cheating neighbors, to mothers» undying love for their children's welfare and a grandmother's words of wisdom.

The real challenging work of formatting, doing layout, designing the cover, and actually editing and proofing the book is already done.

As a child, my best friends lived between the covers of books, as real to me as people I could reach out and touch.

JF: The real role of cover designers is to sell books, and they do it indirectly.

It was a toss - up between a post on some comments about the cover of Black Tide Rising, an anthology based on John Ringo's series of books, and a response to an article The Passive Voice linked to about how real writers don't go indie.

Windowing — the practice of putting a book on a real brick - and - mortar bookshelf — works because the reader can pick up that copy, read the back cover, and decide to buy.

The following section of this tutorial covers the files that go into OEBPS — the real meat of the digital book: its metadata and its pages.

1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10 Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding Beta Readers 2.2 Understanding the Role of Beta Readers 2.3 Find Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?

Shakespeare was talking about theater, but the principle is the same: just like a play is a reflection of real life, a book cover is a reflection of what's in the book.

UPDATE: The Washington Post covers the story on Wednesday, May 14, noting that Hachette may be forced to «relent on the price at which it sells books to Amazon, squeezing its slim profit margins even further» and that, as Amazon's market share increases, «if there's no real choice of where to buy things, maybe there should be some other way to retain pricing power for those who produce goods in the first place.»

So, in a very real sense, this data covers only a small section of the worldwide book market.

One other friend of mine left he was in the real estate space wrote a book with with a major publishing house and then a few years later stopped he left real estate and went into a really strong personal development business and the publisher went up well you're not promoting this book anymore and they took his book word - for - word and put somebody else's name on the cover of it and just put a new introduction on it no credit to anybody he had worked because he had two co-authors help him with it because he's dyslexic so they essentially were the ones that wrote it and he provided a lot of the content and the publisher gave those other authors no credit took his name off and put somebody else's name on the front and then the publisher was 100 % within their rights to do it so you know there's a lot of things that I challenge people to kind of think about what's important and if you're putting all your expertise into this book you want to make sure that somebody's negotiated a heck out of it giving you a contract that actually makes sense for you and your business.

Written by a paramedic and writer with a decade of experience, 10 BS Medical Tropes covers exactly that: clichéd and inaccurate tropes that not only ruin books, they have the potential to hurt real people in the real world.

Book Marketing Tips: Check out the book cover for the new Real World Edition of 1001 Ways to Market Your Books by John KreBook Marketing Tips: Check out the book cover for the new Real World Edition of 1001 Ways to Market Your Books by John Krebook cover for the new Real World Edition of 1001 Ways to Market Your Books by John Kremer.

This is again due to the collapse of the wholesale market in the 1990's which was almost all mass market paperback, the need then to raise prices on mmps as they moved more heavily into the bookstores, and the costs involved with mmp re the returns system (mmp are «returned» for full refund by ripping off their front covers, returning those to the publishers and the rest of the books are pulped because that's cheaper than shipping those units back, which has been a real mess.)

My real concern here is for self - published authors who, for instance, took a year to finish their book, spent a ton of money getting the cover designed, and took six months to figure out how to get their book into the Amazon system.

Put your bio, photo, and information on the last page of the book and save that amazing real estate on the back cover for showcasing the benefits of your book.

On top of that, I've decided to release all my articles from over two years of guest posting at Eye On The Paranormal as a book called: Real Science Proves the Bible: Explanations of the Supernatural by Lisa Grace I'm waiting for my cover artist to do mock ups and should be able to release this book by the end of the month.

As a reader, I'm attracted to the covers first and I don't do ebooks, I do real books, so try to have a real book as an option for those of us who are still crazy like that

The book also includes a chapter covering four case studies as well as a supplemental chapter on the pros and cons of real estate versus stock market investing.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Towncover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownCover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Leif Parsons (BFA 2003 Graphic Design) Illustrator and designer; illustration chosen for New York Times» «Notable Opinion Art of 2012»; named in Step magazine's The Step Field Guide to Emerging Design Talent 2006; Art Directors Club Young Guns winner (2006); designer of several book covers; clients include The Los Angeles Times, The New York Times, Travel and Leisure, The Atlantic, Real Simple, The Boston Globe, and The Walrus.

Much of this has already been covered in earlier posts as well as in my book, Environmentalism Gone Mad; this post is intended to summarize some of the new hypotheses generated by comparisons with real world observations.

This first edition book covers the entire construction process of offshore units and vessels, from initial concept right through to installation, at each stage commenting on typical contract terms and offering expert advice based on real - life examples.

They say that one shouldn't judge a book by its cover, but unfortunately in the real world, everything is judged on the basis of its external appearance.

Those who want a real shot at one of these Plum Books jobs need to get their federal resumes and cover letters in top shape and submit them to the Presidential Appointments web site as soon as possible.

Ascencia Test Prep's first study guide, PTCB Exam Study Guide 2017 - 2018: Ascencia's Test Prep and Practice Test Questions for the Pharmacy Technician Certification Board Examination is a comprehensive book offering readers a full review of the subject matter covered on the PTCB exam, test tips and strategies, real - world examples, and worked through practice problems.

But for me the real strength of this book is that the range of topics covered will attract a whole host of new students and researchers to positive psychology and lead to an expansion of the field.

I love looking at decorating books and cookbooks that interest me, but the real treat for me is the visual feast of looking at all the book covers, the fonts they use, the colors.