Sentences with phrase «of a realist from»

Not exact matches

In that «realist» tradition the intelligible actuality of a thing is not a projection from the mind of the observer — as in Kant and the subjective schools that come from him — but is an intrinsic aspect of the thing itself.

Unlike a traditional realist, Whitehead can not conceive of the world apart from prehending subjects and their subjective experiences.

In the mandarin world of foreign policy experts, a good many «realists» viewed, and still view, this initiative as an unwelcome intrusion that distracts attention from the cold calculations of power that should guide our thinking about world affairs.

Collingwood interprets this characterization as follows: «In Whitehead the resemblance is more with Hegel; and the author, though he does not seem to be acquainted with Hegel, is not wholly unaware of this, for he describes the book as an attempt to do over again the work of «idealism,» «but from a realist point of view.»

Instead of subordinating Christian claims to realist (or other) canons of truth that stand outside Christianity, Marshall proposes, Christian thinkers should argue from an explicitly Christian standpoint.

Thus, for example, in spite of the fact that we can presuppose in every instance a certain «will to clarification,» a «realist» on such an occasion outlines a different picture from that of the «idealist,» and so on.

Thus, when Perry and several prominent realist colleagues issued their collective manifesto, The New Realism in 1912, Russell wrote that the Americans had combined a style of logic «that I heartily agree with» with a metaphysic, derived from William James, denying the old mind / matter dualism.

He was not, for example, particularly hospitable to the American realists» attempts to reconceive the very notion of experience upon which empiricism should be founded, preferring instead to join Moore and others in England in a virtually uncritical acceptance of the older «commonsense» notion of experience as human (and usually visual) perception derived from their seventeenth - century cultural predecessors Locke and Hume.2

He perceived the realists in America more generally as sliding down the «slippery slope» of metaphysical obfuscation from which all had only so recently emerged.

The unipolarist ideology by whatever name, adds a fourth party to the foreign - policy debate, which has otherwise involved 1) liberal internationalists, who seek world peace and stability by securing collective agreements from nation states to comply with international law; 2) realists, who seek to ensure a balance of power among competing regimes; and 3) principled anti-interventionists, who renounce the use of military force for all reasons besides self - defense.

Johnson styles himself a «theistic realist» — while distancing his positions from that of the «fundamentalists» and «creation scientists,» he accepts the name «creationist»»:

After all, Whitehead apparently does not radically diverge from the Einsteinian point of view, but rather emphasizes one assumption of Einstein's and claims that it logically supersedes his other, resulting in a shift away from Einstein's operationist definition of simultaneity to Whitehead's «empirical - realist» definition.

Quite apart from this problematic classification of Anglo - American realists and American pragmatists (cf. GMPT 136 - 80) such conventional associations tend to obscure, rather than elucidate the influence of evolutionist theories on Whitehead's philosophical development, and do nothing to clarify the actual influence on, or to evaluate the compatibility of evolutionary cosmologies with, Whitehead's philosophy.

Hartshorne takes from Aquinas his realist view of perception.

But the logic behind the progressive demand for admitting transgendered persons into restrooms of their choosing also betrays a realist commitment: there is a mind - dependent reality about gender, and it is not deducible from physiological appearances.

The realist grounding of perceptions comes from their being derived causally from experiences of processes going on in external nature.

When the defense of religious freedom meant confronting Islamist and jihadist terrorists, in the face of the same objections from the same unrealistic realists, Frank Wolf was there.

Entities in the world are assumed to be two stages removed from the familiar systems on which the model is based: (1) gas molecules are not the «tiny elastic spheres» of the model (if we are not naive realists), and (2) «tiny elastic spheres» are not billiard balls (if we have kept negative analogy in mind).

The entire project of the Enlightenment was to maintain realist faith while declaring disallegiance from the God who was that faith's object.

But this is a far cry indeed from the public controversies that our current epidemic of so - called realist atheism has given rise to, such as whether it is permissible to pray or celebrate Christmas in schools and other public institutions, or to grant government support of one kind or another to private religious education.

I love realists like you and get so irritated by those fans who suffer from Wengeritis disease; failure to see the clear truth even when it is right in front of them.

we were awful for 60 mins and fortunate to be just one down and the good... we took a point from being decent for 30 mins all but securing third place... As for realism it's simple... There is no way a real arsenal fan could watch that performance and be confident that we will be challenging for title in 12 months time... So if that is what we want the realist fan asks what needs to change... and if we rule out the first best option... which as a realist I do... to get rid of wenger... then in our second best world it's a matter of where we need to strengthen... Sadly at the point realism breaks down because in the absence of first best option we are in the fantasy world of the cheese eating surrender monkey where 11 yr olds are zee future of zee club

Maybe a few breakfast bingers, before scarfing down the cheesecake with some milk drunk directly from the carton, might seek intellectual underpinning for their pig - out — Hey, I'm getting protein from the cheese, fiber from the crust and fruit from the topping — but realists accept that an occasional wanton act of gluttony needs no further explanation than Just because...

In researching LATs / apartners for The New I Do: Reshaping Marriage for Skeptics, Realists and Rebels — which offers a living apart together model as one of many marital options couples can chose from to individualize their marriage — I discovered that LATs / apartners feel more committed and less trapped than live - in couples.

Maybe; their paper cites studies that indicate «unrealistic expectations» and «inadequate preparation» for marriage are keeping many couples from having an «our» marriage (and these are just the sorts of things Susan Pease Gadoua and I are discussing in The New I Do: Reshaping Marriage for Skeptics, Realists and Rebels.

In researching LATs / apartners for The New I Do: Reshaping Marriage for Skeptics, Realists and Rebels — which offers a living apart together model as one of many marital options couples can chose from to individualize their marriage — Vicki discovered that LATs / apartners feel more committed and less trapped than live - in couples.

But, as Susan Pease Gadoua and I detail in The New I Do: Reshaping Marriage for Skeptics, Realists and Rebels, couples can choose a LAT arrangement from the start of their marriage.

Since I am (as you now know from last week's Civil Eats post) more of a realist than an idealist, I'm not especially hopeful that our elected officials will suddenly find the courage to defy Big Food — and forgo its campaign contributions — nor am I hopeful that industry will change its ways voluntarily on a widespread basis.

Adapted excerpt from The New I Do: Reshaping Marriage for Skeptics, Realists and Rebels by Susan Pease Gadoua and Vicki Larson, with permission from Seal Press, a member of the Perseus Books Group.

While realism should do more to engage with the impact of «soft power» and historical patterns on calculations of interest, power, and threat, there is no reason why these factors are necessarily excluded from realist thinking.

In his magical - realist masterpiece One Hundred Years of Solitude, Colombian author Gabriel García Márquez takes the reader to the mythical jungle village of Macondo, where, in one oft - recounted scene, residents suffer from a disease that causes them to lose all memory.

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As the romantic and the realist set off across the wilderness in search of their respective rewards, writer / director Maclean ensures that they run into all manner of characters, hailing from all manner of lands, ranging from a fur coat - clad Payne (Mendelsohn) to a trio of Congolese immigrants to a German anthropologist who wryly observes that «in a short time, this will be a long time ago.»

The story is told from the point of view of daughter Peggy Ann Garner, a clear - eyed realist who nonetheless would like to believe in her pie - in - the - sky father, whom she loves,

They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.

You're too young to have seen movies from the»70s the first time around, but I was really reminded of the gritty, social - realist sci - fi parables we used to see back then.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

That's something that happen to her, because we were looking for the realist, dirtiest detail from the overnight of being a new parent that can be exposed on screen.

Some other notable films from female directors include the Telluride breakout «Lady Bird» by Greta Gerwig, a semi-autobiographical coming - of - age movie about women and female familial relationships; Brie Larson's magical realist directorial debut «Unicorn Store»; and «Battle of the Sexes,» a chronicling of the run - up to the landmark 1973 tennis match between Billie Jean King and Bobby Riggs, directed by Valerie Faris and her husband, Jonathan Dayton.

In his output from early in that decade, with its elements of fatalism and compositional sophistication, one can see the seeds of the poetic realist tendency in French cinema, a style whose popularization Duvivier would have a fundamental hand in a few years later (along with the likes of Marcel Carné, René Clair, and Jean Renoir, all of whose work has come to overshadow Duvivier's).

In a tradition ranging from the kitchen - sink realist films of the late»50s and early»60s to the contemporary works of Mike Leigh and Andrea Arnold, English movies set among the working classes have tended to have fatalistic trajectories and miserabilist aesthetics, underlining their drabness to reflect their characters» sense of hopelessness and to visually convey a lack of upward mobility.

McArdle strays from the realist norms of many coming - of - age films with her bold aesthetics, which are complemented by other creative takes on teenage life: Léa Mysius» astonishing debut feature, Ava, is just as visually bold, immersing you in its protagonist's subjectivity.

A phenomenal slice - of - life family drama directed by the late Edward Yang from Taiwan that exemplifies some of the great realist cinema that was being made in Asian countries during this time (see Ang Lee).

Here, Jodorowsky's magical realist, fable - like cinematic language finally enters the real world; if cult films like «El Topo,» «The Holy Mountain,» and «Santa Sangre» interwove elaborately absurdist imagery with narratives borrowed from genre and myth, «The Dance of Reality» feels like Jodorowsky returning to the scene of the crime — to the the childhood visions and heartbreaks that started it all.

Paul Fejos» Lonesome is the surprise of the year from the company, a late - silent / early - sound rarity bubbling with poetic realist energy.

The Story of a Three - Day Pass departs from generic convention by focusing on a Black hero and embracing New Wave - inspired realist techniques alongside fantasy sequences.

2017 saw a bumper crop of movies, from the magical - realist interspecies romance to the no - mercy sensory - assault war picture, and a surprising number of them can be watched from the comfort of your own home right now.

Tracing Haneke's career from his debut trilogy produced in Vienna to Funny Games U. S. (2007), discussed in the coda, this monograph provides a very convincing argument of Haneke's cinema as both a balance between and an alternative to classical realist cinema and counter-cinema.

I also enjoyed God Help the Girl, a kind of social - hyper - realist Scottish musical from Belle and Sebastian frontman Stuart Murdoch, inevitably described in some quarters as The Umbrellas of Glasgow.

A realist aesthetic has always been basic to Brooks, but we tend to forget that what we call realism — in the work of everyone from Emile Zola to David Denby — almost invariably derives from a class position.