This piece is part
of a triptych called «The River» and hearkens up the river of products we produce and throw away - but there is no «away.»
Not exact matches
Tim Radford, former science editor
of The Guardian,
called the Silver Award winner's work «a
triptych of elegant studies in essay form.»
The other major release this week comes from the Criterion Collection
called A Whit Stillman Trilogy that collects the director's»90s
triptych into one set: «Metropolitan,» «Barcelona,» and «The Last Days
of Disco.»
The 22 - year - old
Call Me By Your Name actor posed alongside McConaughey and his model wife Alves, with all three coordinating in a
triptych of monochromatic mastery.
Enduring Freedom's majestic
triptych: First Person Shooter draws upon the titles
of the popular video - game franchise
Call of Duty, referencing the series across three 150 x 120 cm paintings: Finest Hour,
Call of Duty and Modern Warfare.
Looking at these
triptychs, one might have thought for a moment
of Aleksandr Rodchenko's iconoclastic Pure Red Color, Pure Yellow Color, Pure Blue Color
of 1921, except that where the Russian Constructivist's work was meant to boil down painting to its primary colors, what the artist
called its «logical conclusion,» Levine's wooden panels are invested in painting's history: The color
of each is derived from the digital averaging
of the hues in one
of Renoir's many zaftig yet jaundiced nudes.
The central majestic
triptych, First Person Shooter, draws upon a plethora
of references ranging from Dulce et Decorum Est, a poem by Wilfred Owen (1893 — 1918) a veteran
of the World War I who denounced the glorification
of war and exposed the true horror
of it, to the popular video - game franchise
Call of Duty.
Sue Rogers - A large
triptych titled «An Ecumenical Embrace» is part
of a project
called The Search but not the finding.
And while the show isn't named with one
of his wry monikers, it includes a tableau
called Blue Backdrop for Minor Arts and the
triptych, Ornament for Extraordinary Architecture, a reference to the Modern's building, designed by Tadao Ando, and to Mexican architect Luis Barragán's view that architecture should be emotional rather than the supposedly neutral space that contemporary museums have decided is their role.
Coming at the heels
of her critically acclaimed drawing show at the Drawing Center late last year, Brown's exhilarating exhibition pivots around a massive
triptych called A Day!