Sentences with phrase «of abject horror»
More of a metaphysical adventure tale that delves into some moments of abject horror, Annihilation is a potent demonstration of Garland's range within the genre itself, as well as those who have provided him inspiration (if Ex Machina was haunted by the specter of Stanley Kubrick, Annihilation is possessed by Andrei Tarkovsky).
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So completely amorphous and entirely unpredictable is this season, and so totally and incessantly drowned out by the abject hysteria of current world affairs, that focusing on potential nominees is at least a solid diversion from the horror of the daily news feed.
Although I'll admit the reveal of a 30 minute time frame to file a review filled me with abject horror.
No matter how raw Esti and Ronit's love and passion, the abject horror of being discovered trumps their pleasure.
He patronizes Michael Powell and Humphrey Jennings (accorded one measly clip each); fails to mention Joseph Losey, Cy Endfield, or Richard Lester (presumably regarding all three as American interlopers); reduces Ken Russell and Mike Leigh to the worst single clips imaginable (and has nothing to say about the TV work of either); limits John Boorman, Bill Douglas, Terry Gilliam, Peter Greenaway, Isaac Julien, and Sally Potter to one fleeting movie poster apiece; and omits virtually the entire English documentary movement (though he includes a disparaging nod to Night Mail), along with the cycle of Hammer horror movies — while paying abject obeisance to the Academy Awards and every crumb they've offered British cinema (special points to Chariots of Fire, Gandhi, and Four Weddings and a Funeral).
With both gold and silver, we saw an extended period of time where prices rose to stratospheric levels, and more recently, advocates have watched in abject horror as prices of both gold and silver have literally collapsed.
I like how in the span of two years Inkopolis went from abject horror at the thought of other sea - life being cannibalized to «Y» know, Sean's relatives are actually pretty tasty.»
Inspired by Julia Kristeva's 1980 essay «Powers of the Horrors: An essay on Abjection», the show explores her notion of the abject and its «psychic origins and mechanisms of revulsion and disgust» emerging out of a confrontation with death, with violence, with vulnerability of decay.
As Christoph Grunenberg has written, Brown's paintings «live on the productive tension between extreme glamour and abject misery, confronting the viewer with a set of mysterious paradoxes» (C. Grunenberg, «Capability Brown: Spectacles of Hyperrealism, the Panorama and Abject Horror in the Painting of Glenn Brown,» Glenn Brownabject misery, confronting the viewer with a set of mysterious paradoxes» (C. Grunenberg, «Capability Brown: Spectacles of Hyperrealism, the Panorama and Abject Horror in the Painting of Glenn Brown,» Glenn BrownAbject Horror in the Painting of Glenn Brown,» Glenn Brown, exh.