Sentences with phrase «of abstract art movements»

Although he borrowed elements from a number of abstract art movements, he developed his own pictorial language.

The following list of abstract art movements is not exhaustive, but all major schools are included, from 1890s Art Nouveau to 1980s Postmodernist styles.

This is not so simply because it was a part of the abstract art movement that occurred in the mid-1950s but because in subliminal ways it defied it and the dogma of modernist art, which called for self - reflexive purity.

A pioneer of the abstract art movement in the 1950s, Sandra Blow is best known for her monumental canvases experimenting with abstract form, rhythm, light, space, and texture.

He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism).

Not exact matches

Soon after World War II, the center of the avant - garde shifted from Europe to the United States when the first American - grown modern art movement — abstract expressionism — was born.

The major abstract movements of the 1950s — 1970s era are characterized by a return to the basics of concrete, constructive and minimalist art, although this took different forms in Europe and America.

Gleaning elements from this abstract expressionist art movement, Waddell returned home to his native Montana and created works of nearly abstract backgrounds that suggest landscapes.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiArt Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first tiart) presents mainly new acquisitions in the field of international contemporary art for the first tiart for the first time.

The Pattern and Decoration movement consisted of artists, many of whom had art education backgrounds, who had been involved with the abstract schools of art of the 1960s.

Her commitment to truth and dedication to figuration — unfashionable during her lifetime — ensured that her work remained permanently out of kilter with avant - garde movements such as abstract expressionism, pop art and minimalism.

The faded surface of «Corrupt Diptych» is haunting, like the distinct sensation of déjà vu, the dirt and gravel is metaphorical not material, moving this artwork away from hyphenated arts (art - and - environment) towards something more mysterious with its abstract lines that race past the corner of the gallery's gyprock wall; themes of time and movement that have more in common with land art than abstract painting.

Representing the response of Mexican artists to art movements from around the world with a cosmopolitan vision, the exhibition also features the artwork of abstract sculptor German Cueto, Manuel Rodríguez Lozano, Abraham Ángel, Roberto Montenegro and Rufino Tamayo.

Coming off the David Zwirner London showing of Cuban abstract painters from 1950s and in anticipation of next year's first - ever US showing of Cuban post-revolutionary work at the Bronx Museum of the Arts, there was a good representation of the work of Wifredo Lam and Amelia Peláez of the Vanguardias (vanguards) movement.

And as early as 1943 the principal tenet that was to distinguish the new abstraction from earlier, pre-war abstract art was clearly formed, as evidenced in a brief «manifesto» of the rising movement crafted by Mark Rothko, Adolph Gottlieb, and Barnett Newman for The New York Times in response to a negative review of the new style: «There is no such thing as good painting about nothing.

Looking at painters who came to prominence in the 1960s,»70s and»80s, this book shows how abstract painting has developed in the wake of postwar movements such as Art Informel.

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiArt, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract desiart that relate to the pure pursuit of geometric and abstract design.

Born in 1952 in Seoul, Korea, Il Lee studied painting in the 1970s with seminal figures of South Korean contemporary art, including those in the vanguard of the abstract monochrome painting movement (Dansaekhwa).

He founded the suprematist school of painting, one of the first geometric abstract art movements.

The painterly style also emerges from expressionist painting movements of the time, including CoBrA Group and Art Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes tArt Informel, important movements in art in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes tart in Europe near the time Golub lived in Paris, and abstract expressionism lurks in the strokes and the scrapes too.

The terms modernism and modern art are generally used to describe the succession of art movements that critics and historians have identified since the realism of Gustav Courbet and culminating in abstract art and its developments in the 1960s.

The new art movements of the 1960s essentially followed the lead of abstract expressionism and in particular the innovations of Pollock, De Kooning, Rothko, Hofmann, Reinhardt, and Newman.

The radical Anti-Formalist movements of the 1960s and 1970s including Fluxus, Neo-Dada, Conceptual art, and the feminist art movement can be traced to the innovations of abstract expressionism.

For Galvez, and perhaps as a modus operandi of the gallery itself, the pathways of non-objective abstract art created by, and funneled through, Malevich (b. Ukraine) and Mondrian (b. Netherlands), among others, are the seed - like lenses that grew into movements that thrived through the 20th century to the present.

The abstract art movement is rooted in the desires of the artist to simply create, with or without meaning.

For Zero, the use of monochrome served multiple purposes: it was a separation from the expressionistic and abstract works of Art Informel and other earlier postwar movements.

In these two - venue talks, guides from the Clyfford Still Museum and the Denver Art Museum collaborate to compare and contrast the work of Clyfford Still and other male abstract expressionists with the leading female artists of the movement.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

This movement rejected abstract expressionism and its focus on the hermeneutic and psychological interior in favor of art that depicted and often celebrated material consumer culture, advertising, and iconography of the mass production age.

The abstract drip paintings were made during the climax of his career and pushed Pollock to the forefront of Abstract Expressionism — the first American art movement to wield international influence.

Richard Smith rose to the forefront of the emerging avant - garde scene in London in the 1960s, standing apart from the burgeoning Pop Art movement by melding the slick and vibrant imagery found in advertising billboards and consumer packaging with an abstract painterly style very much his own.

The contemporary abstract art on view is inspired by dance and portrays the qualities of both movement and rhythm in their expressive forms.

Camden Arts Centre is currently presenting the first solo exhibition in the United Kingdom of Giorgio Griffa, an Italian abstract painter who has been closely linked to the Arte Povera movement.

Benton studied at the Art Institute of Chicago and later at the Académie Julien in Paris amid the many abstract movements of the early 1900s.

From Blast to Pop features works by important British avant - garde artists such as Henry Moore, Barbara Hepworth, and William Turnbull and explores the period between two defining movements in English Modernism: Vorticism (England's first abstract art movement) and British Pop art of the late 1950s.

Considered a forefather of the Pop Art movement, Stuart Davis translated the visual imagery of New York City and the jazz music of the mid-20th Century into iconographic abstract paintings of squiggly lines and flashy colors.

The title Abstraction - Creation refers to the European abstract art movement of the same name founded by Theo van Doesburg in Paris in 1931.

Still, while the book is a great presentation of artists and their individual practices, it begs the questions: What role did Texas play in the international Abstract art movement, and what role do Texas abstract artists play now?

Produced by the Department of Exhibition Programs, the film follows the career of Virginia Dwan, who opened her first art gallery in Los Angeles in 1959 and went on to organize dozens of exhibitions of remarkable range, representing movements as diverse as abstract expressionism, pop art, minimalism, conceptualism, and land art.

The Vogels began collecting art in the 1960s, a time that saw a new generation of artists respond to the abstract expressionist movement.

There have been persistent murmurs in the art world about the imminent (market) demise of the so - called Zombie Formalism movement, a kind of colorful, undemanding type of abstract painting that's commanded astronomical prices for the past few years.

This is the box that Andy Warhol would appropriate, aka plagiarize, starting the Pop art movement that put abstract expressionists like Harvey out of business.

Action Paining is painting movement widespread in New York art scene from late 1940s to mid 1960s and is often seen as synonym of the abstract expressionism.

[36] This movement rejected abstract expressionism and its focus on the hermeneutic and psychological interior, in favor of art which depicted, and often celebrated material consumer culture, advertising, and iconography of the mass production age.

Stella is considered to be a pioneer within the minimalist art movement and one of the most influential painters of his generation, a generation moving from abstract expressionism towards minimalism.

As complex art movement in late 1940s, abstract expressionism was logical continuation of the anti-figurative aesthetic of the European abstraction and Modernist styles.

We witness a revival of abstract art, and a new movement coined Zombie Formalism, along with the focus of many artists concerning issues of identity.

[1] This is not to say that the phase of art denoted by post-modernism is accepted, merely that the need for a term to describe movements in art after the peak of abstract expressionism is well established.

The Bay Area Figurative Movement was an art movement consisted of creators located in the San Francisco Bay Area who decided to abandon abstract expressionism as a prevailing style and return to figuration.