Sentences with phrase «of abstract artists shares»

The group of abstract artists shares a notable inclination for insinuated forms, as if they lived on a coastline where oceanic abstractions touch firm figurativism.

Not exact matches

«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The three artists share an interest in depicting — in hard - edged artworks of pulsating abstract painting — the vibrating, undetermined power of the universe and the movement of the world as reflected in everyday life, according to the gallery press release.

The artists» shared exhibition history, with Peláez showing her work alongside the new abstract generation in the 1950s, challenges the art historical narrative of a rupture between the early

The Abstract Expressionists, sometimes called the New York School, were never a formal association, but they shared a desire to break away from conventional subjects and techniques and, significantly, to produce a completely abstract art that reflected in dynamic, gestural form the unique personality, psyche and emotions of the artist.

This group of artists, which included Emil Bisttram, Florence Miller Pierce, and Stuart Walker, shared an interest in the principles of Theosophy advanced by Madame Blavatsky, and they also drew inspiration from Zen Buddhism, which would gain influence among American abstract artists in the decades to follow.

In 1938 he joined with other artists who shared this perspective to found the Transcendental Painting Group, one of the most significant artistic associations formed outside a major urban center to advocate for abstract and non-objective art.

Jenkins's diaphanous streaks and gentle, fluid fields of color positioned him as an important figure in abstract expressionism, and he often exhibited in the same venues as Jackson Pollock and Willem de Kooning — artists who shared his instinctual working method.

While the two schools of abstract expressionist painting shared certain characteristics ---- large scale; bold, gestural brushwork; emphasis on the materiality of paint; figure and ground equal or collapsed into overall, non-hierarchical compositions ---- Bay area artists, influenced by Asian cultures and the expansiveness of the western landscape, in addition to European painting, invited landscape references into their work whereas New York painters resisted such associations.

In conjunction with her exhibition «Full Circle,» artist Summer Wheat shares the methods and cultural histories that guide her abstract - figurative work, from intuitive perception to ancient forms of representation and knowledge.

Originally curated in 1984 by Jeffrey Deitch (Director, Museum of Contemporary Art, Los Angeles) at Leila Heller's former uptown gallery, Calligraffiti explored a myriad of possible connections shared between the seemingly disparate styles of select mid-century abstract, U.S. graffiti, and calligraphic artists from the Middle East and its diaspora.

A generation younger than the abstract Expressionists artists such as Leon Kossoff, Frank Auerbach and Lucian Freud shared with their New York colleagues a sense of existential angst, expressed through an extended process of scraping out and overpainting that reflected their quest to encapsulate intense feeling by sheer insistence.

While Zhu's installations are simple, intuitive, practical, and readily accessible, his paintings demonstrate an abstract aggressiveness or chaos that offer glimpses into the artist's wealth of personal experience and openness to sharing it with others.

Franklin Street Works will be working with five New York City - based guest curators in 2017 and 2018, originating six new group exhibitions around themes such as: shared strategies of the labor and LGBTQ movements; economic and political refugees; ways artists animate desire in abstract painting; art that explores political and personal paranoia; and more.

Clover's Fine Art Gallery presents Textural Abstractions, abstract paintings by a group of artists who share a commonality in their use of texture in their artwork.

It shares with them the combination of abstracted form with linear details, but retains characteristics associated with the artist's carving of wood.

His abstracted figures and landscapes, however, reflected an affinity with the darker vision of European artists like Oskar Kokoschka and Edvard Munch, or more nearly contemporary artists like Alberto Giacometti and Francis Bacon, who shared his sense of human conflict and existential angst.

What the artists of the Modernist Left shared above all was the desire to advance the practice of non-figurative art and to promote that art as a species of realism; that is, a higher form of realism that encompassed the democratic and progressive potential of abstract art to provide an image, as the art historian Martin James put it, of an implicit order of a future society.

orking in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

In their studios Barbara Januszkiewicz will be exhibiting her invigorating abstract acrylic paintings, Paula Bryan will be sharing her fabulously designed and expertly crafted textile work, guest artist Jennifer Lillis (www.lillisart.com) will be showing a selection her funky, intuitive abstract work in Januskiewicz's studio, and John M. Adams (www.thefullempty.com) will be exhibiting several site - specific pieces in addition to a selection of drawings and paintings.

Working in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

Bois worked directly with Kelly on the book and will share insights about the artist's years as a student at the School of the Museum of Fine Arts in Boston and as a young artist living in Paris, where he began painting his signature abstract forms.

Bois, who worked directly with Kelly on the book, will share insights about the artist's years as a student at the School of the Museum of Fine Arts in Boston and as a young artist living in Paris, where he began painting the abstract forms that would later define his career.

While some of the landscape and abstract works share some common denominators with Canadian artists including Marion Nicol or Jean Paul Riopelle, the figurative work struck me as the most compelling.

There are perhaps some common abstract principles that connect a range of abstract artists such as Ad Reinhardt, Camille Graeser, Simon Hantai, Agnes Martin and Norwegian artist Anna - Eva Bergman, who I would say have a shared connection in what I would call the «transformative surface».

Part of my maturation as artist has included a strong appreciation for and alliance with abstract painters who bend reality, in part because of my natural preoccupation with structure and a shared aesthetic that is based on pure design.

Jack Tworkov has been closely associated with abstract expressionism since 1946, and in part he shares his working philosophy with the other artists of the movement.

On the eve of his survey at the Whitney, the eminent abstract artist shares a few thoughts on this moment in his career and what it means (or doesn't) for a new generation of abstract artists.

He then intervenes on these images by covering signs or banners with abstract shapes in gouache and pencil — an erasure of shared meaning in favour of the artist's private language of synesthetic colour.