Each of the seven suites is inspired by a different Namibian region: Egrongo (pictured) is named for a chain of mountains in central Namibia, and is done up in earthy tones, with sculptural woven ceiling lights and larger - than - life photography
of abstract landscapes by Hoyle.
Lovely ink drawing
of an abstract landscape by Houston artist Charles Pebworth for the Shidoni Foundry in Sante Fe, NM.
Not exact matches
Mix
of New and Newer,
landscape and
abstract works
by artist Lisa Pedersen in her studio.
The
abstract landscape painting from a private collection in New York is a vast white expanse magnified
by the presence
of delicate, coloured calligraphy.
His portraits and
landscapes are characterised
by their flatness
of colour and fluidity
of line, reinventing both genres within the context
of abstract painting and contemporary image - making.
The Berkeley series, produced between 1953 and 1956, is marked
by radiant color, strong compositions and gestural brushwork that maintain a sense
of landscape through their
abstract composition.
Highlights
of the exhibition include a Katharina Fritsch sculpture
of a bright orange octopus; two complex new
abstract paintings
by Terry Winters completed this summer; a Robert Gober sculpture
of a sink sprouting contorted children's legs; new portrait and
landscape photographs from Paris and New York
by Nan Goldin; a Martin Honert sculpture based on his childhood drawings
of toy soldiers; a large - scale painted white relief
by Charles Ray
of his two nephews; and a photograph
of Germany's largest soccer stadium
by Andreas Gursky.
** Other Terms for My Style
of Art: impressionist art, expressionist art, contemporary art, modern art, colorful art, impasto painting, impasto art, large wall art, textured art, original painting, palette knife, impasto art,
abstract painting, rainbow art, fine art, canvas art, canvas painting, gallery wrapped canvas, custom art, commissioned artwork,
landscape painting, seascape, ocean art,
by the sea, brush paintings, one -
of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night
landscape, paintings
of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless other ways!
Next comes both a phantasmal oil painting
by Ross Bleckner, Untitled from 1991, and an
abstract landscape by Joan Mitchell, Sides
of a River 1, 1981, which is on loan from the Mary Ryan Gallery in New York.
In her canvases
of the late 1950s onwards, American artist Helen Frankenthaler translated
landscape into
abstract compositions characterised
by flooding colour and increasingly large scale.
These playful fantasy realms are upon closer inspection macabre theaters
of politics and war: watercolor paint bloodies the canvas, and sinister global machinations play out in
abstracted landscapes populated
by faceless figures and dominated
by oil refineries and labyrinthine pipelines.
through May 25th Julie Langsam This exhibition features several recent paintings from Langsam's long - running series
of banded montages that set nearly monochromatic, tightly rendered views
of iconic modernist buildings on top
of a band
of gridded
abstract motifs inspired
by classic modernist paintings and beneath ominously lit skies that invoke Romantic
landscape painting.
Due to his love
of nature, Tanguy painted
abstract landscapes populated
by biomorphic shapes and painted in somber hues.
Sydney Ball, Zianexis, 2009 Acrylic on canvas, 152 x 168 cm March 4 - 21, 2010 The following extract is taken from «Sydney Ball: prophet
of abstraction»
by Wendy Walker, Sydney Ball: The Colour Paintings 1963 — 2007, p21 The emergence at the end
of the 1990s
of an insistent form in Ball's paintings — reminiscent
of shapes in early drawings
of rock formations from his
landscape works — gave rise to the asymmetrical, ragged - edged motifs in the
abstract -LSB-...]
Night Vision is organized chronologically beginning with
landscape artists» visions
of moonlight, moving to early Modernists» experimental representations
of electrified evenings, and concluding with interpretations
of the night
by American realists and
abstract artists.
But, though these
abstract compositions are not conventional
landscapes, his sense
of shape and light is influenced
by the three places he knows best: Ireland, his birthplace in 1945 and the homeland
of his parents; north London, where he grew up and went to art school; and New York, where today he mainly lives and works, now a US citizen.
The work's layered tangles
of abstract marks and erasures reflect a
landscape that is continually reshaped
by physical movement and struggle, reminding us
of the conjoined genealogies
of chaos, exploitation, and hope in the making
of the American West.
This selection
of early paintings documents a conceptual shift in the artist's work as the
landscape imagery offered
by earlier paintings begins to incorporate and is consumed
by the symbol - laden
abstract compositions that would become a recurring theme throughout his career.
Meanwhile James Cohan has the quiet attention
of Mark Dion in his studio, the apocalyptic
landscapes of Alexis Rockman, mappings from Pierre Huyghe, a limp reindeer from Carsten Höller, wildlife reduced to their weight in
abstract marble from David Brooks, a kitchen turned inside out from Alison Elizabeth Taylor, a forest
of future books
by Katie Paterson, the decorative excess
of Fred Tomaselli, an apple after Alfred Stieglitz from Erin Shirreff, and the romantic Modernism
of Charles Burchfield.
Her early works (mid 2000s) were
abstract landscapes inspired
by monumental seascapes
of 19thcentury European Romanticism and...
The exhibition's underlying mission is a compelling one: to inspire a close inspection and fresh discussion
of two seemingly disparate topics — contemporary
abstract painting
by a New Orleans - based artist and Edo - period Japanese
landscapes — using visual and conceptual links to form an effective springboard for joint exploration.
Vibrant
abstracted landscape of Carmel Cove
by of Pacific Grove
by Robert Canete (American, b. 1948).
Surrounded
by a golden - hued,
abstract landscape, Lucas in the Dunes makes a delightfully odd study
of selfhood and appearance.
Dream Series, part
of my Liquid
Landscapes collection, is inspired
by my personal recollection
of dreams, documented over a number
of months and realized through my
abstract expressionist style.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series
of images printed on translucent and metallic stocks
by Marilyn Minter, a portfolio
of die - cut works
by Mickalene Thomas, a collection
of images and documentation
by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series
of paintings
by Stefan Kürten; drawings
by Karo Akpokiere dealing with the challenges
of living and working between Berlin and Lagos, and a series
of abstract photographic «
landscapes» created in the darkroom
by master black - and - white printer Chuck Kelton.
Drawing inspiration from the rawness and decay
of the urban
landscape, McCloud creates rich, large - scale
abstract paintings and sculptural objects
by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.
This exhibition features several recent paintings from Langsam's long - running series
of banded montages that set nearly monochromatic, tightly rendered views
of iconic modernist buildings on top
of a band
of gridded
abstract motifs inspired
by classic modernist paintings and beneath ominously lit skies that invoke Romantic
landscape painting.
Geometric Vistas:
Landscapes by Artists of Black Mountain College provides visitors with the opportunity to explore abstract landscapes and cityscapes created by artists who studied and taught at Black Mountain College between 1933
Landscapes by Artists
of Black Mountain College provides visitors with the opportunity to explore
abstract landscapes and cityscapes created by artists who studied and taught at Black Mountain College between 1933
landscapes and cityscapes created
by artists who studied and taught at Black Mountain College between 1933 and 1957.
Fascinated
by the topography
of her adopted home, the artist created a series
of abstracted landscape paintings that reflect the hills, valleys, highways, and waterways
of the western United States.
With more than 30 major paintings, the exhibition follows Aho on his artistic journey from dramatic images
of the New England
landscape to energetic, freely brushed
abstract compositions inspired
by his responses to nature.
The luminous
abstracted landscapes of Nicholas de Stael drew Hoyland to the south
of France; but it was seeing the Jackson Pollock memorial show at the Whitechapel in 1958 followed
by the Tate's survey
of Abstract Expressionism in 1959 that blew the lid off conservative caution for him and a generation
of young English artists.
If the historic cloth is considered a stand in for comforting, the
abstract paintings contribute to the psychological cycle
by infusing the work with the implication
of internal
landscapes.
Washburn Gallery will offer a selection
of recently rediscovered
landscapes and tree studies
by abstract painter Myron Stout, and Chambers Fine Art will exhibit recent
abstract ink paintings on rice paper
by noted Chinese artist and calligrapher Wang Dongling, alongside mixed - media paintings
by Yan Shanchun.
WalkingStick, a citizen
of the Cherokee Nation, is best known for her distinctive approach to painting and for her diptychs, side -
by - side square paintings in which she portrayed
landscapes inspired
by her home and travels alongside
abstract panels representing spiritual or «mythic» memories.
The show includes more than one hundred drawings
by the artist — from early
abstract expressionist watercolors
of the 1950s and portraits and
landscape sketches, to studies for his seminal light installations and late pastels
of sailboats.
Her early works (mid 2000s) were
abstract landscapes inspired
by monumental seascapes
of 19thcentury European Romanticism and Japanese Kimono design that investigated the relationship between masculine and feminine.
A citizen
of the Cherokee Nation, she is best known for her distinctive approach to painting and for her diptychs, side -
by - side square paintings in which she has portrayed
landscapes inspired
by her home and travels alongside
abstract panels representing spiritual or «mythic» memories.
With roots in
landscape painting as practiced
by both members
of the Group
of Seven and Emily Carr,
by the end
of his career Jock Macdonald had become one
of the pioneers
of abstract painting in Canada.
in Art News, vol.81, no. 1, January 1982 (review
of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review
of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «
Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch
of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings
of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas
of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the
abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery
of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two
by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale
of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis
of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles
of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion
of the
Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age
of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «
Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator
of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full
of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
Despite their ostensibly
abstract appearances, many
of Riopelle's works were inspired
by and reference the Canadian
landscape.
Bryan Robertson: I've always understood, maybe over-simplistically, that the great
abstract art
of this century came about
by a process
of working through reality or some aspect
of the physical world — the nude,
landscape, the interior or still - life — in stages towards simplification, and then, like a sort
of exorcism, a casting away
of what Rothko called «crutches», venturing into some form
of abstraction without any obvious references to the physical world, but maybe with some distilled, remembered vestiges
of its appearance — like Mondrian's sequence
of trees.
Natural Formations Natural Formations is a large,
abstract landscape acrylic painting inspired
by the works
of Georgia O'Keeffe.
The
abstract elements are loosely associative
of the American strip
landscape with its generic corporate architecture and signage and the colour choices are equally inspired
by this ubiquitous corporate aesthetic.
David Mann creates a lava - like
abstract landscape of deep red tones in his painting, with surfaces further modulated
by layered dispersions and elliptical shapes.
Some
of the
landscapes are
abstract while others are influenced
by the snowy scenes
of his childhood in Canada.
Distinguishable
by their grayscale palette and blurred renderings, the Waldstück paintings
of 1969 remain some
of the most radical and
abstracted landscapes of this time.
PARIS — Bridget Riley's retrospective at the Modern Art Museum
of the city
of Paris opens with
landscape drawings from the 1950s, passes through the Op Art with which she became famous, soars into the big lusciously colored
abstracts of recent years and ends with a wall painting which the curator sees as a homage to the museum's prize possession, «La Danse»
by Matisse.
Chalif's
abstract sculpture presents as «stone
landscape inspired
by the power and beauty
of rocks from may mountain regions,» according to the gallery.
This lecture begins
by exploring the roots
of northern Romantic
landscape painting (as outlined
by Robert Rosenblum in Modern painting and the Northern Romantic Tradition) and its influence on later modernist
abstract painting.
Portraits and
Landscapes, on view at 536 West 22nd Street, encompasses recent formal portraits and abstract landscapes that are inspired by the genres of European portraiture and American landscape ph
Landscapes, on view at 536 West 22nd Street, encompasses recent formal portraits and
abstract landscapes that are inspired by the genres of European portraiture and American landscape ph
landscapes that are inspired
by the genres
of European portraiture and American
landscape photography.