Whatever else they may or may not have in common with the
work of abstract painters and sculptors from elsewhere, the artworks shown here were made to be exhibited as such.
To develop the sensibility and all of the new feelings that the new perception of the abstract painting action brings you in the space of the canvas is the
task of the abstract painters.
Much of an abstract painter's work is done days, months or even years before he or she ever picks us a brush and approaches the canvas.
The formulation of a new ideology on the
part of abstract painters and the evolution of new styles occurred within the decade after 1943.
Among a new generation
of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.
Gene Davis also was a painter known especially for paintings of vertical stripes of color, like Black Grey Beat, 1964, and he also was a member of the group
of abstract painters in Washington DC during the 1960s known as the Washington Color School.
Also in the building, or taking part in exhibitions there, were a
number of abstract painters following in the wake of, and reacting to, American Abstract Expressionism and Post-Painterly Abstraction: John McLean, Fred Pollock, Jennifer Durrant, Geoff Rigden, Douglas Abercrombie, Alan Gouk, Stephanie Bergman, Geoff Hollow amongst them.
At a time when increasing attention is being paid to female artists, the David Zwirner gallery has taken on representation
of the abstract painter Joan Mitchell, who died in 1992.
In 1998, Bing's work was part of a traveling
exhibition of abstract painters who are primarily influenced by Asian cultures, entitled «Women On the Silk Road.»
David Zwirner presents a comprehensive exhibition of paintings and sculptures by the Cuban group
of abstract painters Los Diez Pintores Concretos (10 Concrete Painters), which was active from 1959 to 1961, at the gallery's London location.
Parkinson notes that «The show provides a glimpse of the current abstract scene and the
range of abstract painters working in the United Kingdom at this point in time, some who are very well known artists and others who are almost unknown.
Andy Mundy - Castle directs a film profile
of abstract painter William T Williams with a sneak - peak into his Manhattan and Connecticut studios.
There was an art collective, made
up of abstract painters who were also trying to make sense of that situation, which was called Radical Painting.
No discussion of West Coast art should pass without a mention
of abstract painter Richard Diebenkorn — although he wasn't actually part of the best - known group of West Coast abstractionists, the Hard - Edge painters.
Zox is the daughter
of abstract painter Larry Zox — who played an essential role in the Color Field discourse of the 1960s and 1970s — and his artist wife Jean Glover Zox.
Gottlieb was also a founding member of «The New York Artist - Painters,» a group
of abstract painters established in 1943 including Mark Rothko, John Graham and George Constant.
In a new and unusual approach to color in the work
of abstract painter Josef Albers, David Zwirner's first London exhibition devoted to Albers focuses on one color that held a pervasive place in the artist's oeuvre.
The
son of an abstract painter and an architect, de Movellán perfectly balances both influences in his own work, along with the influences of such modern masters as Alexander Calder and George Rickey.
Seldom, however, does one get the opportunity to view the work
of those abstract painters on the West Coast whose work was every bit as strong, and every bit as compelling as their East Coast contemporaries.
DiBenedetto has become
more of an abstract painter and less of a symbolist, which isn't to say that the latter is necessarily a bad thing.
In the large - scale paintings of pours, stains, strokes, and drips, the use of gesture via new techniques is redefined and even reclaimed as the younger generation
of abstract painters pay homage to their forerunners.
Mr. Viallat, born in 1936, is one of the founding artists of Supports / Surfaces, a deep - thinking
movement of abstract painters that arose in the South of France in 1969 and that has had pitifully little exposure in the United States.
In 1951, Gechtoff moved from Philadelphia to San Francisco, where she installed her studio in «Painterland,» an affectionately titled building on Fillmore Street that was home to a
bevy of abstract painters, including DeFeo, with whom she developed a friendship but also a rivalry.
He soon became deeply involved in the avant - garde community around him, founding, along with painter Mark Rothko, a group
of abstract painters called «The Ten.»