Sentences with phrase «of abstract painting into»

This exhibition explores the recent transformation of abstract painting into one of the most dynamic platforms in contemporary art.

Marcus integrated a large number of the central developments of abstract painting into his work over the years, including large - scale calligraphic gestures and the employment of chance - elements, particularly drip - motifs.

In Pritchard's works another intimacy of scale takes place, bending the language of abstract painting into a most personal and singular expression.

When it comes to his transformation of abstract painting into oversized household objects, James Hyde works better in a big, private gallery than in this holding pen.

Not exact matches

This is a so - called «abstract» or non-representational painting from the schools of modern painting that thrived at the beginning of this century and into the present time.

Miller's photos of Complex 9 show vines swallowing up stairways; the weathered paint on a group of electrical panels that has peeled away into a colorful abstract pattern; and massive metal bolts on which lives might have once depended, which are now rusted a deep red.

A lot of lipsticks promise that they're long - wearing, but in reality they smear or fade before you finish your first glass of wine or turn the lower half of your date's face into an abstract painting after one kiss.

The film establishes that background with a chilling sequence of the 16th Street Baptist Church bombing in Birmingham, with four little girls walking down the stairs before the image erupts into one of abstract horror painted in smoke and flame.

The terrace transitions seamlessly into the open - plan living area, where the vaulted wooden ceiling beams seem like ocean - vessel oars, and gorgeous abstract paintings evoke the rhythms of the sea.

Influenced by an unusual combination of abstract expressionist painting and classical music, he fuses the two mediums together into a unique body of artwork.

Of his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinOf his work Erikson says: «My paintings are abstractions in the sense that at some point in the painting process I'm abstracting from nature, whether consciously at the beginning or through some experience or memory I bring into the studio during the evolution of the paintinof the painting.

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

By linking the Minimalist sculptures of artists like Donald Judd to the Russian supremacist paintings of Kasimir Malevich and readymades of Duchamp, she extends the determinist history that formalism relies on into sculpture and movements beyond abstract expressionism.

More abstract than anything the artist has previously done, these arrays of patterned and solid - color patches suggest that separate paintings have been shattered and recombined into mosaic - like arrays.

Princeton, NJ — A remarkable gathering of paintings by some of the most important artists of the postwar era will provide a window into a moment of extraordinary creative ferment, when the very nature of abstract painting was being hotly contested.

Hop into the colorful, poetic world of Angel Otero's abstract paintings during an afternoon of family art - making activities.

So a kind of hierarchy of importance as to the various elements of a picture, that's something that I've struggled to somehow bring into abstract painting.

For 2015 BOS I've invited two dear painter friends, Scott Robinson and Meredith Hoffheins, to show new paintings with me in a presentation we've titled, Land Ausländer (which roughly translates to «foreign country» or «land alien»), because the three of us each incorporate abstract forms into a physical or imagined environment in our work.

Shōhaku transformed more conventional representations of the dragon found in the traditional Japanese mythological figures of the Cloud and Dragon paintings into fantastical images where the mythological being verged between hideous monster and an abstract anamorphic form.

But in her work, and that of other abstract painters I've mentioned, the issue of whether there is anything already in such paintings, as opposed to what we might «read» into them, is often raised.

Meg Lipke's work brings textiles into the sculptural realm while incorporating elements of abstract painting.

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

Working up the surfaces of her large canvases into almost a fetishized frenzy, the paintings are abstract, yet indicative of movement.

The connection between abstract painting and painting's self - definition is always seen as central part of Greenbergian doctrine, an extension of the grand narrative's account of the arts «coming into their own» in the 18th and 19th centuries which Wolterstorff describes.

Here is Louise Bourgeois's pink marble woman turning into a frond - headed plant, and one of Raoul de Keyser's most airy blue abstracts; here is Karla Black's cellophane cloud hanging in one of the high Georgian windows, bearing green traces of the gardens beyond, and a thicket of marvellous historic paintings from the gardens» collection, showing palms and peonies to semi-abstract perfection.

Her work — which she describes as «futurist abstract paintings in three dimensions» — playfully transforms conventional signifiers of femininity into genderless, abstract color fields.

One of the more interesting phenomena that Kandel explains is that when viewing abstract paintings the brain uses what he calls a «top - down» mechanism to recruit personal experience, imagination, creativity, and responses to other works of art into the process.

TS Another aspect to the colour samples and boxes in this show is that the shelves that you have introduced into art history can be seen in a trajectory of hard - edge abstract painting.

She used these manufactured setting as still - lifes, transcribing them into larger scale oil painting of abstract space - scapes.

Fontana transformed abstract painting into a complex tactile art of careful, rigorous beauty.

Every single one has extraordinary color: the variety and brightness each piece carries, detail: the amount of work that is put into every aspect of each painting that make it look so realistic and abstract, lighting: the bright light shining throughout each image giving each piece an intriguing positive / enthusiastic energy, shading: the detailed shadings on each face giving them that 3 - dimensional look, definition: the quality of the defined lines that are portrayed through every painting (piece) and every small detail in the painting (like the faces and body parts) line: the complex and balanced lining that is seen in both, the abstract and realistic images in these works, texture: somewhat giving off an appealing texture to the works by the dimensions, as if you can reach out and grab the images, dimension: the realistic look that each women has (3 - dimensional), spacing: the space is used wisely in each work, very nicely spread out adding to its originality, touch: the clear and powerful finishing touch that every piece has, and the most visible that is seen in every piece here, is simply life.

One famous instance of his tormented and irreverent attitude to painting was his integration of an all - gray abstract painting by Gerhard Richter (which he had purchased) into the top of a coffee table.

Known for his playful integration of abstract elements into figurative scenes, Philip Guston was a Canadian - born American artist who achieved recognition and fame by working in two seemingly different (yet connected) styles — Abstract Expressionism and Representational Painting.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

He will pay particular attention to how this process played into the creation of his most recent project, A Trilogy of Burials, a series of abstract paintings, photographs, and multimedia images that are intended as a meditation on how different cultures have addressed mortality, a subject we often have a hard time discussing in Western society.

Is it, perhaps that the certainties of abstract monochrome paintings as the clean, minimal sign for painting has slipped, perhaps messily, into a world of commodification, of lipstick, whale stomach contents and selfie poses.

Over the past four decades, Richard Tuttle has thrown into question nearly every conceivable artistic convention and critical category to create an enormously inventive body of abstract work — one that embraces and intermingles drawing, painting, collage, book - making, sculpture and design.

Her vibrant abstract collages layer hundreds of vibrantly painted pieces of paper into dense collages that speak to topographies and mapping.

She explains, «Having run away from seemingly inadequate definitions for abstract painting, I find myself immersed in a relationship that tracks, exchanges, and shreds the world of news, front - page photography, design, and pictorial memory into a subject-less pictorial mash - up.

Consigned by the New York gallery Luhring Augustine, the material for sale includes vintage photographs from the 1960s of teenagers shooting up and hooking up and the so - called «Heroin» series from 2014 — abstract oil paintings into which small plastic bags used for drug storage are embedded.

Many of them had been Minimalists, working with various monochromatic, geometric styles, and whose paintings publicly evolved into new abstract painterly motifs.

At Wharf Road, Hernández is showing abstract paintings that continue his investigation into gesture and form while extending the innovative techniques of accumulation and...

Holliday references the history of abstract painting with a fluid style, seemingly pouring colors over the white of the canvas into lines, shapes and patterns.

The choice of playful titles permits viewers to read some content into the abstract and technique - focused paintings, making his work quite approachable.

Metier begins with an actual subject, and then, using her expressive brushwork, turns it into an abstract composition; though more representational than usual for her, these paintings were still very much a part of her classic style.

It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism of these classical scenes and often transforming them into contemporary allegorical nightmares.

Consisting of large, slick, and colourful C - prints, these glorious manifestations result from one simple click of Photoshop's gradient tool, which improbably morphs them into luxury objects reminiscent of abstract painting.

First, in an Upper East Side townhouse, she showed a handful of huge abstract paintings that looked like caviar organizing itself into knowable patterns of communication.

His gleaming, vertiginous skyscrapers, sometimes abstracted into pure shape and color, reflect a love for both painting and urban life reminiscent of the affection paid to nature in more traditional landscape painting.