Sentences with phrase «of accompanying score»

The lack of accompanying score for most of the film also aids the real world feel.

The sole audio option is a Dolby Digital 2.0 stereo track that is mostly dedicated to narration, with the most impressive moments being displayed during some of the accompanying score that is as big and as bold as the production itself.

It's strange to experience an action sequence where we hear almost everything that is going on with the characters without the assistance of an accompanying score.

Not exact matches

The credit score that often accompanies a credit report is a numerical representation of your relationship to credit.

After the game, Mustang wide receiver John DeVoss imitated the siren that had accompanied each of Houston's scores during the»89 debacle at the Astrodome.

I first went to Highbury, accompanied by Mum, Dad, my two brothers and those three aunts, in 1950 at the age of seven, it was a cold, overcast Saturday afternoon and Arsenal were one down at half time, I remember it started to rain as the half ended and one of the aunts said to not worry as Arsenal liked the rain, sure enough we scored twice in the second half to win two one.

The study did not have enough participants to determine incidence of diagnosable postpartum depression, nevertheless, women in the treatment group had significantly lower total Postpartum Depression Screening Scale scores with significantly fewer accompanying symptoms of depression.

Even the music adds to the feeling of the film unlike so many other accompanying scores.

At best, one might process it as sort of a Koyaaniqatsi - like head flick, where a montage of disconnected, slow - motion clips is accompanied with a minimalist score.

The score from Howard Shore is haunting and intense score that accompanies the drama unfolding on screen and peaks toward the end of the movie where you realise you're about to fall off the edge of your seat.

It's firmly planted at the high end of the non-Barry scores that have accompanied James Bond — and one of the most refreshing, entertaining film score albums of the year.

Accordingly, they're accompanied by the opening portions of the score (including the Buena Vista logo music), though it is the lyric-less French version of the title song, and not the Dean Jones - crooned take that accompanies the original cut and its Spanish dub.

Elsewhere, an extended sequence, standing in for Scottie's and Judy's showdown, splices together umpteen different couples, the accelerating ping - pong of shouted accusations becoming increasingly incoherent as the dialogue overlaps; it's all accompanied by frenzied ostinato strings from the Kronos Quartet, playing Jacob Garchik's score (mesmerizing, intermittent and only sometimes overtly Hermann-esque).

The harsh, violin - heavy original score is rigid and haunting, accompanied late in the film by a heavy dose of the symbolic title song from the musical «Camelot», which became forever connected with the Kennedy family.

And as in Blade Runner, Villeneuve's movie builds its world as much sonically as visually, plunging the audience into a cacophony of electronic klaxons, polyglot crowd - chatter, and invasive talking advertisements, accompanied by Hans Zimmer and Benjamin Wallfisch's score, which tastefully incorporates key phrases from Vangelis's masterful electro — prog rock soundtrack from 1982.

As with «Rivers and Tides,» Leaning into the Wind is a work of art in itself; beautifully and meditatively shot (by Riedelsheimer), accompanied by a faintly mysterious score that seems to be telling us secrets.

There is no new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a narrative structure that tells Senna's story chronologically, accompanied by Antonio Pinto's moody score.

The gloomy setting of their New England town in the 1960s contributes perfectly to an overwhelming sense of isolation and abandonment, accompanied by a haunting score from Alexandre Desplat.

David Neary delights in the live score accompanying Fritz lang's «Spies», which screened as part of the 2013 Jameson Dublin International Film Festival.

All of the menus are accompanied by a memorable excerpt of Joe Hisaishi's score.

But as the rays hit individual blades of grass, accompanied by David Wingo's surging score and captured by Adam Stone's widescreen cinematography, the effect is near - overwhelming.

Each short is accompanied by a lovely original score and almost half of them feature optional commentary by a comedy historian, plus there are additional supplements.

Each short is accompanied by a lovely original score and almost half of them feature optional commentary by a comedy historian.

The still menus are fairly basic, but each screen is accompanied by the military - sounding selection of score used in the film's opening credits.

The result is a moody, magnificent score, with the slightest hint of whimsy in the accompanying sleigh bells.

The menus opt for a tree motif, with most of the listings appearing as bark scratchings, all screens accompanied by serene pieces of score, and the Main Menu rotating through character images in a watery fashion.

Most compelling of all were Under the Skin's grisly seduction scenes, in which the alien and her victims appear as pools of light against an inky backdrop, the men's demise hauntingly accompanied by Mica Levi's brilliant score.

The main menu is nicely animated and accompanied by a selection of the score that quickly wears thin.

It's less of an issue here than on the original Toy Story, where the logo change has actually necessitated losing a few seconds of the film's original opening wallpaper shot, complete with the opening chords of Randy Newman's score that always accompanied Pixar's Disney castle.

The Bonus Features screen (which is also Disc 2's only menu, as with the other waves) is the second menu with cycled animation, featuring the «Sugiura» Raccoons in one of their many celebrations, accompanied of course by its respective score from the film.

Surfacing after a long period of relative quiet, Lost Themes is Carpenter's first non-soundtrack album, and was written with no accompanying images to score to.

Each menu is accompanied by dramatic selections of Alex North's score, which seems to reside almost exclusively in the end credits.

Using archival footage to tell the story, and accompanied by an originally composed score by Alex Somers,» Dawson City: Frozen Time», will depict a unique history of a Canadian gold rush town by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation — and through that collection, how a First Nation hunting camp was transformed and displaced.

All of the menus are accompanied by a section of score, but as is usually the case with Ring - like movies, that score doesn't work very well when it's not coupled with suspense - filled drama and is extremely grating when left on its own to accompany a looping menu screen.

They feature colorful imagery from the film and excerpts from Joe Hisaishi's score, with the most memorable piece of music accompanying the Main and Scene Selection pages.

It begins with an all too familiar aerial shot that is, of course, accompanied with a dramatic orchestral score, but the Dowdles try to mix it up and flip the image upside down for no apparent reason.

While there are plenty of attempts at ordinary dialogue - based and over-the-top physical humor, it's the moments of pure elegance and drama that, accompanied by a soothingly effective score, make this film memorable.

Or perhaps it's merely a question of context: While the O Brother score lifts up the movie it accompanies, the Ladykillers» is dragged down by the tedious mess to which it finds itself shackled.

And the climactic wire walk sequence is accompanied by my favorite film score of the year so far — it's absolutely lovely.

His last two major scores, for Obsession and Taxi Driver, give the films so much formal, emotional, and thematic shape that the usual rule of music serving as accompaniment often seems reversed, and the images, dialogue, and sound effects seem to accompany the scores.

«As the chaos unravels, leaving us increasingly uncertain of what's actually happening, events are accompanied by an ever - evolving drum score by Antonio Sanchez... It's the perfect match for this bunch of thesps; self - indulgent, amusing and thrillingly unpredictable.

Though accompanied with a rich score by Marco Beltrami, A Quiet Place communicates the power and simplicity of the silent cinema.

A modern day classic without a doubt, an explosion of stylised spellbinding cinematography accompanied by the most elaborate score.

This go round, shot and assembled in the spirit of classic western action and drama Tarantino has even tapped Ennio Morricone to provide the haunting accompanying score.

The escape from the hospital is accompanied by the kind of musical score we might expect in a heist film with more humor than tension.

The Bonus Features menu is animated with flames; the rest are merely static but accompanied by a single portion of Michael Giacchino's score.

Upping the action's aural ante, the Immortan's cacophonous road circus is hilariously accompanied by its own live band, including a gentleman with a double - necked, flame - throwing guitar perched atop a wall of speakers who channels Junkie XL's ear - blasting score (unexpectedly evocative, in its own hyper - charged way, of Brian May's music for the original Mad Max).

Its rhythmic collage of images — a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida — is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel's score holds the film's elements together.

This creates a vortex of human interest screenwriter Eric Heisserer and director Steven Quale, one of James Cameron's protégés, attempt to fill by cramming in sentimental blather about cross-continental relationships and mourning boyfriends, accompanied by Brian Tyler's mawkish score, which shamelessly lifts its marimbas right out of American Beauty.

Disc 1's menus are nicely - animated 16 x 9 screens which present three - dimensional models of the ship ruins, accompanied by soft ambient sounds and a subtle score which set the mood of the movie.