In terms
of acting talent for the film?
Not exact matches
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This is an incredibly difficult question to answer
for a variety
of reasons, most importantly because over the years our once vaunted «beautiful» style
of play has become a shadow
of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out
of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid
of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out
of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes
of Bellerin and Gibbs and the spirited albeit offensively stunted play
of Monreal, but none
of these players possess the skill - set required in the offensive zone
for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio
of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as
for our midfielders, not a single one, minus the more confident Xhaka I watched played
for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part
of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as
for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to
act like this was all part
of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature
of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player
of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out
of position far too many times since arriving and that the players in front
of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a
talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious
talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that,
of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one
of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one
of the most committed skill players we've seen on this squad
for some years but that could all change soon, if it hasn't already
of course... strangely enough, even he doesn't make sense given the constructs
of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack
of mobility is an albatross around the necks
of our offence... so when you ask who would be our best starting 11, I don't have a clue because
of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits
Well your righ with met spend but in amount paid out
for players no net were 5th but i agree our champions league performances have been poor we had some tough draws and the premier league is more demanding then the other leagues in strwnght
of competition and games played still excuses do nt win but that monaco loss left me shaking my head in cl we get theough the group but cant muster the strength needed
for knockout and we should be performing better were under performing
for the
talent xhaka has frustrated me hes got the
talent and plays well but cant hold focus in games he drops off and loses his marks our academy is doing well but yes it is tougher now to break in to the first team iwobi has done well but one or two seasons away from being there if he does turn himself elite ever has to score or he will just be another ox but i think its been a wake up call to the club we finally have to
act theres a wave
of ideas to not only get us back to winning ways but become title contenders and i think give him the extension one year its a world cup year and that will also allow our players esp strikers who been very poor this year realized its tough to play in englad and next year will have a better idea what it really takes to win here shore up some spots and depth and were in contention fail and the changes will happen but let him have one more year the fact were willing to spend shows me an upturn from the decline
I remember saying here weeks back that if Arsenal were serious we should've known his stance long ago.If that had hapoened we would've known how to go about things.We have to
act fast in this transfer window before teams increase their prices
for their players as the closure date
of the window draws nearer.People will say it's early but
of course we've heard that before.We will just regret delaying about what we should with him.Wenger will take the blame again
for all
of this.There are many wingers who might not be as good as him yet but some have his
talent or are more talented.Those are the players we should be aiming
for.
Although it will be incredibly difficult to ever match his contributions on the pitch, it's vitally important
for a former club legend, like Henry, to publicly address his concerns regarding the direction
of this club... regardless
of those who still feel that Henry has some sort
of agenda due to the backlash he received following earlier comments he made on air regarding Arsenal, he has an intimate understanding
of the game, he knows the fans are being hosed and he feels some sense
of obligation, both professionally and personally, to tell it like he sees it... much like I've continually expressed over the last couple months, this team isn't evolving under this current ownership / management team... instead we are currently experiencing a «stagnant» phase in our club's storied history... a fact that can't be hidden by simply changing the formation or bringing in one or two individuals... this team needs fundamental change in the way it conducts business both on and off the pitch or it will continue to slowly devolve into a second tier club... regardless
of the euphoria surrounding our escape
act on Friday evening, as it stands, this club is more likely to be fighting
for a Europa League spot
for the foreseeable future than a top 4 finish... we can't hope
for the failures
of others to secure our place in the top 4, we need to be the manufacturers
of our own success by doing whatever is necessary to evolve as an organization... if Wenger, Gazidis and Kroenke can't take the necessary steps following the debacle they manufactured last season, their removal is imperative
for our future success... unfortunately, I strongly believe that either they don't know how to proceed in the present economic climate or they are unwilling to do whatever it takes to turn this ship around... just look at the current state
of our squad, none
of our world class players are under contract beyond this season, we have a ridiculous wage bill considering the results, we can't sell our deadwood because we've mismanaged our personnel decisions and contractual obligations, we haven't properly cultivated our younger
talent and we might have become one
of the worst clubs ever when it comes to way we handle our transfer business, which under Dein was one
of our greatest assets... it's time to get things right!!!
Freeman has another idea: The way to attract young American
talent is by providing much higher incomes
for graduate students and postdocs, but with the explicit understanding that, as in such other highly prestigious, highly competitive fields as
acting, music and professional sports, only a few
of those who enter the competition will win the jackpot
of a successful long - term career.
Understanding the need
for invention, the knowledge that invention helps to create and the dual and complementary roles
of invention and innovation
for 21st century public problem solving is critical — every aspect
of our problem solving requirements must be considered and
acted upon including
talent creation; the skill - set, aspirations and inspiration from our inventors; science, technology, engineering, and mathematics (STEM) basic research; and the innovation ecosystem.
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Eminem shows he has a natural
talent for acting, delivering a strong performance in this solid underdog story that could have been the first
of many
for him, and this is a well - written drama despite the linear structure that doesn't really allow
for many surprises.
One
of the brightest
acting talents to emerge in recent years, Emmy nominated actress, Maura Tierney, is perhaps best known
for her role on the top rated NBC series ER on which she starred
for 8 seasons.
The most prominent characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother
of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative, who works as the local political organizer
for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third
of a moderately successful folk trio who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn), who claims his mother saved Barbara Jean's life but who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing
for country music fame, despite her vacuous
talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds
of Tom's folk
act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working - class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son
of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star who is a last - minute substitute
for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and who tries unsuccessfully to convince her that she has no
talent; and the eccentric Tricycle Man (Jeff Goldblum), who rides around in a three - wheel motorcycle, occasionally interacting with the other characters, showing off his amateur magic tricks, but who has no dialogue.
Since 1980, Ms. Grant has mixed
acting with directing, and in 1982, launched anWhile still in her teens, Lee Grant established herself as a formidable
talent by winning the Critics Circle Award
for her performance as the shoplifter in the Broadway production
of Detective Story.
Hirsch's McCandless never casts judgment on those who lead lives he finds empty, a remarkable job
of acting for a young relatively - unknown
talent and an interesting choice, as the headstrong lad was likely riding on a bit
of hubris and contempt
for the sham from which he was escaping.
Her work in Hartley's films established the blonde, strong - jawed actress as a solid
talent with a proclivity
for deadpan humor, something she has also exhibited in a variety
of film, television, and stage productions including Tom Noonan's What Happened Was..., a darkly humorous date movie that earned Sillas particular praise.A native
of Brooklyn, where she was born June 5, 1965, Sillas studied at the
acting conservatory at the State University
of New York at Purchase.
The
acting talent here is amazing
for this type
of movie.
But the film also has too many memorable vignettes to count: Haven Hamilton's prickly recording session, where he mercilessly browbeats a hippie pianist; Barbara Jean's squirmily uncomfortable, rambling psychological meltdown while performing live
for an impatient, unforgiving audience; Sueleen's conflicted ambitions when her «big break» devolves into a cheap striptease
act; gentle Mr. Green's quiet suffering at the hands
of his flakey niece; John Triplette's negotiations with various
talent, buttering each
of them up with compliments while at the same time insulting the musical form (and its admirers) in which they practice.
For Renner, this could be a strong showcase
of his
acting talent.
Thanks to an Oscar worthy performance by Saoirse Ronan (also surrounded by heaps
of supporting
acting talent), gorgeous production design making both 1950s Ireland and Brooklyn pop off the screen with heavily detailed environments and costume design, and characters easy to root
for in doing the right thing, Brooklyn will elicit laughter, tears, and fiery joy.
For others, this will serve as a painful reminder
of the great
acting talent of James Gandolfini we lost earlier this year.
By and large, The Wizard is best viewed as an oddity and not so much
for any film making or
acting talents (even with the suave presence
of Christian Slater).
With a natural
talent for acting and looks so sweet she could sell Girl Scout cookies, Emmy is a rising star with plenty
of similarities to Liv Tyler.
The sheer
acting talent he assembles
for the film is impressive enough — George Clooney in the best
of his early roles, Don Cheadle, Catherine Keener, Ving Rhames, Albert Brooks, Steve Zahn, Luis Guzman, Dennis Farina, Viola Davis.
Signatures is a short film scheme
for the making
of live - action, fiction films that
act as a proving - ground
for Irish creative
talents which aims to encourage strong, original storytelling, visual flair, and production values appropriate to the big screen.
Other significant winners were Beasts
of No Nation
for winning two
acting awards (Best Male and Supporting Male), Carol earning Best Cinematography, and Mya Taylor (Tangerine) becoming the first transgender
talent to win a Spirit Award.
SAG - AFTRA requires forms
of this nature to specify if background
talent should expect to perform «rough or dangerous»
acts; as that does not appear on this release
for «Westworld,» it's safe to assume that today's shoot should remain physically safe — though certainly not tame.
Marion, exercising an evolutionary maternal reflex, repeatedly criticizes her daughter about everything from her academic
talents — or lack thereof — to her indulgent use
of not one, but two bath towels, an insignificant
act that receives a much more vociferous reaction than, say, when Lady Bird hints that she is considering having sex
for the first time.
Please, don't waste the estimable
talents of Jane Fonda, Diane Keaton, Candice Bergen and Mary Steenburgen, all
acting together
for the very first time, on kinky cosplay.
Even if the level
of other characters» own development decreases as they move down the food chain
of plot importance (Some speak
of their lack
of feelings
of worth and
act upon them, others give themselves neat nicknames and show off their abilities, and one seemingly appears only as fodder
for the villain (After the pronouncement that said character is dead, we half expect the follow - up to be «And we have killed him»)-RRB-, there is at least this conflict
of ideas between its central characters playing out as though it, instead
of nifty superhuman
talents, is what matters the most.
In the end, The Anniversary Party just might show enough
talent and flair
for viewers who enjoy solid
acting and nebulous independent features that delight with bells and whistles, despite the lack
of authenticity at the core.
Emma Thompson is one
of the world's most respected
talents for her versatility in
acting as well as screenwriting.
There is, nonetheless, an obvious upgrade in the
acting talent, screenwriting and look
of the picture as evidenced from this first look, so there is plenty to be hopeful
for (like the Doctor Doom reveal).
For their final performances as Wolverine and Professor X in Logan, they finally got a movie worthy
of their considerable
acting talents.
Most importantly, that quality stems from a world
of talent that's been around
for a while, waiting
for the right opportunity to find its second
act on a bigger platform.
Beyoncé Giselle Knowles - Carter is known
for many fabulous
talents, but
acting isn't exactly one
of them.
For all this, Tedeschi is an impressive actress, her wide - eyed, slightly - toothy face an engaging platform for registering Federica's chronic indecision, but her writing and directing need a great deal more molding before they can be deemed truly worthy of her acting talen
For all this, Tedeschi is an impressive actress, her wide - eyed, slightly - toothy face an engaging platform
for registering Federica's chronic indecision, but her writing and directing need a great deal more molding before they can be deemed truly worthy of her acting talen
for registering Federica's chronic indecision, but her writing and directing need a great deal more molding before they can be deemed truly worthy
of her
acting talents.
The Coens» story may not entirely hit home with mainstream audiences, but their skill at delivering tension mixed with humor, as well as their eye
for acting talent, keeps A Serious Man in the realm
of a more sophisticated comedy
for those who appreciate looking beneath the surface
for more somber life themes.
Theatre director Richard Eyre explains why Shakespeare, repression and not -
for - profit theatre are the perfect recipe
for nurturing generations
of acting talent
Ejiofor has been roundly praised
for his exceptonal
acting talents, as have the rest
of the cast, who include Brad Pitt, Paul Giamatti, Paul Dano, Benedict Cumberbatch, Alfre Woodard and Michael Fassbender, whose role as the heartless slave trader Edwin Epps has also been widely applauded
for his unflinching brutality and realism.
Whether in his stand - up
act, podcast or as a talk - show guest, Burr has a
talent for humorously criticizing hypersensitivity without seeming too much like an out -
of - date crank.
Worthington makes the most
of what little personality his character has but his own
acting talents aren't particularly up to the occasion — he is willing but not possessive
of the kind
of emotive
talent that would make us care
for his survival.
The Fifth Estate proves little more than a showcase
for the
acting talents of a supreme mime in the form
of the lanky Cumberbatch.
I, Tonya is a story covering the rise and fall
of Tonya Harding, a former American figure skater, who first gained prominence due to her immense skating
talent, and gained global notoriety
for a single, shocking
act of violence — an attack, in January 1994, on a rival American figure - skater, Nancy Kerrigan, that was orchestrated by Harding's ex-husband, Jeff Gillooly.
For his follow - up to 2009's sublime A Single Man, the fashion designer turned filmmaker has recruited the respective
acting talents of Amy Adams and Jake Gyllenhaal to tell the story
of a divorced couple who come to learn some dark, uncomfortable secrets about each other.
The best
of the UK's
acting talent descended upon London's Royal Festival Hall on Sunday night
for the British Academy Television Awards 2018, putting on a dazzling display on the red carpet.