Sentences with phrase «of action painting»

One thing is sure — art pieces that are created using unique techniques and styles of Action Painting leave no one indifferent.

In this version of action painting, the action takes over a woman's life.

Instead of action painting, one has a kind of action curating.

The floating, ethereal forms that result, reveal visible traces of the artist's movement and momentum, and bring to mind the combined advances of action painting, minimalism, and expressionism.

I rejected this bias decades ago, but I have never seen myself as working in the tradition of action painting, even when my process is very physically demanding.

His late 1950s works display less of an interest in the activity of action painting of expressionism, as described by his friend the writer Harry Henderson in a 1989 interview - «He found a rationale by studying Zen philosophy.

ArtsATL: You often talk about the «immediate present» in your work, especially with the environmental paintings, which makes me think of action painting in the 1950s and the contemporary idea of focusing on the «present moment» as a stress - reducing mental exercise.

This abstract painting is part of the artist's new series of action paintings, entitled «Instinct», which features s...

His contribution to American art includes some of the foremost examples of action painting, pro...

The end result is an enthrallingly lurid mess from which shapes and objects struggle to emerge: Colen has combined the bold visual language of action painting with a pop artist's attraction to everyday commercialised objects, but it is difficult to extract a compelling statement from the ooze.

Regardless of why exactly Krasner turned to this practice, it allowed her to combine the two poles of Abstract Expressionism: the energetic physicality of action painting with the optical vibrancy of color - field painting.

By the early 1960s minimalism emerged as an abstract movement in art (with roots in the geometric abstraction of Kazimir Malevich, [124] the Bauhaus and Piet Mondrian) that rejected the idea of relational and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of action painting.

In seeking to reinvigorate and advance the language of action painting, Yossifor concentrates the «action» near the center of each work while allowing it to become more diffuse around the edges, establishing a figure - ground relationship.

By the late 1950s, American painter Allan Kaprow — formally trained in the era of Abstract Expressionism — began to view the action of Action Painting as far more important than painting itself.

Returning to Manhattan in 1951, Pepi plunged into the heart of the action painting scene, taking classes with the renowned Hans Hofmann, who had trained Kline, Lee Krasner, Robert Motherwell and many others.

Their performances seem to have become, in this instance, a parody of action painting where the process is not only revealed, but is literally reveled - in.

Now regarded almost as an art historian, Namuth's principal stroke of luck was to choose Pollock as his first project, in that Pollock's technique of action painting was ideal for recording in a sequence of photographs.

The museum has refreshed its line up of works with additions from painters like the pioneer modernist Marsden Hartley, abstract expressionist Mark Rothko, and Jackson Pollock, inventor of action painting.

Hendrik Smit November 5 — December 24, 2009 Smit is one of the last true inhabitants in the world of action painting, a place where the process of creating a work receives much more emphasis than the finished product.

In 1952, Kramer took issue with a prevailing understanding of action painting as a «psychological event».

When I see your work I think of action painting — or maybe, «action sculpting,» in your case.

Unlike the kind of action that is so identifiable in Abstract Expressionist painting, which entails the different layers in the case of Pollock's drip paintings, scraping and repainting in the case of de Kooning, you sort of invented your own kind of action painting, in a way.

Through her dynamic application of paint and pop cultural references, Pensato's compositions extend the possibilities of action painting into bold figuration and abstraction.

American painter and printmaker Robert Motherwell was a foundational figure of Abstract Expressionism, integrating aspects of action painting, color field painting, and European traditions of decorative abstraction into his own work.

Pollock was regularly spotted at jazz venues such as the Five Spot Club in New York and his love of jazz largely influenced his work and the development of his action painting technique.

During the mid-1940s, Jackson Pollock (1912 - 56), leader of the New York School, developed the highly energetic, trance - like method of Action Painting, in which he dripped and poured paint onto a horizontal canvas.

His bold brushstrokes lyrically combine the gestural impulses of action painting with the tradition of Chinese calligraphy painting and the artist often playfully pairs the traditional medium of ink with alternative materials such as coffee, tea and oil paint.

Using textiles Samaras mimics the gestural spontaneity of Action Painting and considers the geometric possibilities integral to two - dimensional works.

The legacy of Action Painting continues to influence contemporary artists, who continue using the methodologies of instinct and physicality in order to express their individuality as it relates to the common humanity of our times.

Sean Patrick Sullivan's artworks are reminiscent of the Action paintings prevalent in American art from the 1940s through the early 1960s.

Some critics accuse action painters of making work that's chaotic and uncontrolled, but painters such as Jackson Pollock, the primary founder of action painting, maintained that their work was not chaotic but rather was guided and intuitive.

In simple terms, he was the only painter to combine the luminosity of Colour Field painting with the dynamic gesturalism of Action Painting (compare Mark Rothko's Paintings).

New York, NY... By the late 1950s, American painter Allan Kaprow — formally trained in the era of Abstract Expressionism — began to view the action of Action Painting as far more important than painting itself.

The lower element was often made up of smears, blots, and other forms characteristic of Action painting.

These works act as both a marker of identity and an index of an action, quite literally reimagining the idea of action painting.

Absent the Postwar malaise, Existentialist angst, and Surrealist bent that shaped the cultural context of Action Painting for the New York School, the uniquely American reference of landscape in Abstract Expressionism is perhaps more visible on the West Coast, especially in the work of Jack Jefferson, Frank Lobdell, and Charles Strong, the artists most heavily represented in the show.

Besides being known as a New York Abstract Expressionist using the freewheeling gesture of action paintings and loose, painterly style, his work is imbued with a sensibility honed by studying Italian antiquities and the Renaissance masters.

Twombly's own iconic style is a highly individual form of action painting profoundly influenced by Kline's technique.

The paintings combine the influence of Action painting with more meditative, theoretical concepts of unity, spontaneity, asceticism and other aspects of an Eastern trajectory of art history.

A film comedy directed with the grace of a ballet, the painstaking detail of an action painting and the affection of a love song, Playtime is one of the most sublime celebrations of individualism in the alienated landscape of modern urban life and consumer culture.

Sheets notes that «curator Charles Brock positions Bellows as a more forward - thinking modernist... «The boxing pictures could be characterized as a type of Action Painting, 40 years before the term was coined by the critic Harold Rosenberg,» says Brock.

Martin writes that Bowling's «poured paintings were often a combination of action painting and compositional devices, like vertical lines, that were used by the group of abstract painters that Clement Greenberg supported.

The retrospectives of Jackson Pollock (1912 — 1956) at MOMA and Mark Rothko (1903 — 1970) at the Whitney form a veritable yin - and - yang of action painting.

All were moving in a new direction away from the violence and anxiety of Action painting toward a new and seemingly calmer language of color.

We already mentioned that surrealism influenced the emergence of Action Painting.

Indeed, many recognize Jackson Pollock as the father of Action Painting.

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressionists.