And the execution of these ideas, at least at first glance, appears tp be very similar, with plenty
of action scenes set to popular music and our villain having a misplaced sense of ambition and moral outrage.
Not exact matches
Well, not as we might want or expect, but the almost unbelievable
set of circumstances and human
actions all point to a director behind the
scenes.
If you follow along on Instagram or Instastories, you got some behind - the -
scenes action of setting up and preparing for the party as well as some live - shots during the exchange!
A bunch
of impressive
set pieces stitched together rather than a good story convincingly told, this gargantuan production should ride Brad Pitt «s name, teeming
action scenes and widespread interest in all things zombie to strong box office returns, particularly internationally.
The movie's opening
scene, which is also the best
action set piece in this Brad Peyton - directed picture, depicts the lone survivor
of a space station catastrophe trying to return to Earth with her scientific samples intact.
The
action, especially a midpoint chase
scene, rivals many
of even the best Marvel
set pieces when it comes to innovation and pulse - pounding pacing.
His film moves along quickly and muscularly, from one serious
action scene to the next, to the extent that it almost stops mattering what the particulars
of this conflict are, just that various twists and obstacles are
set up engagingly.
Although they help
set the tone at the outset
of the film, we don't need more
of these
scenes after her first
action sequence as her character's MO is very clear.
One
of the coolest Batman
action scenes ever filmed is now
set to one
of the zaniest Batman theme songs ever recorded.
Maybe Tomorrowland dawdles its way to its climax because that particular
set piece is such a bust: an underpopulated and anticlimactic
action scene that doesn't come close to fulfilling the promise
of the movie's best moment, a mid-movie single - take tour
of the Tomorrowland that once was.
However, repetition
sets in and the escalation
of set pieces reaches some sort
of a peak here: there are good - to - great
action, chase and fight
scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number
of times people can be kicked through walls before the scraps start to feel samey.
All
of these
action scenes are great fun in the moment, but they ultimately prove to be somewhat exhausting — it feels like there's one
set piece too many here — and makes the promising story feel mostly forgettable.
In these early moments, like a half - hearted
action scene set in a Chinatown restaurant secretly run and frequented by extraterrestrials, MIB3 smacks
of desperation as it sadly goes through the motions it so cleverly unveiled fifteen years ago.
A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King
of the Mountain» is a two - minute music video that splices
action sequences from the film together with bloopers and
sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted
scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.
Skyfall doesn't reach the emotional depths
of 2006's Casino Royale — Daniel Craig's first outing as MI6 secret agent James Bond — but it features jaw - dropping cinematography and
set design, and some
of the most exciting
action scenes of the entire series.
We are dropped into the heart
of the
action and visual splendour that one expects in the film from the very opening
scene,
set in (an unbelievably pristine) Ancient Egypt.
The new trailer does show hints
of the Chinatown reshoot, but overall it's a very strong trailer with plenty
of action, a good introduction to the characters, and just
sets the
scene for what looks to be a great movie.
Moving away from the horror elements
of The Terminator, Terminator 2: Judgment Day is an all - out war
of car chases, fight
scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous
set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an
action beat.
Production I.G. has shared a behind - the -
scenes photo from the
set of the live -
action Ghost in the Shell movie, which sees director Rupert Sanders and star Scarlett Johansson joined by Mamoru Oshii (director
of the original anime), Adrian Nicholas Matthews Thaws, a.k.a. Tricky, Kenji Kamiyama (director
of Ghost in the Shell: Stand Alone Complex) and composer -LSB-...]
Deepwater Surveillance (17:40) consists
of twelve clips from secondary cameras running during the filming
of action and stunt
scenes, giving you the feel
of being a fly on the
set.
Long recognized as one
of George Lucas» primary inspiration for Star Wars (among other things, the bickering peasants who wander into the odyssey inspired R2D2 and C - 3PO), it's Kurosawa's his first go at the widescreen format and he proves to be a master at it, dynamically spreading his compositions out to an epic scope and boldly
setting his cascade
of sharp
action scenes against a magnificent landscape.
Teasing, «My hand strength is like vice grips,» the
action stars reveals images
of himself filming fight
scenes on the
set of «Jumanji.»
HollywoodNews.com: Rachel McAdams may have suffered a few bumps and bruises on the
set of «Morning Glory,» but it had nothing to do with
action scenes.
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Action Packed: T.V.
Sets • Lost: The Complete First Season Early Edition: The Complete First Season • Eli Stone: The Complete First Season • Leverage: The Second Season Knowing • Deja Vu • The X-Files: I Want to Believe • Brooklyn's Finest • CSI: Crime
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of Pelham 1 2 3
Action fans may enjoy the prolonged
set pieces, mostly
set inside and on top
of fast - moving trains, though at 2.5 hours in length, there is a similar tedium factor to them that also marred the Pirates flicks, especially as the lack
of emotional connection to the sketchy characters makes these
scenes ring hollow underneath the impressive CGI elements.
With that in mind you might be led to believe that Live by Night is some
action extravaganza rip - roaring through countless
scenes of tommy guns spraying bullets everywhere, buildings being
set on fire, etc... but it's not.
The video contains a bunch
of stills from the
set, as well as behind the
scenes footage
of Michael Bay directing, and some
of the stars in
action on
set.
Check out the latest
action - packed behind the
scenes videos from the
set of the upcoming film «The Avengers» by director Joss Whedon (The Cabin in the Woods, Buffy the Vampire Slayer) and starring Chris Evans (Captain America: The First Avenger), Chris Hemsworth (Thor, Red Dawn), Mark Ruffalo (Date Night, Shutter Island), Robert Downey Jr. (Iron Man 3), Scarlett Johansson (Nick Fury), Jeremy Renner (The Raven, The Hurt Locker) and Samuel L. Jackson (The Killing Game, Iron Man).
Reed is a fun director, but you can see him struggling to leave an impression on the material since the
action scenes were pretty much already
set, and then trying to work within the boundaries
of a story that needed to be reworked.
Keep the kiddies entertained with the featurettes On
Set With Brad Garrett: Unpacified, On
Set With Mr. Diesel:
Action Hero and Nice Guy, and Special Ops TV Commercials, as well as a collection
of deleted
scenes and bloopers.
There are the expected
scenes of actors riffing all over each that populate most modern comedies, but also hints at a bigger budget and attention to aesthetics like nifty camera work, tilt - shift photography, and some decent
action set pieces.
Last month it was revealed that Megalyn Echikunwoke is
set to bring Mari McCabe from animation to live -
action with a guest - starring role as Vixen in the fourth season
of Arrow, and now we have out first official look at the actress in character... The official image comes after Stephen Amell posted a behind - the -
scenes shot from production -LSB-...]
There's a superb sequence
set around a dinner table (outdoors,
of course), and the dialogue is so fresh and invigorating that the
scene proves to be as exciting as any
action set - piece involving costumed heroes (or if we're talking about Man
of Steel, more exciting).
After Avengers: Age
of Ultron, which allowed too much bloat to get in the way
of some socko individual
scenes, this one establishes a beautiful balance between quieter character - driven sequences and splashy
action set - pieces.
Their film features perhaps the first
action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power
of what was happening immediately, and the emotional stakes
of what that
set piece took him (and us) away from.
This what a blockbuster should be — full
of twists and turns, real stakes, and thrilling
action set pieces (the airport
scene is an all - time classic).
The comedy
scenes are not funny, the
action scenes are not exciting and the one big attempt to blend the two, an extended fight sequence in which numerous innocent people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is as ugly
of a would - be
set - piece that you will see this year.
With an involving story, realistic
setting and well executed
action scenes, Children
of Men is one
of the best Dystopian movies out there.
«Anatomy
of a Plane Crash» (7:46) takes us behind the
scenes of the film's big
action set piece, touching on the influential research, the maneuvers depicted, and the effects used on a gimbal stage with green screen.
Instead
of completing or simply removing them, every
scene is glued to the next by an
action set.
In the film's
action set piece highlight (followed closely by the badass single - take subway fight
scene with Eric Bana), we really see what Saoirse Ronan's titular protagonist is capable
of.
Too many plot elements, too many characters, too many overlong
action scenes, a rushed pace and too much
set up for Phase 3 that all gets in the way
of the drama.
There are not one, but three key villains, a teenage love story, a deathbed
scene, numerous moments
of soul - searching, a stream
of wise cracks and puns, the most outrageous laboratory
setting, a cartoonish evil doctor accent, the constantly furrowed brow
of Aunt Mary (Sally Field), flashbacks and video
of the mysterious father, teasers for future movies, and
of course, enough
action and special effects to ward off any thoughts
of peace.
Director
of photography Rachel Morrison utilizes long takes that capture the debates
of King T'Challa's council chamber as well as the blistering
action, especially in a bravura
set piece that showcases Wakandan combat, a
scene as vibrant and thrilling as anything thus seen in the MCU.
Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making
of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales
of Jean - Claude Van Damme, a 19 - minute featurette with many
of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a
set of 11 deleted and extended
scenes, all
of which are in the extended cut and offer up a tiny bit more story and character development more than additional
action or carnage; trailers for the film itself, D.O.A.: A Rite
of Passage, Attack
of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy
of the film, which offers up all
of the same extras.
As one would expect from the filmmakers behind «The Matrix» and «Speed Racer,» the film is colorful and filled with top - notch special effects and
action scenes; a chase through the skies
of Chicago moves so fast that it's a wonder
of construction, and it doesn't wear out its welcome like a few other
set pieces, including a climactic showdown on Jupiter (the planet).
, the
scene was
set for a series
of huge
action set pieces (as so described in President Coin's final speech at the end
of that film) as the rebels storm the Capital.
Proudly modernist directors, Joost and Schulman aren't afraid to incorporate go - pros, phones, and hand - held point
of view shots into their
scenes, which even stretches so that they're at the core
of their
action set - pieces, too.
Plunging into the trademarked opening
action scene that always got us off to a roaring start with the James Bond movies, this chase through the streets
of London is
set to Prince's Let's Go Crazy.
Forbidden Hollywood Collection Volume Three collects six features by the enormously prolific director from that era (and two documentaries) on a four - disc
set, and they are something else, films strewn with wild melodrama, romantic triangles, brawny
action and some
of the sexiest
scenes of heavy petting and passionate smooching you've seen out
of old Hollywood, with more frank sexuality more suggested than shown but there is no mistaking the suggestions.