Sentences with phrase «of action scenes set»

And the execution of these ideas, at least at first glance, appears tp be very similar, with plenty of action scenes set to popular music and our villain having a misplaced sense of ambition and moral outrage.

Not exact matches

Well, not as we might want or expect, but the almost unbelievable set of circumstances and human actions all point to a director behind the scenes.
If you follow along on Instagram or Instastories, you got some behind - the - scenes action of setting up and preparing for the party as well as some live - shots during the exchange!
A bunch of impressive set pieces stitched together rather than a good story convincingly told, this gargantuan production should ride Brad Pitt «s name, teeming action scenes and widespread interest in all things zombie to strong box office returns, particularly internationally.
The movie's opening scene, which is also the best action set piece in this Brad Peyton - directed picture, depicts the lone survivor of a space station catastrophe trying to return to Earth with her scientific samples intact.
The action, especially a midpoint chase scene, rivals many of even the best Marvel set pieces when it comes to innovation and pulse - pounding pacing.
His film moves along quickly and muscularly, from one serious action scene to the next, to the extent that it almost stops mattering what the particulars of this conflict are, just that various twists and obstacles are set up engagingly.
Although they help set the tone at the outset of the film, we don't need more of these scenes after her first action sequence as her character's MO is very clear.
One of the coolest Batman action scenes ever filmed is now set to one of the zaniest Batman theme songs ever recorded.
Maybe Tomorrowland dawdles its way to its climax because that particular set piece is such a bust: an underpopulated and anticlimactic action scene that doesn't come close to fulfilling the promise of the movie's best moment, a mid-movie single - take tour of the Tomorrowland that once was.
However, repetition sets in and the escalation of set pieces reaches some sort of a peak here: there are good - to - great action, chase and fight scenes (Bryan Singer's X-Men films still have an edge on depicting superpowers) but there's also a limit to the number of times people can be kicked through walls before the scraps start to feel samey.
All of these action scenes are great fun in the moment, but they ultimately prove to be somewhat exhausting — it feels like there's one set piece too many here — and makes the promising story feel mostly forgettable.
In these early moments, like a half - hearted action scene set in a Chinatown restaurant secretly run and frequented by extraterrestrials, MIB3 smacks of desperation as it sadly goes through the motions it so cleverly unveiled fifteen years ago.
A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.
Skyfall doesn't reach the emotional depths of 2006's Casino Royale — Daniel Craig's first outing as MI6 secret agent James Bond — but it features jaw - dropping cinematography and set design, and some of the most exciting action scenes of the entire series.
We are dropped into the heart of the action and visual splendour that one expects in the film from the very opening scene, set in (an unbelievably pristine) Ancient Egypt.
The new trailer does show hints of the Chinatown reshoot, but overall it's a very strong trailer with plenty of action, a good introduction to the characters, and just sets the scene for what looks to be a great movie.
Moving away from the horror elements of The Terminator, Terminator 2: Judgment Day is an all - out war of car chases, fight scenes, shoot outs, nuclear explosions and a phenomenal, if gratuitous set piece where the Terminator blows up numerous police cars with a machine gun for no other reason than the script required an action beat.
Production I.G. has shared a behind - the - scenes photo from the set of the live - action Ghost in the Shell movie, which sees director Rupert Sanders and star Scarlett Johansson joined by Mamoru Oshii (director of the original anime), Adrian Nicholas Matthews Thaws, a.k.a. Tricky, Kenji Kamiyama (director of Ghost in the Shell: Stand Alone Complex) and composer -LSB-...]
Deepwater Surveillance (17:40) consists of twelve clips from secondary cameras running during the filming of action and stunt scenes, giving you the feel of being a fly on the set.
Long recognized as one of George Lucas» primary inspiration for Star Wars (among other things, the bickering peasants who wander into the odyssey inspired R2D2 and C - 3PO), it's Kurosawa's his first go at the widescreen format and he proves to be a master at it, dynamically spreading his compositions out to an epic scope and boldly setting his cascade of sharp action scenes against a magnificent landscape.
Teasing, «My hand strength is like vice grips,» the action stars reveals images of himself filming fight scenes on the set of «Jumanji.»
HollywoodNews.com: Rachel McAdams may have suffered a few bumps and bruises on the set of «Morning Glory,» but it had nothing to do with action scenes.
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Action fans may enjoy the prolonged set pieces, mostly set inside and on top of fast - moving trains, though at 2.5 hours in length, there is a similar tedium factor to them that also marred the Pirates flicks, especially as the lack of emotional connection to the sketchy characters makes these scenes ring hollow underneath the impressive CGI elements.
With that in mind you might be led to believe that Live by Night is some action extravaganza rip - roaring through countless scenes of tommy guns spraying bullets everywhere, buildings being set on fire, etc... but it's not.
The video contains a bunch of stills from the set, as well as behind the scenes footage of Michael Bay directing, and some of the stars in action on set.
Check out the latest action - packed behind the scenes videos from the set of the upcoming film «The Avengers» by director Joss Whedon (The Cabin in the Woods, Buffy the Vampire Slayer) and starring Chris Evans (Captain America: The First Avenger), Chris Hemsworth (Thor, Red Dawn), Mark Ruffalo (Date Night, Shutter Island), Robert Downey Jr. (Iron Man 3), Scarlett Johansson (Nick Fury), Jeremy Renner (The Raven, The Hurt Locker) and Samuel L. Jackson (The Killing Game, Iron Man).
Reed is a fun director, but you can see him struggling to leave an impression on the material since the action scenes were pretty much already set, and then trying to work within the boundaries of a story that needed to be reworked.
Keep the kiddies entertained with the featurettes On Set With Brad Garrett: Unpacified, On Set With Mr. Diesel: Action Hero and Nice Guy, and Special Ops TV Commercials, as well as a collection of deleted scenes and bloopers.
There are the expected scenes of actors riffing all over each that populate most modern comedies, but also hints at a bigger budget and attention to aesthetics like nifty camera work, tilt - shift photography, and some decent action set pieces.
Last month it was revealed that Megalyn Echikunwoke is set to bring Mari McCabe from animation to live - action with a guest - starring role as Vixen in the fourth season of Arrow, and now we have out first official look at the actress in character... The official image comes after Stephen Amell posted a behind - the - scenes shot from production -LSB-...]
There's a superb sequence set around a dinner table (outdoors, of course), and the dialogue is so fresh and invigorating that the scene proves to be as exciting as any action set - piece involving costumed heroes (or if we're talking about Man of Steel, more exciting).
After Avengers: Age of Ultron, which allowed too much bloat to get in the way of some socko individual scenes, this one establishes a beautiful balance between quieter character - driven sequences and splashy action set - pieces.
Their film features perhaps the first action scene we've ever seen where we cared more about what was happening in a character's relationship than how many kills he was about to rack up — and then, once it was done, felt simultaneously exhilarated by the visceral power of what was happening immediately, and the emotional stakes of what that set piece took him (and us) away from.
This what a blockbuster should be — full of twists and turns, real stakes, and thrilling action set pieces (the airport scene is an all - time classic).
The comedy scenes are not funny, the action scenes are not exciting and the one big attempt to blend the two, an extended fight sequence in which numerous innocent people are tased and a guy with a shellfish allergy repeatedly has shrimp rubbed in his face and eyes, is as ugly of a would - be set - piece that you will see this year.
With an involving story, realistic setting and well executed action scenes, Children of Men is one of the best Dystopian movies out there.
«Anatomy of a Plane Crash» (7:46) takes us behind the scenes of the film's big action set piece, touching on the influential research, the maneuvers depicted, and the effects used on a gimbal stage with green screen.
Instead of completing or simply removing them, every scene is glued to the next by an action set.
In the film's action set piece highlight (followed closely by the badass single - take subway fight scene with Eric Bana), we really see what Saoirse Ronan's titular protagonist is capable of.
Too many plot elements, too many characters, too many overlong action scenes, a rushed pace and too much set up for Phase 3 that all gets in the way of the drama.
There are not one, but three key villains, a teenage love story, a deathbed scene, numerous moments of soul - searching, a stream of wise cracks and puns, the most outrageous laboratory setting, a cartoonish evil doctor accent, the constantly furrowed brow of Aunt Mary (Sally Field), flashbacks and video of the mysterious father, teasers for future movies, and of course, enough action and special effects to ward off any thoughts of peace.
Director of photography Rachel Morrison utilizes long takes that capture the debates of King T'Challa's council chamber as well as the blistering action, especially in a bravura set piece that showcases Wakandan combat, a scene as vibrant and thrilling as anything thus seen in the MCU.
Included is Sho Kosugi: Martial Arts Legend, a new 21 - minute interview with the actor about him and his career; The Making of Black Eagle, a 36 - minute featurette with Sho Kosugi, director Eric Karson, screenwriter Michael Gonzales, actors Doran Clark, Shane Kosugi, and Dorta Puzio; Tales of Jean - Claude Van Damme, a 19 - minute featurette with many of the same people speaking about their experiences working with Van Damme; The Script and the Screenwriters, a 27 - minute featurette with Michael Gonzales and Eric Karson discussing the film's development; a set of 11 deleted and extended scenes, all of which are in the extended cut and offer up a tiny bit more story and character development more than additional action or carnage; trailers for the film itself, D.O.A.: A Rite of Passage, Attack of the Killer Tomatoes, and Savannah Smiles; a fold - out poster; and a DVD copy of the film, which offers up all of the same extras.
As one would expect from the filmmakers behind «The Matrix» and «Speed Racer,» the film is colorful and filled with top - notch special effects and action scenes; a chase through the skies of Chicago moves so fast that it's a wonder of construction, and it doesn't wear out its welcome like a few other set pieces, including a climactic showdown on Jupiter (the planet).
, the scene was set for a series of huge action set pieces (as so described in President Coin's final speech at the end of that film) as the rebels storm the Capital.
Proudly modernist directors, Joost and Schulman aren't afraid to incorporate go - pros, phones, and hand - held point of view shots into their scenes, which even stretches so that they're at the core of their action set - pieces, too.
Plunging into the trademarked opening action scene that always got us off to a roaring start with the James Bond movies, this chase through the streets of London is set to Prince's Let's Go Crazy.
Forbidden Hollywood Collection Volume Three collects six features by the enormously prolific director from that era (and two documentaries) on a four - disc set, and they are something else, films strewn with wild melodrama, romantic triangles, brawny action and some of the sexiest scenes of heavy petting and passionate smooching you've seen out of old Hollywood, with more frank sexuality more suggested than shown but there is no mistaking the suggestions.
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