Sentences with phrase «of action scenes which»

The film is full of action scenes which allow many opportunities for stereo, surround, and subwoofer effects.

Not exact matches

The court scene reflected the worldwide interest in the Silk Road affair, which included numerous ripped - from - an - action - movie elements, including the FBI's dramatic 2013 takedown of Ulbricht in a San Francisco library.

The divine action need not be thought of as a matter of super-casuality behind the scenes through which everything happens; but as the continual divine self ~ communication, presenting to the creatures not only the good to which they may aspire, but also the support and recreative power of the sustaining and loving reality which is in the depths of all things.

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

The first purpose - built glass - walled Tunnel Club in the UK which will allow lounge guests to see the inner sanctum with a behind - the - scenes view of the players» tunnel, while also enjoying the action from player - spec «Recaro - style» seats, located behind the First Team technical area.

Battleship The U.S. Navy defends the planet against a fleet of marauding aliens in this sci - fi action flick, which features scenes of nonstop nautical mayhem inspired by the eponymous board game.

Without much material or throughline, the movie devolves into a succession of scenes in which the scream queen Vivian runs from one imperilment to the next; the proceedings culminate in abandoned mine tunnel that serves primarily as a means for obscuring the action.

The mouse city, which uses boxes and other discarded goods to replicate landmarks like Big Ben, is a lot of fun, and the action scenes are fluid without being showy.

The movie's opening scene, which is also the best action set piece in this Brad Peyton - directed picture, depicts the lone survivor of a space station catastrophe trying to return to Earth with her scientific samples intact.

As directed by Anthony and Joe Russo, the action scenes are often incomprehensible, which means that far too much of the film is spent waiting for the action to die down so we can see who is left standing.

The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening scene of the film rewinds through the entire film, showing every action beat, which was a really bizarre move.

This allows for plenty of ridiculous - in - a-good-way action scenes, the best of which finds her levitating a group of armed assailants so they can not harm her.

Paul's exposition on Salinger's The Catcher in the Rye, an elaborately constructed scene where Ian Baker's restless camera cuts repeatedly between the four characters» constantly changing positions, exemplifies the way in which an intradiegetic audience is constructed and the overtly performative nature of the action foregrounded.

Not just that the lead is an actual MMA fighter, which means the action scenes will be great, but it's directed by one of my favourite directors, Steven Soderbergh.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

Even with long scenes of action utilizing modern effects, the approach doesn't seem gratuitous, which is an impressive accomplishment after having seen so many action films already this year.

Earlier scenes feature whales flying through the clouds and into the sea, which becomes intertwined with the reflection of the sky in the water, and the climax is impressive action sequence, featuring the realm's inhabitants using their assorted magical powers to escape a giant tidal wave.

The color palette and mis - en - scene composition are fittingly vibrant and epic for a blockbuster film of this scope, and many of the ambitious action sequences are well - executed and impressive, which helps to justify seeing the film on a theater screen.

He brings the pacing of Creed's boxing matches to the longer action scenes, producing a fabulously entertaining sequence in which a shoot - out in a South Korean underground casino — presented in part as an uninterrupted long take — breaks out into a rollicking car chase through city streets.

Even when the big action scenes do turn up, they're poorly edited, which is something of a surprise as the director and co-writer, Ric Roman Waugh, has a long history as a stunt coordinator.

The action scenes — both during the day and the night — do intensify the overall effect of the picture, which effectively enhance the excitement.

The shakycam that some complained about last time seems all but absent, however there are a couple of action scenes that occur in the dark, which makes it a little hard to follow.

The centerpiece of Renoir's intricate structure, the pivot on which the action turns, the symbolic core of his critique of French society, is the hunt, the scene that most clearly reveals the volcano that seethes beneath the dancers.

I can, however, commend director John Singleton for the satisfactory action scenes which minimized the kind of close - up, rapid camera movement that has drawn the bulk of my ire in recent months.

As expected from a Ridley Scott - directed sword / sandals epic based on the story of Moses leading 600,000 slaves out of Egypt, the trailer and footage teased killer action sequences and battle scenes, a cast of thousands which includes Sigourney Weaver, Ben Kingley, Joel Edgerton, Aaron Paul, John Turturro and some of history's earliest family drama between Moses and Rhamses (Edgerton).

Production I.G. has shared a behind - the - scenes photo from the set of the live - action Ghost in the Shell movie, which sees director Rupert Sanders and star Scarlett Johansson joined by Mamoru Oshii (director of the original anime), Adrian Nicholas Matthews Thaws, a.k.a. Tricky, Kenji Kamiyama (director of Ghost in the Shell: Stand Alone Complex) and composer -LSB-...]

The stranger and more corrosive subtexts it locates in the Kennedy circle's actions in the aftermath of the crash are undermined by its classy restraint, which saps the most conceptually outrageous moments — like a scene that cuts between Kopechne's dying breaths and Ted Kennedy bathing at his hotel after the accident — of any sense of shock.

Trailer Highlight: The action scenes, of course, which is just another way of saying «all of it.»

While it is incumbent on the audience watching any Indiana Jones film to accept a degree of supernatural power and treasure hunting mystique, the degree to which credulity is stretched coupled with the loss of character at the hands of big action scene artificial imagery means the heart of the film is lost.

Only the action scenes, which are already plagued by hyper editing, exhibit this feature, so perhaps it is a product of using Chinese digital video cameras.

Much of the action in the celebrated miniseries «Fargo» pivots on a first episode scene in which Gus Grimly, Colin Hanks» single - dad deputy, pulls over Billy Bob Thornton's mysterious Malvo and then, after some major intimidation, lets him go, a decision that results in numerous people (most of...

Unfortunately this film is not one of my favorites, it plays more like a slapstick comedy, which is not funny, with a few decent action scenes chucked in.

But Stuart Baird's atonal direction makes for a dull action slog stained with the psychic rape of Deanna Troi — a scene which becomes merely setup for a battle maneuver.

Excellent action packed scene at the beginning which gives you an incline of what to expect.

Still, the film seldom pushes beyond the bare - minimum dictates of the thriller, only rarely offering up a memorable action sequence, as in an early scene in which Logan's struggling with an armed assassin in a moving car continues after the vehicle falls off an overpass and crashes.

And of the action scenes that there are, the best one takes place ten minutes into the movie, before Jordan has even acquired any of his powers, which is another big no - no.

0:00 — «Street Fighter II Opening Theme» by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme of Ryu» by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live - action films 30:50 — Intermission - «Theme of M.Bison» by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive scene 42:13 — Intermission - «Theme of Cammy» by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC contributor Yongde 1:24:42 — Intermission — «Theme of Guile» by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «True Ending Theme» by Alph Lyra

In place of story is a non-stop cavalcade of wire - fu fight scenes rife with CG effects, which impress when compared to those of the original, but in the world of action, offer little we've seen before in better films with bigger budgets.

Schwarzenegger, in his prime as an action star, is mostly subdued, giving a few of his traditional one - liners («Stick around» punctuates a scene in which he impales someone standing, and his unintentionally funny line, «Get to da choppa!»

As if it's not bad enough that the deliberate pacing reeks of self - importance, the film's only entertaining action involves scenes in which earthlings chat with Kang and Kodos.

Russell Crowe, the star of The Nice Guys — Shane Black's action comedy about a pair of misfit guns for hire who are trying to track down a missing porn star — talks to Andrew Pulver about how it takes a lot of effort to make effortlessly funny comedy, and the lengths he and his his co-star Ryan Gosling went to to make a scene in which Gosling is sat on the toilet realistic

The opening scene, in which all the mecha - aliens transform back and forth between giant robots and various makes of automobiles and heavy trucks, becomes so abstract it looks like a Jackson Pollock canvas in motion screeching through the middle of a Hollywood action movie.

When events turn against our heroes, light and color ebb again, then return on tiptoe, and in nighttime shots of the heroes zipping around Hogwarts or London on brooms, they're nearly silhouetted, and the backgrounds are shadowy compared to similar scenes in Chris Columbus» early installments, which were often overlit in the manner of a mid-60s live - action Disney adventure.

One of the best examples of this is the framing device for the main on - ship action: modern - day scenes in which an aged Rose (Gloria Stuart) tells her story to an expedition crew (led by Bill Paxton) searching for a legendary blue diamond called «The Heart of the Ocean.»

The action scenes, which describe the ludicrous formality of 18th combat during the Seven Years» War, are simply extraordinary.

Her scenes with Boyega are bearable, which is saying a lot because every moment of this film that doesn't involve robo - action is a real struggle.

Gangster Squad (2013)-- «Max Kennard» RP: You probably already know this, but because of the idiot in Colorado who went into the theater and killed those poor people... We had a trailer for the film that had a scene that took place in Grauman's Chinese Theater, which was a big action sequence in our movie, and we had to scrap the trailer, they had to reposition the movie and put it out later.

The thrilling ride of a movie is enhanced with Dolby Atmos, which allows viewers to immerse themselves in the action and brings the fight scenes to life.

The show is full of killingly well - executed action scenes, sharp acting, ironic dialogue and ultra-snazzy visuals — all of which won Nicolas Winding Refn the Best Director prize at the last Cannes Film Festival.