Focusing on the relationship between life and death, Final Fantasy features some interesting themes and actually aspires to be something more than just a mindless string
of action sequences featuring some barely recognizable characters.
Not exact matches
Vestigial
features, study
of ebryonic development, biogeography, DNA
sequencing, examining pseudogenes, study
of endogenous retroviruses, labratory direct examination
of natural selection in
action in E-Coli bacteria, lactose intolerance in humans, the peppered moth's colour change in reaction to industrial pollution, radiotrophic fungi at Chernobyl all add to the modern evolutionary synthesis.
Tangible proof can be found by studying vestigial
features, ebryonic development, biogeography, DNA
sequencing, pseudogenes, endogenous retroviruses, labratory direct examination
of natural selection in
action in E-Coli bacteria, lactose intolerance in humans, the peppered moth's colour change in reaction to industrial pollution, radiotrophic fungi at Chernobyl... all
of these things add to the modern evolutionary synthesis.
Each location
features its own site - specific
action sequence — a tense chase through the Underground, a stealthy assassination lit only by changing neon signs, a primal fist fight involving Komodo dragons — that shows off a different aspect
of Bond's impressive new aesthetic universe.
Critics Consensus: T2
features thrilling
action sequences and eye - popping visual effects, but what takes this sci - fi /
action landmark to the next level is the depth
of the human (and cyborg) characters.
The trailer certainly plays up the
action angle above all else,
featuring plenty
of gritty, slow - mo battle
sequences set to a little bit
of rock music.
But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version
of the graphic novel
features sharp writing, brilliant performances, and
of course, indulgent
action sequences and story - telling.
Big on special effects, though small on bonus
features, the disc offers you a behind the scenes look at the creation
of the film's «incredible
action sequences and spectacular stunts,» plus an audio commentary by Director Michael Bay.
Audiences will be thrilled by the depiction
of a ruined world, and the
action sequences featuring Harper in his flying machine are as exciting as they come.
Earlier scenes
feature whales flying through the clouds and into the sea, which becomes intertwined with the reflection
of the sky in the water, and the climax is impressive
action sequence,
featuring the realm's inhabitants using their assorted magical powers to escape a giant tidal wave.
But as a stirring story
of unsullied heroism, it's a winner, and as an
action epic, it
features some
of the best battle
sequences of recent vintage.
From the onset, which
features African tribesmen in Egypt hunting a tiger (
of which there are so many things wrong from a historic and anthropological perspective) to a fiercely convoluted plot that seems to be more
of an excuse to lead into unfunny comedy or inexplicable
action sequences.
The chases themselves compose mot
of the
feature's main
action sequences.
The first insight that screenwriter Ben Queen has abandoned almost all that came before arrives in the prologue, an
action sequence set on an oil rig in the middle
of the ocean and
featuring a character that has nothing to do with the specific plot or general tone
of the previous movie.
A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that
features a few additional male buttock shots; «King
of the Mountain» is a two - minute music video that splices
action sequences from the film together with bloopers and sets it to music (something resurrected in
feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.
Regular montages
feature rapid fire edited
sequences that perfectly capture the idiotic bravado and self importance
of the average Hollywood
action blockbuster.
That's a grave error, because the movie
features more
of the same kind
of silly
action sequences that were the highlight
of the first sequel.
It
features the same origin stories, the same
action sequences, the same level
of self - referential humour.
A short promotional
feature proudly advertises that the fourth installment in the Transformers franchise utilizes the new IMAX 3D Digital Camera for many
of the
action sequences, which comprise more than half
of the 165 - minute running time.
There's a terrific introductory
sequence featuring River Phoenix as a young Indy, exploring some
of the origins
of his character; a couple nasty tombs are waiting to be explored; many countries dying for a visit from the 1989 Just - Call - Me - Indy World Tour; Nazis; Sallah (John Rhys - Davies» greatest role outside
of Gimli); plot twists and turns; and so many
action sequences and trademarked humor that you just couldn't find a fedora big enough to carry it all.
Other
features: the Fox special «Mutant Watch», a fairly routine making -
of structured around a Kelly hearing; Hugh Jackman's screen test (notable for unused conversation between Logan and Rogue); brief clips
of Bryan Singer on «Charlie Rose» (more, please); Animatics (or, X-Men meets «Reboot» — computer - generated storyboards for a couple
of action sequences); a very extensive gallery
of costume and production designs; two trailers and three TV spots (none
of them, disappointingly, the mock - campaign ad that ran on late night cable); a promo for the soundtrack CD; and two easy - to - spot Easter eggs (in one, an outtake, we're made privy to a hilarious, Marvel - centric practical joke) within underimagined animated menus.
The
action sequences are well - staged and some
of the more dramatic and symbolic moments
feature characters surrounded by bright and beautiful visuals.
Despite its»80s high school allusions, Central Intelligence frolics happily in the nostalgia
of the 1990s, reminiscing about Budweiser's «Wassup» adverts and
featuring a soundtrack that opens with En Vogue's «My Lovin» and plays Blur's «Song 2» along to a vigorous
action sequence which sees the pair crash out
of a skyscraper in a mail cart.
From the design
of Wakanda to the clothes worn by its citizens, director Ryan Coogler further highlights how vibrant and colorful the film will be, even in its sprawling
action sequences featuring Wakanda's battle - jets.
The plot to many Jackie Chan or Jet Li flicks aren't much better than this, but I still will recommend them because they do deliver on very well handled
action sequences featuring some truly amazing footage
of very agile, talented performers at their best.
Unlike the first two installments
of The Hobbit, the final chapter is almost non-stop
action and
features some incredible
sequences that fans
of The Lord
of the Rings will absolutely love.
The adrenaline rises for everyone involved, not least
of whom being the audience, as Creevy proves himself a very assured director
of slick
action sequences, matching that truly breathtaking cinematography by Ed Wild with a killer score by Harry Escott and giving his second
feature a pop that instantly pulls you in.
It also
featured terrifying gore effects courtesy
of special effects king Tom Savini (who has a cameo in the remake as a badass sheriff), brutal and hard - hitting
action sequences, and an unrelenting sense
of encroaching dread.
In the first
of a series
of lengthy
action sequences, Max is chained to the front
of an enemy car driven by Nux (Nicholas Hoult), a fighter with a death wish who later becomes an ally, while Furiosa, who has a mechanical arm to compensate for an amputation, is attempting to flee from and / or destroy that car — as well as an assortment
of others (including one containing Joe's battle music,
featuring a most dedicated guitarist).
Adapted from the novel Prince
of Thieves by Chuck Hogan, a much better title than the bland one Affleck and co-writers Peter Craig and Aaron Stockard chose, The Town is a solid drama about actual adults,
featuring some excellently choreographed
action sequences and is a big leap forward for Affleck's directing aspirations.
It tries to be in certain
sequences, notably those
featuring Lumière the candelabra (voiced by Ewan McGregor), Cogsworth the pendulum clock (Ian McKellen), and Garderobe the wardrobe (Audra McDonald)-- all
of whom are basically tactile, live -
action animated characters.
«Uprising»
features the mega-scale
action sequences one expects from the genre, and Steven S. DeKnight directs them with clarity, but not much in the way
of style.
It
features some
of the most colossally incompetent
action sequences ever filmed, shaky, disorienting and noisy.
Fast & Furious (PG - 13 for violence, sexuality, profanity, drug references and intense
action sequences) Fourth installment
of the popular muscle car series,
featuring a reunion
of the original's principal cast, revolves around a couple
of unlikely buddies, a cop (Paul Walker) and a fugitive ex-con (Vin Diesel), who team up to infiltrate and bring down an L.A. heroin cartel.
For as long as they're on screen, Captain America: Civil War becomes a better movie, and the extended
action sequence in which they are both
featured is the highlight
of the entire experience, in part because it pauses to allow for joking dialogue and an assessment
of the situation; the fights have meaning and reflect the characters involved.
MTV was able to get ahold
of these photos
of Elizabeth Olsen in costume as Scarlet Witch on the set
of Captain America: Civil War, joining the big
action sequence that already
features Cap, Falcon, Black Widow, and Crossbones.
Accordingly to early reports, TDKR
features 100 minutes
of action sequences and much
of the movie was shot using IMAX cameras.
The trailer
features lots
of over-the-top
action sequences — it is a Statham movie after all — and even de Niro looks like he's ready to get stuck in.
Atomic Blonde may be David Leitch's first
feature length directorial gig, but after a career as a stuntman and work on John Wick, the defining
action series
of the age, it's not a surprise that there are some jaw - dropping
sequences to be found in late 80s Berlin.
Hughes»
action sequences are mostly by the numbers, but when the film busts out a breathtaking chase through the Amsterdam canals —
featuring boats, bridges, motorcycles and cars — it provides a much - needed injection
of adrenaline to the proceedings.
Featuring crackerjack
action sequence directed with pinpoint precision by Atomic Blonde and John Wick impresario David Leitch while still maintaining the vulgar wit
of its predecessor, it might even pick up some new ones as well.
The script by Chris Morgan (Wanted, Cellular)
features a plot that is barely cohesive, and merely serves as a springboard to get the protagonists in and out
of action sequences at predictable beats.
Daniel Wu leads this martial arts
action show, which
features some
of the best fight
sequences ever seen on TV.
While nearly every scene
features a fighting
sequence, the
action effortlessly flows through the film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use
of bold greens, reds, yellows and blues to distinguish the different sections
of the story.
It's a
feature - length
action sequence shot entirely from the first - person camera eye
of its mute cyborg hero.
Earlier this week we got a look at some new set photos from Captain Marvel
featuring Brie Larson's Carol Danvers and Samuel L. Jackson's Nick Fury [see here], and now we have some more photos and videos, this time showing Larson's hero shooting an
action sequence on top
of a train; check them out here... -LSB-...]
Though the movie
features a few decent
action sequences, they're overshadowed by a terrible script that plays fast and loose with the real - life events that supposedly inspired the story, as well as some amateurish performances including one
of the worst child actors ever recorded.
I do know that they were popular, not only because
of the game play, but because they have a cinematic feel to them, with unfolding storylines and, in later editions, well - produced live -
action cut - scene
sequences featuring well - known actors like Mark Hamill, Malcolm McDowell, John Rhys - Davies, and even former porn queen Ginger Lynn Allen.
Eros's nice two - disc edition
of the film includes a packed bonus disc
featuring all the film's trailers and TV spots, behind - the - scenes featurettes on the film's
action sequences and key musical numbers, as well as a collection
of 30 complete (but, alas, unsubtitled) song scenes from other films by producer Boney Kapoor.
All
of this happens after an unexpected
action - packed
sequence featuring Nick Fury (Samuel L Jackson).