Sentences with phrase «of aerial landscape»

His abstract paintings of this period, such as Albuquerque No. 4 (1951), were stylistically rooted in the New York school; they were characterized by linear planes, which gave the impression of aerial landscape views, and by a fluid line that defined a type of biomorphic abstraction.

Similar to the Albuquerque series, they also have the impression of an aerial landscape view, but here Diebenkorn used colors which were influenced directly by Berkley such as green and red.

Not exact matches

Maybe it's the beautiful desert landscape inspiring early adoption of the flying devices often used for aerial photography?

Aerial view of the Northern Minnesota landscape including numerous conifer peatlands, deciduous uplands and lakes.

The data, collected by aerial survey missions flown in the Southern Hemisphere in the summer of 2014 - 2015, provide detailed topography of the perpetually ice - free region, where surprising landscape changes, such as rapid erosion along some streams, have been observed in recent years.

They carried out low - altitude aerial photography with a weather balloon in order to detect landscape features and the borders of mass graves.

I think our results demonstrate aerial thermography's potential to transform how we explore archaeological landscapes in many parts of the world,» says Jesse Casana, an associate professor of anthropology at Dartmouth, who has been using drones in aerial thermography for five years in his archaeological research.

I was mesmerized between the aerial shots of K driving through the neon skyscrapers and the shots of him walking through dark hallways and smoggy landscapes.

The aerial shots of the Indian and Australian landscapes are beautifully filmed.

Then on to a quiet ride home with «Have a Nice Day» on the radio — one of many brilliant musical choices by director Zack Snyder — and our first aerial of the tidy suburban landscape that is about to be destroyed.

The beautiful landscape gets increasingly wild: trees with overgrown trunks; dark trees with long aerial roots, which hang from the trees like monkey tails; lots of banana trees; innumerable paddies lined with tall, slender palmtrees.

Scenic Flights over Wilpena Pound to gain an aerial perspective of this ancient mountain landscape

Enjoy the exclusive Seven Spirit Bay Wilderness Lodge Explore the deep gorges and breathtaking beauty of the Cape Range National Park — Exmouth View the world's largest open cut mine at Newman Experience spectacular aerial «flightseeing» over the ancient landscapes of the Bungle Bungle Range and Karijini National Park Receive a special invitation to visit the sacred Aboriginal lands of Arnhem Land

Here you will have the chance to capture an aerial perspective of the breathtakingly beautiful landscape, from its forested valleys to its inviting ocean reef waters.

He has given us a new interpretation of the Australian scene, redefining the Australian landscape by shifting the viewpoint from ground level to aerial perspective thus creating the horizon-less landscape.

An aerial view of the 5 free - form swimming pools amongst the tropical landscape of the resort.

Senu can also provide amazing aerial views of the surrounding area to get a look at the landscape.

This aerial glass landscape, which continues Parrish's series of «mapping» America, came from his debut solo exhibition at the Rockwell Museum in 2015.

A shared palette and sense for composition combine in their approaches to the open landscapes of the American West, which they each show from multiple elevated and often aerial perspectives.

From the first experiments with aerial perspective, to the Impressionists» revision of painted light, to records of the creeping modernisation of the 20th - century countryside, landscape has long been a popular and experimental genre in art.

Alan Bray explores the landscape of inland Maine via quiet rambles in the woods, kayak trips down forested streams, and most recently, Google Earth, where he can observe his surroundings from a foreign, aerial view.

Based on the aerial landscape and perhaps the view from the window of his studio, these large - scale abstract compositions are named after a community in Santa Monica, where he had his studio.

TF: I was fascinated by the saturated rich greens and turquoise colors in malachite and the way the natural clustered formations resembled aerial views of lush landscapes; how something on a small scale such as that mineral sample could suggest the vastness of places, maps, regions, and rainforests, all seen from above.

I specifically used the platforms of large group exhibitions my works were invited to in order to reveal all of the layers; first came the portraits, then still life and videos, then landscapes, then aerial views and social political protests, conversations, and performances.

Wayne Thiebaud «s landscapes look like aerial views of beautiful happy pieces of land and still - life paintings look deliciously edible.

Wayne Thiebaud's landscapes look like aerial views of beautiful happy pieces of land and still - life paintings...

Most of the paintings from these series are aerial landscapes, most likely inspired by the view he had through his studio window.

His first collaged paintings grew out of this process; these abstract grid - like images recall a night sky or aerial view of an urban landscape.

His works in our collection reveal his fascination with the «pure design» of the South Downs — a fascination that gave rise to his passion for aerial landscapes that eventually lead him northwards to Iceland where he disappeared on a rescue flight during the Second World War.

Varying in scenery and painting techniques, the first were loose painterly exploration of aerial photographs of cities and townscapes, then mountain landscapes and park scenes with their hard - edge textured paint surfaces.

Liebman stitches together the canvas before she stretches it, giving the paintings a quilt - like feel, but the imagery speaks of an aerial view of landscape.

It takes the form of aerial journeys over pastoral and suburban landscapes intercut with re-enactments of the interview the artist conducted with a former drone operator.

A wall - sized aerial view of the Sahara desert has almost infinite detail due to the high resolution capacities of digital imaging, but it remains an enigmatic landscape; an image of women playing cards on an evening street in Hong Kong taken without flash would have been impossible without recent advances in photographic technology; a still life of aquatic plants and animals reveals what is otherwise hidden beneath the ocean surface; and images of border crossings depict territorial differences that are materially invisible.

Her aerial landscape photographs are visually captivating, but look closer and you'll see that behind the serene, watercolor - like bleeds of color lies a very different truth.

The black and white photography series of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953), and St. Hilarion Castle - Aerial (1955) as well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999), and Latchi (2002) unfold the transition from documentary and landscape photography to a more conceptual rendering of space imbued through the aesthetics of industrialization and monumentality as a result of human intervention on natural habitats.

Thiebaud's landscapes employ dramatic compositions, often aerial views of cliffs or fields with rivers or lakes bisecting the image.

The exhibition presents works dealing with the aerial perspectives of a landscape.

Using aerial news footage of the devastation in Texas and Louisiana after Hurricane Katrina (2005), as well as the floods in Missouri and Mississippi (2008), this latest animation by Wise presents a complex interaction of urban forms, nature, and landscape.

She often incorporates data, maps, and imagery from aerial photographs into visual - verbal works that explore the intersections of commerce and culture, and that are suggestive of constructed landscapes.

She explains: «Unlike most sound maps that employ Google Maps or similar, this one uses digitally illustrated original map and aerial views of places such as market, harbour, villages and landscapes, initially based on real places.

Submitted by photographers from around the world, the images cover a wide variety of topics, from stunning aerial landscapes to intimate portraits and animals in the wild.

They are evocative of architectural structures, aerial views of vast landscapes, or as Esther Marie puts it, «where nature and imagined spaces can co exist»

Beginning in the 1980s, Gowin's interests expanded into landscape and aerial photography, with a focus on the environmental effects of modern agriculture, industry, and military weapons testing.

Hundley's choice of found, often ephemeral objects embeds each work with sentimentality and personal meaning, but these small - scale details are at times suggestive of more universal imagery and ideas: mythology, forces of nature, and aerial views of vast and fantastic landscapes.

Diebenkorn's Ocean Park # 124 (1980) is a terrific example from his abstract series of more than 140 paintings that married architectural elements with what could be an aerial view of the landscape near his Santa Monica, Calif., studio.

Camoosa's works are abstract and formal, influenced by shifts in perception - the momentary in - between space conjured by viewing what may appear to be an aerial landscape, map, or fragment of a building.

At times sculptural and endless, Camoosa's works are abstract and formal, influenced by shifts in perception - the momentary in - between space conjured by viewing what may appear to be an aerial landscape, map, or fragment of a building... the alternation between recognition and abstraction — of being someplace and nowhere at the same time.

From this beginning the exhibition takes in aerial photography, forensic photography, abstractions of landscapes, ruins, postcards and press photos of the American dust storms, artists videos, film clips, documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall, among others.

The aerial landscapes exhibited by Fazal Sheikh form part of the series Desert Bloom, which explores the traumatic legacy of the 1948 Arab - Israeli war.

The piece spreads out over the gallery floor in an irregular shape that reminds you of an oil slick, or an aerial view of a landscape or maybe a cloud bank seen from a distance.