Similar to the Albuquerque series, they also have the impression
of an aerial landscape view, but here Diebenkorn used colors which were influenced directly by Berkley such as green and red.
His abstract paintings of this period, such as Albuquerque No. 4 (1951), were stylistically rooted in the New York school; they were characterized by linear planes, which gave the impression
of aerial landscape views, and by a fluid line that defined a type of biomorphic abstraction.
Not exact matches
Maybe it's the beautiful desert
landscape inspiring early adoption
of the flying devices often used for
aerial photography?
Aerial view
of the Northern Minnesota
landscape including numerous conifer peatlands, deciduous uplands and lakes.
The data, collected by
aerial survey missions flown in the Southern Hemisphere in the summer
of 2014 - 2015, provide detailed topography
of the perpetually ice - free region, where surprising
landscape changes, such as rapid erosion along some streams, have been observed in recent years.
They carried out low - altitude
aerial photography with a weather balloon in order to detect
landscape features and the borders
of mass graves.
I think our results demonstrate
aerial thermography's potential to transform how we explore archaeological
landscapes in many parts
of the world,» says Jesse Casana, an associate professor
of anthropology at Dartmouth, who has been using drones in
aerial thermography for five years in his archaeological research.
I was mesmerized between the
aerial shots
of K driving through the neon skyscrapers and the shots
of him walking through dark hallways and smoggy
landscapes.
The
aerial shots
of the Indian and Australian
landscapes are beautifully filmed.
Then on to a quiet ride home with «Have a Nice Day» on the radio — one
of many brilliant musical choices by director Zack Snyder — and our first
aerial of the tidy suburban
landscape that is about to be destroyed.
The beautiful
landscape gets increasingly wild: trees with overgrown trunks; dark trees with long
aerial roots, which hang from the trees like monkey tails; lots
of banana trees; innumerable paddies lined with tall, slender palmtrees.
Scenic Flights over Wilpena Pound to gain an
aerial perspective
of this ancient mountain
landscape
Enjoy the exclusive Seven Spirit Bay Wilderness Lodge Explore the deep gorges and breathtaking beauty
of the Cape Range National Park — Exmouth View the world's largest open cut mine at Newman Experience spectacular
aerial «flightseeing» over the ancient
landscapes of the Bungle Bungle Range and Karijini National Park Receive a special invitation to visit the sacred Aboriginal lands
of Arnhem Land
Here you will have the chance to capture an
aerial perspective
of the breathtakingly beautiful
landscape, from its forested valleys to its inviting ocean reef waters.
He has given us a new interpretation
of the Australian scene, redefining the Australian
landscape by shifting the viewpoint from ground level to
aerial perspective thus creating the horizon-less
landscape.
An
aerial view
of the 5 free - form swimming pools amongst the tropical
landscape of the resort.
Senu can also provide amazing
aerial views
of the surrounding area to get a look at the
landscape.
This
aerial glass
landscape, which continues Parrish's series
of «mapping» America, came from his debut solo exhibition at the Rockwell Museum in 2015.
A shared palette and sense for composition combine in their approaches to the open
landscapes of the American West, which they each show from multiple elevated and often
aerial perspectives.
From the first experiments with
aerial perspective, to the Impressionists» revision
of painted light, to records
of the creeping modernisation
of the 20th - century countryside,
landscape has long been a popular and experimental genre in art.
Alan Bray explores the
landscape of inland Maine via quiet rambles in the woods, kayak trips down forested streams, and most recently, Google Earth, where he can observe his surroundings from a foreign,
aerial view.
Based on the
aerial landscape and perhaps the view from the window
of his studio, these large - scale abstract compositions are named after a community in Santa Monica, where he had his studio.
TF: I was fascinated by the saturated rich greens and turquoise colors in malachite and the way the natural clustered formations resembled
aerial views
of lush
landscapes; how something on a small scale such as that mineral sample could suggest the vastness
of places, maps, regions, and rainforests, all seen from above.
I specifically used the platforms
of large group exhibitions my works were invited to in order to reveal all
of the layers; first came the portraits, then still life and videos, then
landscapes, then
aerial views and social political protests, conversations, and performances.
Wayne Thiebaud «s
landscapes look like
aerial views
of beautiful happy pieces
of land and still - life paintings look deliciously edible.
Wayne Thiebaud's
landscapes look like
aerial views
of beautiful happy pieces
of land and still - life paintings...
Most
of the paintings from these series are
aerial landscapes, most likely inspired by the view he had through his studio window.
His first collaged paintings grew out
of this process; these abstract grid - like images recall a night sky or
aerial view
of an urban
landscape.
His works in our collection reveal his fascination with the «pure design»
of the South Downs — a fascination that gave rise to his passion for
aerial landscapes that eventually lead him northwards to Iceland where he disappeared on a rescue flight during the Second World War.
Varying in scenery and painting techniques, the first were loose painterly exploration
of aerial photographs
of cities and townscapes, then mountain
landscapes and park scenes with their hard - edge textured paint surfaces.
Liebman stitches together the canvas before she stretches it, giving the paintings a quilt - like feel, but the imagery speaks
of an
aerial view
of landscape.
It takes the form
of aerial journeys over pastoral and suburban
landscapes intercut with re-enactments
of the interview the artist conducted with a former drone operator.
A wall - sized
aerial view
of the Sahara desert has almost infinite detail due to the high resolution capacities
of digital imaging, but it remains an enigmatic
landscape; an image
of women playing cards on an evening street in Hong Kong taken without flash would have been impossible without recent advances in photographic technology; a still life
of aquatic plants and animals reveals what is otherwise hidden beneath the ocean surface; and images
of border crossings depict territorial differences that are materially invisible.
Her
aerial landscape photographs are visually captivating, but look closer and you'll see that behind the serene, watercolor - like bleeds
of color lies a very different truth.
The black and white photography series
of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953), and St. Hilarion Castle -
Aerial (1955) as well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999), and Latchi (2002) unfold the transition from documentary and
landscape photography to a more conceptual rendering
of space imbued through the aesthetics
of industrialization and monumentality as a result
of human intervention on natural habitats.
Thiebaud's
landscapes employ dramatic compositions, often
aerial views
of cliffs or fields with rivers or lakes bisecting the image.
The exhibition presents works dealing with the
aerial perspectives
of a
landscape.
Using
aerial news footage
of the devastation in Texas and Louisiana after Hurricane Katrina (2005), as well as the floods in Missouri and Mississippi (2008), this latest animation by Wise presents a complex interaction
of urban forms, nature, and
landscape.
She often incorporates data, maps, and imagery from
aerial photographs into visual - verbal works that explore the intersections
of commerce and culture, and that are suggestive
of constructed
landscapes.
She explains: «Unlike most sound maps that employ Google Maps or similar, this one uses digitally illustrated original map and
aerial views
of places such as market, harbour, villages and
landscapes, initially based on real places.
Submitted by photographers from around the world, the images cover a wide variety
of topics, from stunning
aerial landscapes to intimate portraits and animals in the wild.
They are evocative
of architectural structures,
aerial views
of vast
landscapes, or as Esther Marie puts it, «where nature and imagined spaces can co exist»
Beginning in the 1980s, Gowin's interests expanded into
landscape and
aerial photography, with a focus on the environmental effects
of modern agriculture, industry, and military weapons testing.
Hundley's choice
of found, often ephemeral objects embeds each work with sentimentality and personal meaning, but these small - scale details are at times suggestive
of more universal imagery and ideas: mythology, forces
of nature, and
aerial views
of vast and fantastic
landscapes.
Diebenkorn's Ocean Park # 124 (1980) is a terrific example from his abstract series
of more than 140 paintings that married architectural elements with what could be an
aerial view
of the
landscape near his Santa Monica, Calif., studio.
Camoosa's works are abstract and formal, influenced by shifts in perception - the momentary in - between space conjured by viewing what may appear to be an
aerial landscape, map, or fragment
of a building.
At times sculptural and endless, Camoosa's works are abstract and formal, influenced by shifts in perception - the momentary in - between space conjured by viewing what may appear to be an
aerial landscape, map, or fragment
of a building... the alternation between recognition and abstraction —
of being someplace and nowhere at the same time.
From this beginning the exhibition takes in
aerial photography, forensic photography, abstractions
of landscapes, ruins, postcards and press photos
of the American dust storms, artists videos, film clips, documentary photography and site specific works, featuring artists like Man Ray, John Divola, Sophie Ristelhueber, Walker Evans, Mona Kuhn, Aaron Siskind, Gerhard Richter, Xavier Ribas, Nick Waplington, Eva Stenram, Georges Bataille, Jeff Wall, among others.
The
aerial landscapes exhibited by Fazal Sheikh form part
of the series Desert Bloom, which explores the traumatic legacy
of the 1948 Arab - Israeli war.
The piece spreads out over the gallery floor in an irregular shape that reminds you
of an oil slick, or an
aerial view
of a
landscape or maybe a cloud bank seen from a distance.