Sentences with phrase «of aesthetic values»

Accompanying works take rectilinear shapes as form and subject, utilizing drawing, painting, collage, printmaking, and sculpture in explorations of geometry and its influence on the formation and consideration of aesthetic values.

They shared a number of aesthetic values: in particular their work never could be found on fresh new art supplies.

It has been noted in the cybernetic analysis of music that this orchestrated balance between pattern and spontaneity offers «the highest degree of aesthetic value attainable» (CO 203).

I will state dogmatically: no one has ever succeeded in making sense out of the idea of an aesthetic value so great that all possible beauty is already in it.

The best definition of aesthetic value is that it is intrinsic value.

Hartshorne's position on abortion is also influenced by his theory of aesthetic value, which emphasizes that a diversity of experiences balanced by an aesthetically pleasing amount of complexity and orderliness contributes to life and to God, more fully than do less balanced experiences.

In addition to being reinforced by Hall's own impressive arguments in support of the fundamental status of aesthetic value, my views On this matter have been most deeply influenced by the thought of Whitehead and Dewey.

They contend that «what appears as gratuitous evil is really just the makings of aesthetic value in the Consequent Nature» (ECG 123).

It was not until the concept of aesthetic value in the process of concretion was interpreted as the Something which is supremely important to the increase of value and quality in human life that this picture became more clear.

The results of this unique and multidisciplinary endeavor demonstrate that human perception of aesthetic value is not purely subjective, but is influenced by inherent components of nature that indicate healthy or degraded states.

Clement Greenberg proclaimed abstract expressionism and Jackson Pollock in particular as the epitome of aesthetic value.

The New York Times art critic John Canaday was highly critical, but Clement Greenberg proclaimed abstract expressionism in general and Jackson Pollock in particular, as the epitome of aesthetic value, enthusiastically supporting Pollock's work on formalistic grounds as the best painting of its day and the heir to an art tradition - stretching back to the Cubism of Pablo Picasso, the cube - like pictures of Paul Cézanne and the Water Lily series of Claude Monet - whose defining characteristic is the making of marks on a flat surface.

You may love your header and you may be vain enough to include a photo of yourself on your resume even though you're not applying for anything of aesthetic value, but know that style never replaces substance.

Not exact matches

Orthodox moral and aesthetic values, he argues, lie at the heart of the nation's historic identity.

The aesthetic character of reality means that every worldly value - experience contributes to the divine totality partly through the beauty that it actualizes and partly through its contribution to the beauty of subsequent occasions.

The principle of value is aesthetic, and this is another way of saying that importance is the measure of the metaphysical fact that the many become one and are increased by one.

The definition of art as the effort to exalt some beauty in nature, but not to enslave man to mere imitation, is Camus» aesthetic equivalent to the notion of a dynamic value in nature.

His rejection of independently existing substance in favor of a universe in which all entities are related, the idea of actual entities as valuing subjects prehending and creating themselves Out of the feelings of other subjects, the declaration that the most basic form of order is aesthetic, and the insistence that the lure toward beauty and adventure is a primary drive in the process of reality, are all examples of Whitehead's fundamental insight that to be is to be related, to exhibit some degree of beauty in those relationships, and to have the power both to affect and to be affected.

It affirms that the richer the total economic, cultural, spiritual, and intellectual life of others, the richer our potential for aesthetic value relations.

If the concepts of relational power and aesthetic value are accepted as more adequate categories for understanding human experience than those arising from substance metaphysics, then we must obviously change our images of ideal personhood and ideal communities.

Furthermore, the distinction between unilateral and relational forms of power is directly relevant to the process concept of value as aesthetic.

If we take seriously Whitehead's claim that the fundamental form of order and hence of value is aesthetic, and the accompanying principle of relatedness, it is obvious that unilateral power (the ability to affect without being affected) inherently inhibits the growth of value in human experience.

«The purpose of tomorrow's vote is to decide whether the building has a special character or special historical or aesthetic interest or value as part of the development, heritage or cultural characteristics of New York City, New York State or the nation,» commission spokeswoman Elisabeth de Bourbon said Monday.

The first of the four themes I have been tracing, an aesthetic theory of value, was made quite clear here.

It was this aesthetic work of the primordial nature of God which he felt made it of supreme value and worthy of the name of «God.»

Relational power (the ability to be affected, to create oneself, and to affect others by having first been affected by them) is the essential foundation for the growth of such aesthetic value.

So far Wieman had related the first three strands I identified directly to the primordial nature of God: supreme value as an aesthetic concept, the identification of God with this Something which creates supreme value, and the empirical character.

In the project of self - creation throughout his life, man must strive to bring these values into aesthetic harmony aiming at intensity of feeling both in its subjective immediacy and in the relevant occasions beyond itself to achieve objective immortality.63 And man realizes that to achieve his individual destiny he must create civilizations which embody truth and beauty.

It is apparent in an art which is capable of turning even Campbell soup - cans into objects of artistic representation (Warhol), or in a music which discovers aesthetic value in common noises and in listening to silence (Cage), or in a photography which captures the beauty of doorknobs and cracked walls, driftwood and wrinkled faces.

God, to be concrete, must enjoy aesthetic values, the intrinsic values of experiencing.

«What acts as one feels as one» is my doctrine, derived from Leibniz, and the criteria of value in feelings as such are aesthetic.

Some of these values are aesthetic: «the mist that floats about an alpine cliff, spitting out lacy snowflakes, tiny exquisite crystals» (VN 120).

The pervasive, universal values are not moral and are not mere pleasure, they are aesthetic in the sense of the intrinsic harmonies and intensities of experiencing.

Moral discernment is never the whole of experience, but the aesthetic values of experiences are their entire intrinsic values, what makes them good simply in themselves.

Each and every actual entity is a concrescence of given elements under the aegis of an aesthetic impulse toward order, meaning, and value, i.e., toward the emergence of Beauty.

The form of the harmony is grasped in a kind of aesthetic judgment, although «aesthetic» should not be taken to refer exclusively to art or to imply that the value is actually appropriate to the situation.

There is a temptation for members of a cultural elite to see their values as the only respectable virtues, a tendency that blinds the group to both cultural innovation and aesthetic dissent, especially from people deemed marginal to established intellectual society.

To grasp that a thing's value is too low or misplaced also requires an aesthetic judgment or intuition of the value.

Art is for him an aesthetic appreciation of value beyond the merely artistic.

The kind of unity a harmony has is aesthetic, which is the basis for the theory of value and valuation below.

In my vision, the fact that each actual entity, in its very nature, embodies an aesthetic impulse toward order, meaning, and value is sufficient in itself to ground the religious intuition of a character of permanent rightness permeating the nature of things.

Presentational immediacy, in addition to its practical value, has the aesthetic value of a vivid qualitative display.

To sense the world through causal efficacy is in essence, Whitehead says, to sense the aesthetic value of the world.

Rather, the problem is that of sheer knowledge, of how to accede linguistically to the aesthetic value in the sheer relationality and facticity before one's eyes.20 To regard such a poem as a proposition is to make it a banality; and for the Western, scientifically - minded, academic intellectual that is no trick at all.

Aesthetic value, in the sense of the beauty of experience, is the primary issue.

To say that aesthetic value can be comprehended rationally leaves out about as much as to say that Auschwitz can be comprehended as the misuse of freedom — in neither instance is the account incorrect; in both instances, when the account is the only account, the picture is distorted, and so are the actions which it might engender.

To human ears, the aesthetic value of a bird song suffers when the bird must become practical and repel an intruder or attract a mate (ANHN 105 - 31).

Their recreational, aesthetic, and spiritual values for human beings are of great importance.

The world really never talks of any narrowness but intellectual or aesthetic narrowness — or about the indifferent, which is always the principal subject of the world's talk; for worldliness means precisely attributing infinite value to the indifferent.

But when we speak of growth of Gross Domestic Product we do not subtract the negative effects on weather and water supply or the loss of recreational, aesthetic, and spiritual values.