Not exact matches
Correction: This
story has been updated to reflect that 53 percent
of Topgolf customers are
between the
ages of 18 and 34.
Because the
story he based on [Horus] didn't have any record
of himself
between those exact same
ages.
It wasn't just about the subject matter — although it's tricky to write about such a tender and intimate time in a person's life, to tell your own
story while still holding space for
stories that are so different than your own, to attempt to shepherd people well in the liminal spaces
of their faith journeys — but it was also just the season
of life with being pregnant with our fourth and then giving birth and suddenly having four tinies
between the
ages of 9 and newborn meant I had a lot less time with a lot less energy (and even less sleep!)
Hauerwas and the other essayists are on firmer ground when they write
of the importance
of holding on to the Christian
story, which gives meaning to individual
stories and provides «rich resources to make possible friendship
between the elderly and, perhaps most important, becoming and remaining friends with ourselves as we
age.»
No less than other
stories in the Jacob cycle, it reflects the background
of the patriarchal
age — frictions
between groups (Hamor and Jacob); a level
of sexual morality beyond the reach
of our judgment and in any judgment ennobled by the integrity
of Hamor and the love
of his son for Dinah; the effort on the part
of both families to effect a peaceful settlement honoring the religious sensibilities
of the abused; the despicable violation
of the terms
of agreement by two
of Jacob's sons; and finally, in perfect consonance with the general character
of Jacob, his sharp rebuke
of his sons not on moral but on utilitarian grounds:
Both Hauerwas» understanding
of the Christian
story and the relation
between the church and the world are illustrated by his appreciative remarks about George Linbeck's The Nature
of Doctrine: Religion and Theology in a Postliberal
Age (AN 1 - 19).
In a report from the Sun, Mikel has revealed the dramatic
story of the transfer battle
between Man United and Chelsea which started when the midfielder was
aged just 15 - years - old.
Generally speaking,
Story Land is geared to children
between the
ages of 2 and 12.
The
age of the child on whom the
story centers is not specified; it could be a baby, toddler, teen or any
age in
between which makes this
story a great fit for adoptive families.
Between the
ages of 1 and 3, toddlers have triumphs and challenges, so it can help for them to hear
stories about other kids and how they managed fears about what's under the bed and tackled the challenge
of using the potty.
Related links A longer version
of this
story on Science's Science
of Aging Knowledge Environment (SAGE KE) SAGE KE article on the link
between such survival feats and longevity Burnell lab A. avenae information from UC Davis Parasitic Nematodes page from the University
of Nebraska, Lincoln
Believe it or not, the majority
of our success
stories come from men and women
between the
ages of 50 and 70.
The focus
of news
stories about Cheryl and Liam's alleged romance has been the 10 - year
age gap
between the two... t...
Its many success
stories give hope to young romantics, as well as disillusioned daters, that the site can actually work and lead to meaningful relationships
between New Zealanders
of all
ages.
The rules are simple: Children
between the
ages of 13 - 20 are asked to creatively tell their parents» love
story (who met on Match.com,
of course) in a 1 - 2 minute video.
But for the successful couples
of The League, the average
age difference
between them was a modest three years, compared to an average
of six years
between non-success
stories.
Relationships from the lifestyle editors at termining the
age of a canon lens using serial numbers, career, catch the latest dating relationships
stories, features from mfr when the media first began reporting marriages
between couples who had met.
The simmering rivalry
between Di and Fiamma, inflamed by the kind
of glimpsed indiscretion that makes adolescent melodramas tick, explodes in a thriller ending that turns an observant coming -
of -
age story into something resembling «The Lord
of the Flies.»
In brief, there are no likable characters, the narrative is spotty and confusing, however, the show serves its purpose in that it only relates any kind
of interesting
story or characterization to girls
between the
ages of 14 and 18.
Pam Grady: Ostensibly the
story of an actress facing uncomfortable truths about
aging head - on when she agrees to play a role in a revival
of the play that made her famous, Clouds
of Sils Maria is more intriguing in its exploration
of the relationship
between Juliette Binoche's star and the personal assistant (a dazzling Kristen Stewart in her Cesar Award - winning performance) she expects to fill her every needs — including the lonely void at the center
of her life.
The
story takes place in the republic
of Panem, where the United States has broken into 12 districts and, as a penalty for a failed uprising against the totalitarian government decades earlier, each district must offer one boy and one girl
between the
ages of 12 and 18 to participate in The Hunger Games, where the «tributes» must participate in a nationally televised battle to the death.
An adaptation
of Patricia Highsmith «s «Carol» (also known as «The Price Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
of Patricia Highsmith «s «Carol» (also known as «The Price
Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the
story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle - aged wife trapped in a money - driven, loveless marriage — and the relationship that brews between the tw
of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle -
aged wife trapped in a money - driven, loveless marriage — and the relationship that brews
between the two.
It's very much a coming
of age story and one that allows players to switch freely
between its two fascinating protagonists.
But after all this window dressing, it's a standard - issue coming -
of -
age story with the hero Luke Shapiro (Josh Peck) flip - flopping
between the girl
of his dreams, Stephanie (Olivia Thirlby) and his closest friend, his shrink Dr. Squires (Ben Kingsley, in yet another show - offy performance).
This nuanced coming -
of -
age story tells
of a first romance
between the shy Anne and the athletic Sasha (Brianna Hildebrand
of «Deadpool»).
And film projects hardly get more ambitious than this independently funded, $ 100 million project, which tells six discrete
stories in six timelines, using a cast
of stars who shuttle
between genders, races, and
ages.
It also features a surprisingly heartfelt
story about the strength
of relationships
between parents and their kids as well as
between friends - no matter their
age.
Call Me by Your Name is a fairly straightforward coming -
of -
age story that's at its finest in moments when the relationships —
between Elio and Oliver, but just as crucially
between Elio and his archeologist father — take on larger meanings than their literal context implies, and Guadagnino finds evocative aesthetic expressions for them.
Adapted by screenwriter James Ivory from a 2007 novel by André Aciman, the sexy new film — a coming -
of -
age story of first love that has already racked up multiple awards — has been criticized in some quarters for its central relationship, a summer tryst
between Elio (Timothée Chalamet), a 17 - year - old boy, and Oliver (Armie Hammer), a 24 - year - old man.
Alan Rickman stars in this simmering early 20th - century love
story about a triangle
between an
aging factory owner, his young bride (Rebecca Hall) and his handsome protégé (Game
of Thrones» Richard Madden).
Their
story picks up where we last saw Thor — zipping
between dimensions, trying to make sense
of his weird visions (remember that really strange pool scene in Avengers:
Age of Ultron?)
MILLER»S GIRL by Jade Bartlett The
story of a young precocious writer who becomes involved with her high school creative writing teacher in a dark coming -
of -
age drama that explores the often blurred lines
of connectivity
between professor and protege, child and adult.
Luca Guadagnino's Call Me By Your Name is pulling in rave reviews for its honest depiction
of a coming -
of -
age love
story between two young men.
His men, anachronistically called «knights» (knights won't actually become a thing for another 500 years or so, after the Norman conquest; this is an example
of an acceptable anachronism, especially since the Arthurian legends, composed in the
age of chivalry, have already imposed knighthood on the historical
story (if there was one, more about that later)-RRB- are Sarmatians, drafted into Imperial service as part
of a 3rd Century surrender agreement
between their people and the Empire (not historical: the Sarmatians remained a power in the Ukraine and Balkan regions through the end
of the Western Empire, though there is a theory that the Arthurian legends are influenced by or even sourced in, similar Sarmatian
stories (notably one about a lady with a sword in a lake), the influence purported to have come from a community
of Sarmatian veterans in Lancashire).
The
story is
of a group
of people with all different skill sets coming together, it's set in a very agrarian pseudo-futuristic middle
ages timeline, you spend a lot
of time talking to people in towns, all travel is basically on foot
between points A and B, and the battle system is very basic and turn - based, with a passive style.
I saw films with
stories about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles
of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary
of a Teenage Girl), relationships
between interviewer and interviewee (End
of the Tour, True
Story), washed up Olympians (The Bronze), two kids who go for a joy ride (Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming -
of -
age (The Summer
of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).
I'd say the effect was like zapping
between TV channels, but that metaphor is probably meaningless to the target
age demographic that film addresses: it's more like surfing
between websites on a low concentration threshold, or rather like leafing through a few pages
of a comic, before tossing it aside and skimming another from the same giant stack, then going back to your first title again, before eventually realizing that all along you've been reading parts
of the same vast, wildly complicated
story.
Although dramatically flat, Greta Gerwig's coming -
of -
age directorial debut covers its Mumblecore tracks with jabs
of humor and a breeze
of earthy authenticity.Set in Sacramento, California (Gerwig's hometown), the
story focuses on the fraught relationship
between Lady Bird (a.k.a. Christine — played by Saoirse Ronan) and her overworked mother Marion (Laurie Metcalf), whose emotions run hot or cold.
Transmedia storytelling — telling a single
story across multiple media platforms — as a means to help students engage with challenging cultural issues
of civic responsibility, diversity, and social justice can be an important tool in the classroom, especially in an
age where students are finding it increasingly difficult to see over the wall
between their school lives and their «real» lives.
For two years, I traveled around the country interviewing forty men and women
between the
ages of fifty and seventy - five who saw themselves as «new learners,» who were eager to reflect on their experiences, question their motives, celebrate their achievements, and tell their
stories.
Now a remarkable website started by a group
of young Chicago activists — all women
between the
ages of 12 and 22 — is collecting the personal
stories of such students in print, video, and audio and combining them with survey research, popular education, art, and more.
High interest / low reading level books are characterized by the difference
between the interest level (most often the
age or grade
of the reader) and the grade level or reading level in which the
story text is written.
Eve Sherman is twice the
age of Josh, and while the
story accurately chronicles the way children are often groomed by their predators for sexual activities, the descriptions
of what goes on
between the two
of them are sometimes so graphic that they border on soft porn: «She dropped to her knees and unbuckled my belt, then skinned down my pants, and underpants.
In a haunted, death - obsessed
age, a ghost ship appearing in the mist is by turns a provocative mystery, an inspiration to creativity, and a tragic
story of the disappearance
of a family and
of a bond
between husband and wife that, for one moment, transcends the impenetrable barrier
of death.
Meanwhile, remember you can pre-order
Between Mountain and Sea, my coming
of age science fiction novel and Butler's Brother, the short
story I collaborated on with my daughter, Ashley Angelly — both set in the Paradisi Chronicles universe.
My coming
of age adventure,
Between Mountain and Sea, and the short
story I co-authored with my daughter, Butler's Brother, are both now available on Amazon — and there is no turning back!
The publisher Dark Horse has created tie - in digital comics for BioWare's Mass Effect and Dragon
Age that flesh out the
story of the game and bridge the gaps
between different versions.
THE LAND
OF PAINTED CAVES, continuing the story of Ayla, her mate and their little daughter, taking readers on a journey of discovery and adventure as Ayla struggles to find a balance between her duties as a new mother and her training to become one of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives of Ice Age Europeans as real to the reader as today's news, to Bantam Del
OF PAINTED CAVES, continuing the
story of Ayla, her mate and their little daughter, taking readers on a journey of discovery and adventure as Ayla struggles to find a balance between her duties as a new mother and her training to become one of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives of Ice Age Europeans as real to the reader as today's news, to Bantam Del
of Ayla, her mate and their little daughter, taking readers on a journey
of discovery and adventure as Ayla struggles to find a balance between her duties as a new mother and her training to become one of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives of Ice Age Europeans as real to the reader as today's news, to Bantam Del
of discovery and adventure as Ayla struggles to find a balance
between her duties as a new mother and her training to become one
of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives of Ice Age Europeans as real to the reader as today's news, to Bantam Del
of the Ninth Cave community's spiritual leaders and healers; rendering the terrain, dwelling places, longings, beliefs, creativity, and daily lives
of Ice Age Europeans as real to the reader as today's news, to Bantam Del
of Ice
Age Europeans as real to the reader as today's news, to Bantam Dell.
Plus, fifteen contemporary nonfiction authors discuss the books that made them writers; how to write about your kids without messing them up (too much); the link
between addiction memoirs and coming -
of -
age stories; Tiny Truths; and more.
Taro and the Magic Pencil takes this a step further than other all -
ages manga in serving as a bridge
between children's
story books and comics, similar in the approach
of the Diary
of a Wimpy Kid and Captain Underwear books, if for a slightly younger audience.