Most of Annie's colors are 18th and 20th century inspired but this one comes from the 19th century when the discovery
of Alizarin Crimson made this color possible for the first time to a large number of people.
Fill two egg - cup sized containers a third of the way with turps (or white spirit) add a pea
of alizarin crimson to one and a pea of violet to the other and dissolve the paint fully (preferably with a different brush to the one you will be using).
The cadmium base was a bit too shocking, and so by removing excess paint and then softly scraping a layer
of alizarin crimson over it, the colour is infinitely richer.
Not exact matches
Graebe and co-worker C. Liebermann discovered that a red dye called
alizarin — then made from madder, a Eurasian herb — was a derivative
of anthracene, a crystalline cyclic hydrocarbon.
The duo built on the discovery to invent a commercial method
of synthesizing
alizarin, which became one
of the early products
of the German dyestuffs industry.
I love the names
of the colours myself and to the non-artist these can sound wonderfully evocative... viridian,
alizarin crimson, cerrulean hue, cadmium lemon... woven together to describe a piece they could sound rather poetic.
I use lamp black as a dramatic accent as well, placing the pure black in a part
of the painting that is already devoted to very dark mixed blacks (
alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).
Each canvas began with a grounding field
of fluorescent pink, down which Howard methodically dragged strips
of deep
Alizarin Crimson oil paint, using a T - square to shape the precise edges.
Another canvas features a patchily painted column
of dense and loamy greens, with
alizarin and metallic gold marginalia.
Three
of these sculptures (in bright red, deep metallic
alizarin crimson and green) were offered between $ 350,000 and $ 850,000 by three different galleries at Frieze art fair in New York last week.
And still, it is not hopeless: the bodies are punctuated with lively
alizarin nipples and bold yellow hair, and the support between the figures is poignant as they become one body instead
of two.
Then added crimson
alizarin half way down and blended up and down, then added um blue to the bottom
of the lake and blended up.
Colours:
alizarin crimson, cadmium red, rose madder, verde green, terre verte green, ultramarine blue, cerulean blue, cobalt blue, ultramarine violet, transparent oxide
of red, burnt sienna, raw umber, burnt umber, yellow ochre, lemon yellow, titanium white.
Colours: Ultramarine blue, burnt sienna, oxide
of red, cerulean blue, raw sienna, manganese violet, white, lemon yellow, kings blue light, cobalt blue, naples yellow, cadmium yellow,
alizarin crimson, paynes grey.
Materials Palette, palette knife, a range
of brushes, primed sheets
of paper - cut down from A1 to several sizes, paints: cadmium lemon; cadmium yellow; cadmium red;
alizarin crimson; cobalt blue; ultramarine blue; phthalo blue
There are many varieties
of each colour available, but for these exercises you'll only need to buy a restricted palette
of the following basic colours: titanium white, lamp or ivory black, yellow ochre,
alizarin crimson, cadmium red, cadmium lemon, cadmium yellow, cobalt blue and ultramarine blue.
Materials Palette, palette knife, range
of brushes, three primed A4 sheets
of paper, paints: titanium white; cadmium lemon; cadmium yellow; cadmium red;
alizarin crimson; ultramarine blue; cobalt blue
Next, create ranges
of violet, using each possible combination
of the different blue and red co-primaries - start with
alizarin crimson and ultramarine blue, which both have violet overtones.
In the corner
of the annex sits
Alizarin Crimson Corner Piece (1974), a painting made on canvas shaped to fit the three sides
of a corner.
At a first glance, the images in Parsonage's paintings might seem somewhat incongruous; a bloated frog with a glazed expression named Alice; a volcano cast in
alizarin hues, emitting hot lava and toxic fumes; a crowd
of drinkers with gangly limbs painted in an acrid rose palette, not dissimilar to a flock
of flamingoes.
LB: My first palette consisted
of, going around from the bottom left
of the palette and moving along the outer edge to the top right or middle
of the right edge: titanium white, zinc yellow, cadmium yellow light, naples yellow, yellow ochre,
alizarin crimson, cadmium red light, venetian red, ultramarine blue, cobalt blue, cerulean blue, virdian green, chromium oxide green, ivory black, burnt sienna, raw umber.