Not exact matches
With this he pivots and stumbles away down the old stone halls
of the shop, as generations
of his family's menfolk have stumbled before.I follow, and we stop before what Americans would call a cooler, in which Americans might store bottles
of beer to toast the thrill
of being alive
after they've
white - water rafted or parked an SUV atop an unclimbable finger
of rock in the
painted southwestern desert.
When it's dry, apply a coat
of primer and two coats
of the
white roof
paint with a long - handled roller, allowing the layers to dry
after each application.
After we have
painted the base
white, I want a small amount
of distressing and I think a little glazing is some
of the areas.
After a quick coat
of white paint it was done!
After about six light coats
of semi-gloss
white paint (yes, six!)
Also coming this week I'll show you a funny thing that happened to all
of the chairs
after I
painted them with Annie Sloan Chalk Paint in Old
White.
I'd seen a few DIYs for gold leafing online (mostly for mirrors), and I knew if I
painted it
white and added a little gold, it would be the perfect mix
of airy and glam that I was
after.
It had a sturdy frame and was the perfect candidate for blank canvas (
after several coats
of white paint of course).
After applying the stencil, I
painted on a coat
of white.
After letting the stain dry completely, I gave it a good coat
of folkart chalk
paint in
white adirondack.
Below is the same table
after one coat
of Zinsser Spray Shellac and a coat
of Old
White - which is a
paint that does not require a primer to stick to the shellac.
Here in Nebraska temporarily, and
after I really don't know except this time I want to be running toward something (someone) instead
of running from myself, an act that
painted me just like
white on
white.
Some abolitionist works like «Uncle Tom's Cabin» could
paint slavery as a form
of captivity, but the canonical captives
of antebellum American literature were
white women kidnapped by Indians, who
after the Civil War were often replaced by freed slaves as objects
of superstitious terror.
The film is handsomely mounted and Lewin uses an interesting cinematic device to great effect: he cuts to full color when the new portrait is first unveiled and when the aged, diseased image
of Dorian is revealed
after his descent into depravity, which provides a visual shock to the black and
white drama and enhances to horror
of the grotesque mutation
of the
painting.
After all, a drop in ride height
of 10 mm isn't earth - shattering stuff and whilst the option to have black wheels, black wing mirrors and black tail pipes is very nice, it would have been nicer still to be able to team them with Jet Black
paint rather than Alpine
White, Dakar Yellow or Monte Carlo Blue.
The castle which gave its name to the city
after the Second World War is 17th century (built on the site
of a 14th century one) and is surrounded by classic wood - beamed,
white -
painted German houses.
After two days
of downpours, race day began with a sunrise surprise as Corvette Racing unveiled the No. 3 Compuware Corvette in brilliant Arctic
White paint, a salute to the limited edition Ron Fellows ALMS GT1 Champion Corvette Z06.
Second Countach was another black one, but this time the LP400 S model, complete with wide wheel arches, massive rear wing and a custom two tone black and
white interior, it wasn't one
of the very early LP400S that still had the Periscopo, but still she showed those highly sought
after «Telephone dial» wheels with the protruding holes... and in true Eighties style these wheels were gold
painted, also note this specific Countach LP400S received a special side sill treatment.
Good moaning Beach Cottage friends, foes, anyone who would care to listen really... today I am here to show you a cottage in chaos... well not really, one does tend to be on the dramatic side, but, right now my lovely husband, aka Mr Beach Cottage and I are camping out in the study while I
paint our bedroom floor
white... this has not been met with the most favourable
of comments but
after lots
of quotes from tradies, upwards
of $ 15,000, talk
of us moving out
of the house for a week while our floors are
painted, other speak
of loading all
of our furniture (
of which I am not short) into one half
of the house and other various scenarios, I decided to go the DIY route and start on our bedroom and see what happened.
Popping in to show you a piece
of vintage furniture I have been working on
after its first coat... I think it might have been saying please
paint me
white!
Well Beach Cottage ladies G'day, I am up to my ears in
white paint... literally... I have
white paint all through my hair
after finding myself head first in the top
of this armoire.
Take your large watercolour brush and, making sure it is completely clean on a test ground before and
after you pick up some
of the
paint, lightly sweep it over the dry
white areas.
EUROPEAN and AMERICAN
paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song
of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait
of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue
of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last
of New England — The Beginning
of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home
of the Heron, 1893; George Inness,
After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart
of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance
of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert
White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...
This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking
after her completion
of The Rose, 1958 - 66, her famous, one - ton
painting of a burst
of white light — gathered forty - nine pieces from the last fifteen years
of the artist's life, several
of which were absent from her recent traveling US retrospective.
2015 Tracing Shadows, PLATEAU Samsung Museum
of Art, Seoul Tightrope Walk:
Painted Images
After Abstraction, curated by Barry Schwabsky,
White Cube, Bermondsey
The presence
of compelling black - and -
white paintings by Wool and Joyce Pensato effectively attested to the impact
of the New York Studio School, which both artists attended a few years
after Reed studied there.
Previous solo and group exhibitions include: Situations, You Space and Extra Space, Shenzhen (2018); Documenta 14, Athens and Kassel (2017); Shut Up and Paint, National Gallery
of Victoria, Melbourne (2016); Cher (e) s Ami (e) s, Centre Pompidou, Paris (2016); The Same Old Fucking Story, Rodeo, London (2016); Tightrope Walk:
Painted Images
After Abstraction,
White Cube, London (2015); Unrealism, The Moore Building, Miami (2015); Burning Down the House, 10th Gwangju Biennale, Gwangju (2014); This is Not my Beautiful House, Kunsthalle Athena, Athens (2014); Everyday a Stage, Rodeo, Istanbul (2014); System
of Objects, DESTE Foundation, Athens (2013); Apostolos Georgiou.
After completing the
White Paintings in early fall 1951 at Black Mountain College near Asheville, North Carolina, Rauschenberg immediately tried to secure an exhibition at Betty Parsons Gallery, New York, where he had shown a different body
of work the previous spring.
A couple
of years
after Red Boat, Doig
painted another group
of boys in a red boat — Figures in a Red Boat (2005 - 2007)-- and they're wearing
white shirts, to, but we see them from a difference vantage point, less far away, rendered with less intensity or a different kind
of intensity.
Given Rauschenberg's known lack
of financial resources in the 1950s and his propensity for reusing canvases, it is likely that the
White Paintings began to be remade and repainted almost immediately
after their completion in fall 1951, a fact that testifies to the artist's understanding
of these works as primarily conceptual rather than material.
A few months
after his first solo exhibition at Betty Parsons Gallery, New York, in spring 1951, Rauschenberg wrote an impassioned letter to Parsons about a new body
of work, his series
of White Paintings.
Nostalgia Lost Shortly
after 9/11, when most Americans were experiencing a surge
of nationalism, the Mitchell - Innes & Nash Gallery mounted a show
of Jack Tworkov's abstract red,
white, and blue
paintings from 1956 - 1964.
I always think
of the Yasmina Reza play «Art» when I see a Fontana (one
of his slashed canvasses served as the book's cover) about a bourgeois man whose relationships crumble
after he buys an all -
white abstract
painting that divides the opinions
of his friends.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by
white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group
of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV
painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain
of «Dallas» but the still - incognito street artist
of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King
of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed
of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations
of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings
of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter
of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought -
after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators
of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group
of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Widely known as an icon
of Op art, Riley first came to prominence in the 1960s — notably
after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and -
white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».
After her husband died, Stern consigned a portion
of their collection, including many works by black artists, among them David Hammons (above), Wangechi Mutu (below), Simone Leigh, Yinka Shonibare, and Lynette Yiadom Boakye, whose
painting of five black women in
white dresses sold for more than $ 1.5 million, setting an artist record.
In the late 1950s, shortly
after moving to New York, she made large abstract works in which
white loops
of hand -
painted mesh keep a black background at bay.
Incorporating a film and a series
of new
paintings into her latest exhibition at
White Cube, Sarah Morris» Bye Bye Brazil is named
after Carlos Diegues» ground - breaking film from the 1970s.
For his first exhibition at
White Cube in 2009, Zhang Huan created an installation and series
of paintings based on a renowned survivor
of the recent earthquake in the Sichuan Province
of China, a pig that lived, trapped, for 49 days
after the quake, surviving on rainwater, rotten wood and a small amount
of foraged feed.
[9]
After a period in which he experimented with figurative constructions, Close began a series
of paintings derived from black - and -
white photographs
of a female nude, which he copied onto canvas and
painted in color.
The light contained in «Composition:
White on
White» — which Malevich considered the apotheosis
of his achievement,
painted one year
after the October Revolution — might now be likened to the pixelated light on a plasma screen or a recent holographic light projection by James Turrell.
Indeed, his «Night Square»
painting of 1951 with
white, squiggly lines against a black background, not included in the show, was a two - dimensional stylistic precursor
of the late almost 3 - dimensional works A run through the museum's other galleries
after viewing the exhibition comes as a shock as few
of de Kooning's fellow Abstract Expressionists seem to be in the same league as the
paintings here.
Works from the series were first exhibited in «Romance in the Age
of Uncertainty» at
White Cube, Hoxton Square, London in 2003, in a suite
of thirteen
paintings called «The Cancer Chronicles», each titled
after modern diseases.
The controversy
of Dana Schutz
painting Open Casket, which depicts Emmett Till — the black teenager lynched half a century ago
after a
white woman said he had flirted with her — begs the question: can making art be «a form
of concern», immune to cries
of cultural appropriation?
But his best work may have come long
after the style faded, in the large
paintings in shades
of black,
white and gray that he made during the last two or three decades
of his life.
Michael Simpson is part
of the group exhibition Tightrope Walk:
Painted Images
After Abstraction at
White Cube, Bermondsey opening on Tuesday November 24th through January 24 2016.
His monumental, layered works are often
painted after black and
white photographs depicting portraits, architecture or other remnants
of historic events.
Highlights from the show include Royal College
of Art graduate Jodie Carey's eight foot chandeliers made out
of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures
of everyday objects sculpted using traditional marble and stone carving skills, Doug
White's majestic palm trees crafted from thousands
of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs
of people she transforms into characters caked in thick
paint, which have sold out in her second solo show only a year
after graduating.
The Paris
Paintings at Nathalie Karg are richly dark works with ripples
of white, blue, green, rust, and red running horizontally across their heavily worked surfaces; one exception — a mosaic - like patchwork
of earth tones, dark greens, and reds from 1953 — provides a bridge to Held's approach
after he returned to NewYork.As the debut works
of a major American artist, Held's sensual, mysterious, and dynamic Parisian nocturnes are emblematic
of the restlessness and audacity that would become hallmarks
of his career.
New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest
Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012
White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14
Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt
Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany
Paintings Gagosian Gallery, New York (catalogue) 2009
After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work
of Richard Prince, 1974 - 77 Neuberger Museum
of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check
Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse
Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse
Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal
Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg
Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs,
Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999
Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke
Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The
White Room Jürgen Becker, Hamburg; Parco, Tokyo
White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995
Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum
of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum
of American Art, New York (catalogue) Protest
Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York
Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute
of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo