Sentences with phrase «of alternative art spaces»

About White Columns: Founded in 1970 (and known until 1979 as «112 Greene Street») White Columns is the oldest of the first generation of alternative art spaces in New York.

Founded in 1976 by a passionate group of local artists and supporters, CAF was among a crop of alternative art spaces nationwide, which addressed a cultural void by presenting contemporary, avant - garde art of living artists.

, A Survey of Alternative Art Spaces: Floating Seminar # 2, San Francisco: The Floating Seminar.

About The Artist: Judith Braun has been involved in the New York art world since the early 1980s and her longstanding participation in the city's emerging network of alternative art spaces is notable.

Light Industry draws equal inspiration from the history of alternative art spaces in New York as well its storied tradition of cinematheques.

AS - AP is a multifaceted initiative devoted to identifying, documenting, preserving, and providing access to the archival history of alternative art spaces throughout the United States.

As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.

Peckham has been ripe for blooming for a number of years now, placed between Camberwell School of Art and Goldsmiths, with the South London Gallery and a healthy number of alternative art spaces (both pop - ups and long term enterprises), art students and graduates form a substantial part of the community.

As an advocate for and an active participant in the Washington, D.C., metropolitan area arts scene, she has served on the directorial boards of alternative art spaces, various local and national boards and national peer - review panels.

Despite the rise of alternative arts spaces in New York and around the world, especially within the last decade, we are still unable to shed pressures to define nontraditional arts spaces.

She is Co-Founder and Executive Director of the alternative art space Hume Chicago.

He teaches at the free experimental art school the Bruce High Quality Foundation University (BHQFU), and is co-founder of the alternative art space 1:1 in the Lower East Side.

«Together they've come up with something that they couldn't have independently,» said Matthew Higgs, the director and chief curator of the alternative art space White Columns, which first exhibited Mr. Barrow's work in a 2007 exhibition organized by Clarissa Dalrymple.

Not exact matches

I mentioned this in a previous post, but, as reminder, Garden Center growARTS artisan training program provides a space for individuals of all abilities to create stunning pieces of art as a means of self - expression and as an alternative path to self - employment.

She has studied English literature at Goldsmiths University of London, run an alternative art space called JAGO, and opened a pop - up shop in London called theworldthewayiwantit.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

As this issue of ARTnews went to press, the Pioneer Works space in Red Hook, Brooklyn, was preparing an «Alternative Art School Fair,» a kind of job fair for these types of schools.

Like the landscape, the historical record of postwar art in Southern California is diffuse, held in the archives of individual collectors, alternative art spaces, and university galleries.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

2:00 pm — 2:40 pm Alternative spaces and recent trends in Chinese contemporary art: new institutions and the question of the importance of artist groups — «Crimes» without a scene Speaker: Carol Lu, Beijing

This fourth installment of the Bloom Projects Exchange Series is generously hosted by the Santa Barbara Center of Arts and Technology (SBCAST), one of Santa Barbara's premier alternative art spaces.

Since the nineties, however, the city's art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries, alternative project spaces or residencies that have positioned the city as a cultural center rivaling Mexico City.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

Founded in 1970 as» 112 Greene Street», White Columns was established as an independent platform for artists and was a pioneering force in the alternative art space movement of the 1970s and 1980s.

Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and alternative spaces, participants will be able to engage with the local art community and advance their careers as curators.

Exclusive and disturbing domination of cool art pervades the important museums, commercial galleries, alternative spaces for emerging talent and the media.

Curatorial projects include «Intransit,» Moti Hasson Gallery, NY, «Never Never Land,» University Gallery, Florida Atlantic University, Boca Raton, FL and Museum of Contemporary Art, Tampa, FL; «Crossing the Line» Queens Museum of Art, Queens, NY, among numerous others galleries and alternative spaces.

In the words of British art critic Guy Brett, Weiss «provides an alternative experience of space and time, which is not end - driven but steady and enduring, establishing and deepening a human presence».

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

His thesis and work explores the modernization of the L.A. infrastructure, the politics of art in public space, ethical strategies of community engagement and alternative pedagogical strategies.

Michelle Grabner (Professor in the Painting and Drawing Department at the School of the Art Institute of Chicago, who also teaches at Yale, is an artist herself, and oversees two alternative art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art worArt Institute of Chicago, who also teaches at Yale, is an artist herself, and oversees two alternative art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art worart spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art worart world.

Sui Jianguo's art explores his unique understanding and recognition of creation, form, diverse media, alternative methods, and space - time.

He is the founder of multiple Chicago alternative spaces artLedge (2004 - 2007 w / Caleb Lyons), BEN RUSSELL (2009 - 2011 w / Ben Russell), The Storefront (2010 - 2014), and art - publishing house Silver Galleon Press (2008 - present).

One of the historic alternative contemporary art centers in the United States, 18th Street is a leader in international residencies and cultural exchange, as well as the home base for seminal not for profit artist organizations Highways Performance Space, EZTV, and Electronic Café International.

AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant alternative art spaces in the United States.

As awareness of the cultural, economic, and artistic contributions art spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «alternative art spaces» has emerged.

With funding provided by NYSCA, The National Endowment for the Arts, and the Andy Warhol Foundation for the Visual Arts, AS - AP has a mandate to help preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit spaces of the «alternative» or «avant - garde» movements of the 1950s to the present.

The FAR Bazaar, is an alternative art fair, highlighting the work of the art collectives, artist - run spaces, and local art schools.

Alternative Histories is a history of New York City alternative art spaces and projects sinceAlternative Histories is a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 1960s.

The green woven mats on the floor and on the wall of Hamilton's display — «alternative plinths» in her words — force you to think about the space, but they also nod to the unique way that Ede's collection combines natural objects and works of art.

As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historiart spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative HistoriArt, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histories.

The completed surveys are all available online, providing students, scholars, and the public with an entry point gain insight into the history, evolution, and practices of alternative and avant - garde organizational structures, art spaces, artists» groups, galleries, publications, and collectives nationwide.

The National Endowment for the Arts and The New York State Council on the Arts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United StaArts and The New York State Council on the Arts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United StaArts have both awarded the Art Spaces Archives Project with substantial funding in support of projects relating to archiving alternative and avant - garde arts organizations throughout the United Staarts organizations throughout the United States.

Thriving in a subgenre of alternative spaces, The Company has performed in the UK and US including seasons and appearances at: Conway Hall, London («15), The Broadway Theatre, London («13), Roehampton University («10), The Place («06), Bonnie Bird Theatre, London («04, «05); The Brooklyn Museum («14), Centre for Performance Research, Brooklyn («11, «12), Dance at Socrates («14, «15, «16, «17), National Academy Museum («12), Black Mountain College Museum + Arts Center, Asheville («11), Bushwick Starr («09), Fete de Danse («04,» 05,» 06,» 07, «14), Joyce SoHo, New York («01, «03) with critical notice in The New York Times, Village Voice, New Criterion and Brooklyn Rail among others.

Cecelia Condit has shown internationally in festivals, museums and alternative spaces and is represented in collections including the Museum of Modern Art in New York and Centre Georges Pompidou Musee National d'Art Moderne, Paris, France.

Exit Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects since the 196Art has announced their upcoming exhibition Alternative Histories, a history of New York City alternative art spaces and projects sinceAlternative Histories, a history of New York City alternative art spaces and projects sincealternative art spaces and projects since the 196art spaces and projects since the 1960s.

ART LABS Art Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the ciART LABS Art Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the ciART LABS Art Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the ciArt Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the ciArt Labs are specially curated projects that are created in alternative spaces within the show by several leading Santa Fe - based art institutions, showcasing the thriving art landscape of the ciart institutions, showcasing the thriving art landscape of the ciart institutions, showcasing the thriving art landscape of the ciart landscape of the ciart landscape of the city.

The list of the exhibitors in this sector includes MCHG Maria Casado from Buenos Aires, an alternative to the rigidity of other spaces dedicated to art; Efrain Lopez from Chicago, committed to showcasing work by emerging and established visual artists that is visually engaging and conceptually captivating; Maximillian William from London, a 21st - century nomadic gallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporary art.

All alternative exhibition spaces — if they're worth talking about at all — attempt to function in an idealistic mental space, where direct communion with the work of art is paramount.

Following each biennial, we self - publish a 350 - page book that provides an overview of current performance practices in contemporary art using the structure of the biennial, as well as the history and geography of the participating artists and collaborating organizations, alternative spaces, and performance sites as a framework.