Sentences with phrase «of alternative materials»

Let's talk about your use of alternative materials that show up in your paintings, and I believe sometimes in your prints as well.
Whether you're a fan of real leather or a vegan advocate of alternative materials such as synthetic leather, it's worth to note the new ways to wear leather from the stage.
These changes include offering products and packaging made of alternative materials, installing water refilling stations, and messaging to our visitors about the reason behind these changes.
With mixture of alternative materials, twin shaded silk sarees are accessible within the market, that offer fashionable look at simply reasonable prices.
Investigate usage of alternative materials, new machinery, advanced equipment and engineering tools.
As demand for sand grows, efforts are underway to develop strategies for restoring areas from which sand has been removed and to advance the use of alternative materials such as mud or recycled construction material where possible to reduce stress on existing stocks.
Carbon fibre is used for the engine and luggage compartment lids, and other lightweight components are made of alternative materials.
We will also look at the use of alternative materials to both reduce the use of rare earth materials and for systems optimisation.
Moses was part of the «Cool School» that dominated the Los Angeles art scene in the 1960s and included other greats like Robert Irwin, Ken Price and Craig Kauffman, all innovators in the use of alternative materials.
Asawa's work comes out of a practice — fiber art — that was long lumped in with craft but is now understood, in the context of so much contemporary use of alternative materials, as a serious endeavor.
Their experimental mode of production, use of alternative materials and visceral facticity align the artist with other European and American painters working in this decade such as Alberto Burri, Jean Dubuffet, Jean Fautrier, Cy Twombly, Jay DeFeo and Hassel Smith.
His use of alternative materials and detritus and his commitment to performances presage the physicality evident in work as diverse as the Chapman Brothers, David Altmejd and Paul McCarthy.
It considers the strategies of representation Fautrier and Shiraga developed in response to the Second World War as well as the efforts of Tanaka and Klein to go beyond their vocabulary of Action Painting and diaristic expression through experiments in performance, installation, and the use of alternative materials.
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