Sentences with phrase «of an abstracted landscape for»

Colin McCahon's Jump painting is indicative of the abstracted landscapes for which is well known.

Not exact matches

Each of the seven suites is inspired by a different Namibian region: Egrongo (pictured) is named for a chain of mountains in central Namibia, and is done up in earthy tones, with sculptural woven ceiling lights and larger - than - life photography of abstract landscapes by Hoyle.

Tons of paintings both oil, & acrylic, abstract, landscapes, sculptures in stone, cement, polymer clay, 3D canvas art, rock sculptures, fairies, fairy house lamps and stash jars, as well as handcrafted soaps, lotions, candles, bath salts to die for and it's all natural ingredients!!

Ohio - born, internationally renowned photographer Catherine Opie returns for the regional debut of a recent series of formal portraits and abstract landscapes.

** Other Terms for My Style of Art: impressionist art, expressionist art, contemporary art, modern art, colorful art, impasto painting, impasto art, large wall art, textured art, original painting, palette knife, impasto art, abstract painting, rainbow art, fine art, canvas art, canvas painting, gallery wrapped canvas, custom art, commissioned artwork, landscape painting, seascape, ocean art, by the sea, brush paintings, one - of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night landscape, paintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless other ways!

Luiz Zerbini is one of Brazil's most established contemporary artists, known for his vivid works on canvas which draw on a range of themes from the abstract to landscapes, cityscapes, and domestic scenes using a range of techniques and styles.

For if there was one subject that united these early canvases, at once figurative and abstract, landscape and still - life, it was the crucifixion, the martyrdom of Christ.

The exhibition's underlying mission is a compelling one: to inspire a close inspection and fresh discussion of two seemingly disparate topics — contemporary abstract painting by a New Orleans - based artist and Edo - period Japanese landscapes — using visual and conceptual links to form an effective springboard for joint exploration.

O'Keeffe, known best for her close - up views of flowers and desert landscapes, was a highly innovative abstract painter and among the first artists anywhere to make purely non-representational paintings.

His gleaming, vertiginous skyscrapers, sometimes abstracted into pure shape and color, reflect a love for both painting and urban life reminiscent of the affection paid to nature in more traditional landscape painting.

The luminous abstracted landscapes of Nicholas de Stael drew Hoyland to the south of France; but it was seeing the Jackson Pollock memorial show at the Whitechapel in 1958 followed by the Tate's survey of Abstract Expressionism in 1959 that blew the lid off conservative caution for him and a generation of young English artists.

What changed for Thiebaud in his landscapes of the 1990s and 2000s was the incorporation of Diebenkorn's sense for structure, with angled rays acting as both abstract lines of force and illusionistic lines of sight.

If the historic cloth is considered a stand in for comforting, the abstract paintings contribute to the psychological cycle by infusing the work with the implication of internal landscapes.

Elizabeth Osborne is nationally recognized for her elegant, intelligent and inventively abstract paintings of landscapes and interior still - life scenes.

This first retrospective of his drawings will include over one hundred sheets representing every phase of his career: early abstract expressionist watercolors of the 1950s, studies for light installations, portraits and landscape sketches, and pastels of sailboats from the 1980s.

Making his initial mark with landscape portraits of the US intelligence buildings and the various infrastructures that are used to conduct their mass surveillance programs, Paglen has been documenting the digital space for many years now, creating abstract photography and multimedia pieces surrounding themes of data freedom and the social issues arising from lives increasingly spent online.

WalkingStick, a citizen of the Cherokee Nation, is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

The show includes more than one hundred drawings by the artist — from early abstract expressionist watercolors of the 1950s and portraits and landscape sketches, to studies for his seminal light installations and late pastels of sailboats.

A citizen of the Cherokee Nation, she is best known for her distinctive approach to painting and for her diptychs, side - by - side square paintings in which she has portrayed landscapes inspired by her home and travels alongside abstract panels representing spiritual or «mythic» memories.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

John Virtue is a prominent English monochrome painter, well - known for his black - and - white abstracted landscapes of London.

A sensibility to the landscape has also been a major factor in the development of abstract painting, for instance in the otherwise dissimilar work of William Perehudoff and Otto Rogers.

At a time when we have become desensitised to an image - saturated world, Tony Swain (born Northern Ireland, 1967) uses familiar sections of newspaper that are pieced together as a support for paintings of fragmented landscapes and abstract patterns.

These abstracted patterns, derived from plant life, recalled for him the pixilation characteristic of digital media and, more broadly, the contemporary cultural landscape.

The artist was famous for the creation of landscape images, which, due to their highly expressionistic quality, existed on the edge of abstract landscapes art.

For Works on Paper New York, Quogue Gallery has assembled a range of Abstract Expressionist works from the years 1959 to 1998, including abstract landscapes and other abstract and figurative works.

For over 20 years Jian Wang has been serving bountiful helpings of color to audiences in the form of abstracted landscapes rendered in both paint and pastel.

Known for her depictions of the natural world in the form of landscapes, bones, and flowers, O'Keeffe experimented with color, scale, and line to transform the familiar into surreal and almost abstract forms.

Now these dishes contain lush, abstracted landscapes from his region, going for $ 2,500 apiece — a hefty price for a piece of plastic, sure, but one reflecting his history of showing with venues like the Fondazione Prada, Galerie Perrotin, and Marc Foxx in Los Angeles.

There we find Constable, the forefather of abstract expressionism, turning the depiction of mere landscape — which owed its origins, in Britain, to an aristocratic desire for depictions of grand estates and gardens — into a cartography of human emotions.

Yet while all of the cities charted in these fragments are identifiable, the collaged pieces act as an abstracted gridded backdrop for the painted white circle at the work's center, a simple yet enigmatic form that suggests a face, a cloud, or a moon over a landscape.

With media ranging from traditional oils to abstract photography, «Out of the West — Landscapes» will have something for everyone.

Sketches of Rosset and the couple's cat, Gluton, reveal Mitchell's palpable love for the subjects, while drawings of the Brooklyn Bridge and surrounding urban landscape reflect a more cerebral and deliberate study of how to transform the visible world in an increasingly abstracted way onto her canvases.

In the new body of work presented in this exhibition, landscape replaces abstracted human figures as the building blocks for the artist's work.

For many years she painted isolated, precarious figures on break backgrounds reflective of her work in mental hospitals but in more recent years she has dealt with lyrical abstract landscapes in which paint or wax is layered in an open, free manner.She has had solo shows in the United States and Europe and her work has been reviewed in The Woodstock Times, Kouvolan Sanomat (Finland), Women Artist's News and The Village Voice.

Since captivating visitors to the last Venice Biennale with her bravura immersive painting in the Arsenale, a stunning landscape of brightly pigmented rubble and giant painted sheets, Katharina Grosse has become the go - to artist for collectors who want the beauty of abstract painting, conceptual heft, and of - the - moment flair.

For «Immigrant's Ear», she will be introducing her new slipcast busts and abstract masks of psychological landscapes.

This year's exhibition, «Renoir: Between Bohemia and Bourgeoisie: The Early Years» completely changed by opinion on Renoir, a painter whom I had previously deemed a bit too pink, saccharine and nostalgic for me surprisingly did some of his best work from the mid 1860s to the early 1870s, including a stunning Japonais Still Life with Bouquet and almost abstracted, breathing landscape L'Allée au Bois.

Traditional reverence for the splendors of nature has been challenged by the highly abstract color landscapes of Toshio Shibata, which embrace man - made infrastructure in harmony with natural surroundings, as well as in Hiroshi Sugimoto's view of a polar bear in the snow, actually taken within our city's Museum of Natural History.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

Infante then reacts to this abstract and expressive atmosphere by searching for the elements that have emerged: possibly in pockets of light, or the foundations of a landscape.

Georgia O'Keeffe (1887 — 1986) is best known for her distinctive paintings of flowers and landscapes which applied a precise, often hard - edged abstract language to evocative natural forms.

Brodhead is best - known for her mid-20th century abstract works, but as Bold Strokes demonstrates, she was adept at painting figures and landscapes as well... [Brodhead] studied at the Pennsylvania Academy of the Fine Arts from 1919 — 25, spent time painting in Paris at the Académie Julian, and left PAFA in 1925 to study under her mentor Arthur B. Carles.

Einspruch writes: «Post began her graduate work on the landscape, finished a devout non-representational painter, and for five years worked within an abstract format consisting of seven vertical stripes.

The Swiss artist Urs Fischer, known mostly for his sculpture, has also made editioned «paintings» — laser prints of untitled landscapes or interiors that achieve a nearly abstract, cracked - mirror effect with uneven bands of red, white, or black that the artist adds by hand, using a fine paintbrush or felt - tipped marker.

This selection of works spans the artist's career to date and will highlight his principle contributions to sculpture: engagement with form in space, dialogue between sculpture and architecture, and the creation of abstract analogies for the human figure and landscape.

Known for his use of rice paper and bamboo, Jacob Hashimoto's current exhibition at Leila Heller Gallery explores abstracted landscape.

«It would be a mistake to try to read landscape into [my painting] even less any specific landscape,» Tworkov told Edward B. Henning, Curator of Contemporary Art at the Cleveland Museum of Art in 1962, «For it is a willful part of my painting process to abolish specific references in favor of abstract forms that stir a sense of recognition in me.

He is probably best known for his colourful, thick impasto abstract landscapes, notably his Sicilian paintings, painted in the last year of his life, although he also worked with textiles and collage.

One of Derekâ $ ™ s large abstract landscapes, Eclipse, was stored at my house for a year.