Sentences with phrase «of an action film which»

Not exact matches

The film, which will be released on Dec. 15 of this year, will pick up after the action of Star Wars: The Force Awakens, the franchise's huge 2015 release that shattered box office records and marked the space opera's return to theaters for the first time in a decade.

But action flicks typically end on a note of triumph or at least gritty perseverance, rather than the humiliated acceptance with which even relatively hopeful horror films often close.

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

Morrison noted that many of his own athletic spots inspired his stunts during his action film, Boone: The Bounty Hunter, which is now available on iTunes and Amazon.

During the course of the week of demonstrations in 2003, which were filmed by Swiss television, Nestlé contacted Baby Milk Action to say it was accepting the WHA Resolutions — but again it spun this as Nestlé «taking the lead», the headline in the 7th edition of its «Code Action Report», shown left.

«In fact,» Prof. Lugli explains, «the electrical resistivity of such films can be modulated by either an applied voltage (to provide a transistor action) or by the adsorption of gas molecules, which in turn is a signature of the gas concentration for sensor applications.»

The other is that this is the last live - action film in which Walt Disney was personally involved; he died two years before the film's release, but supervised the scripting process and some of pre-production.

The film is so contrived that a key element of Atom is that he has a «shadow» function — he can mimic another's actions in real time — which we're told is «rare» and yet turns out to be crucial to the film's climax.

The chief problem with any post-apocalyptic film is that last act - mostly because all the interesting parts tend to stem from the events leading up to the destruction of civilization, humanity's efforts to cope with the few vestiges of once plentiful technology, and the small dramas and action sequences which reduce a group of irritable survivors to a select and more compelling few.

The film, which initially resembles a sitcom both in its reliance on one - liners and in its decidedly uncinematic visual style, slowly but surely wears out its welcome, however, as the affable vibe inevitably gives way to an emphasis on increasingly over-the-top action sequences - which wouldn't be quite so problematic had such moments been infused with even an ounce of real excitement by director Shawn Levy.

The film lacks any kind of real «action», which makes it a departure from Mann's other work like Heat or Last of the Mohicans, but it still feels like an action movie because of the aggressive way in which Mann directs it.

The plot is the worst part of the film, which packs way too much action into the sparse 86 - minute running time.

Though I've never read the book on which the film is based, I am familiar with its unique format (a compilation of individual accounts comprised a decade after the war), and while it may not please fans of the source material, the decision to streamline all the action through Gerry makes the story flow better.

Setting aside for a moment the question of when exactly it was finished, the answers seem obvious: there were already too many action films jostling for position this summer (including the ill - fated Batman & Robin), and the film is just too smart and well - crafted to have risked getting lost in that shuffle, a fate which the equally worthy Face / Off narrowly escaped.

In the meantime, a deliciously nasty bad guy, a white South African gangster and arms dealer named Klaue (Andy Serkis, in a role he introduced three years ago in Avengers: Age of Ultron), is keen to get his hands on some vibranium himself, which involves an unexpected side trip to Busan, South Korea, for a prolonged sequence heavy on chases and tough - guy action but rather more conventional than the rest of the film.

Top Gun 1985 established Cruise as an action star, but again he refused to be pigeonholed, and followed it up with a solid characterization of a fledgling pool shark in the Martin Scorsese film The Color of Money in 1986, for which co-star Paul Newman earned an Academy Award.

First, by focusing on Graham and her Post rather than the actions of Daniel Ellsberg (played here by Matthew Rhys), who leaked the Pentagon Papers, or the New York Times, which initially published them, the film opens itself up to dissect gender roles in the power structures of that time.

As directed by Anthony and Joe Russo, the action scenes are often incomprehensible, which means that far too much of the film is spent waiting for the action to die down so we can see who is left standing.

The action is large, coherent and solidified within the roots of the story, which has been deeply established over the past decade through over a dozen films.

What I like most is that the audience possess the exact same amount of information as the central character does from beginning to end, which gives the film an uneasy spontaneous energy that keeps you transfixed on the action.

The actors are really just playing themselves as far as their line delivery goes and the plot really doesn't go anywhere new, especially since the opening scene of the film rewinds through the entire film, showing every action beat, which was a really bizarre move.

The following year, Garofalo appeared in no less than five films, with a supporting part in the ensemble piece 200 Cigarettes, a starring role as an unconventional action heroine called the Bowler in Mystery Men (which also featured Stiller), and prominent turns in Kevin Smith's eagerly awaited Dogma, Hampton Fancher's psychological thriller The Minus Man, and the satirical comedy Can't Stop Dancing, in which she acted alongside fellow comedienne Margaret Cho.In 2001, Garofolo took on the role of Catherine Connolly in The Laramie Project, HBO's docudrama chronicling the aftermath of the death of Matthew Shepard, and filmmaker David Wain's comedy Wet Hot American Summer.

Directors John Francis Daley and Jonathan Goldstein have taken the time to actually direct the film, which has a considered aesthetic and a solid grasp of its own physics — not something you can say for a lot of action comedies.

The features start out with a wonderful feature commentary from Coogler and production designer Hannah Beachler which goes into not only the look and action of the film, but also a lot of the themes and motivations of the characters.

These films tend to be long and boring, but this latest installment beefs up the action and takes up the bulk of the film with it, which is great when your characters are trying to be funny but coming off as idiots that you'd rather watch burn to death via the Decepticons.

Despite claiming that she's «got it under control» and that she «doesn't feel unhealthy,» there's always further she can go - which is why she's admitted to a treatment programme led by the controversial Dr. Beckham (Keanu Reeves), where most of the film's action takes place.

The gloomy things «The Pledge» has to say about manhood are antithetical to the heroic rites of Hollywood action - adventure films and professional sports through which American mass culture channels and idealizes male violence.

Both Thor and Thor: The Dark World presented us with something drastically different than what was before it, including expanding beyond the cosmos and accepting the God - like characters as normal, which really pushed the medium of comic book films, while also blending humor and action in a way that made the character both interesting and viable.

Its comparatively simple first act remains a good example of how to apply the horror elements of the Silent Hill games to film with a degree of elegance and wit, and for a solid 35 minutes, it's an atmospheric film about a mother whose deeply maternal desire to help her daughter inadvertently places her in danger, and the need for Radha Mitchell's Rose to find her daughter when she goes missing provides a cogent and palatable, if somewhat slight, emotional basis from which the proceeding action can spring.

Most action films only contain a handful of short, sharp action beats which provoke a sense of giddy exhilaration; Dredd packs in at least ten or 15 of those moments.

This film also gave hints of the director's interest in human connections and the ripple effects of one's actions, which he would explore more abstractly in his following projects.

It should be obvious by now that the Hong Kong film industry is one of frequent cross-pollination by its writers, directors, actors, action choreographers and others, and if the many names dropped in this article are confusing, one more title is available to stream which might clarify things.

Universal Pictures have unveiled a new full - length U.S. trailer for the upcoming samurai fantasy action film «47 Ronin» which opens at Christmas.Keanu Reeves stars in the film about a group of banished samurai who long to restore their honor...

Sound was added during production, but the film's trance - like images could stand on their own as a visual poem in which the action seems to take place on the cusp of dreams and reality.

A lot of the action takes place in the bowels of an industrial nightmare — at least until the film's glorious finale, which finds a late - Victorian Death Star destroying the greater part of London in a cloud of frost and smashing stuff up real good.

But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen version of the graphic novel features sharp writing, brilliant performances, and of course, indulgent action sequences and story - telling.

He's playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn't know he had.

The Brit has proven elastic with the release of three largely disparate feature films — the sci - fi action thriller Kill Command, the romantic drama Me Before You, and a period drama Genius, in which she takes on the effusive role of Zelda Fitzgerald — and appeared in two theater productions including a turn as Stella in A Streetcar Named Desire at St. Ann's Warehouse in Brooklyn and as Elena in Robert Icke's Uncle Vanya in London.

As the first film shot in Atikamekw, a dialect of the Algonquian Cree language, it is an engaging portrait of a young man who finds himself in an awful situation, one in which he's forced to come to terms with his actions.

It's uncertain if the film even has a firm opinion of our sitting president, for with Sawyer's reductive preachings about a stereotypical black upbringing, and actions to end a «limitless war on terror» that plainly contradict current events, the movie is both a simplistic Obama insult and an aspirational Obama fantasy (and if you don't think it's channeling our real - life president, look no further than the Easter egg of Nicorette gum, which Sawyer keeps in his own nightstand).

A film that failed to impress critics 30 years ago but which now seems eerily prescient in its depiction of a futuristic police state beset by economic instability and the increasing toxicity of TV culture (Stephen King's source novel is set in 2025, with screenwriter Steven E de Souza backdating the action to 2017), The Running Man is among the most thematically rich sci - fi offerings in the Arnie canon.

Feige also said that the movie will pay homage to the action films of the era, which sounds pretty interesting.

I'm sure others are assuming the release date is for Deadpool 2, but Ryan Reynolds has a couple of films lined - up first which include the action flick Hitman's Bodyguard (currently about to shoot), voice work on Croods 2 and the Mars thriller Life.

Among action blockbusters such as CAPTAIN AMERICA: THE WINTER SOLDIER and GODZILLA, it seems strange to think that this film is one of the most entertaining films I have seen this year (which is definitely no small achievement).

With Haywire — his 23rd full length feature — he takes another stylistic left turn this being an independently financed, relatively low budget B - movie style action film of which a large portion was filmed in Dublin back in 2010.

Tom Hardy, Charlize Theron and Nicholas Hoult star in the final trailer for George Miller's post-apocalyptic action film, which rolls out plenty of new footage.

Based on Edgar Allan Poe's short story «The System of Doctor Tarr and Professor Fether,» the film relocates the action from Poe's France to a remote corner of England, though the movie was actually shot in Bulgaria, which might look more like England if England looked a little more like Bulgaria.

Most of the action takes place not on court, but between Rhys Meyers and Johansson in a sub-Ripley thriller in which Allen over-extends the tennis metaphor (he starts the film with a slow - mo of a tennis ball balancing on the net — which side will it drop?).

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

But this is a film with four - quadrant appeal that deserves to be seen by as many people who have attended other hit live - action family films, most of which aren't nearly this good.