Sentences with phrase «of an aesthetic experience»

They have so underemphasized the empirical way, which concentrates on the physical response to the past, that the power of aesthetic experience has been neglected.

They have so emphasized the rationalistic way, which concentrates on the intellectual organization of the past, that the meaning of aesthetic experience has been exaggerated.

Intensity of aesthetic experience is satisfying, uplifting, energizing.

This reality helps us understand Henry's exasperated incredulity at the spectacle of the nation becoming richer and richer while its public realm became poorer and poorer — his deep - seated anger at the inconceivably extensive degradation of aesthetic experience in postwar America.

Although Whitehead never developed his interpretation of aesthetic experience very far, 6 we can deepen our understanding of artistic expression by attention to the theories of Merleau - Ponty.

The first of our two schemes is framed in terms of the hierarchical structure of nature and the second in terms of aesthetic experience.

15 Consider, for example, his doctrine that»... an actual fact is a fact of aesthetic experience.

It can not assure us that the whole of our aesthetic experience is not fundamentally deceptive.

«The American» is an exercise in style and withheld sentiment, a bleak and atmospheric art - house thriller that's more of an aesthetic experience than an emotional one.

It's an explicitly funny, absolutely entertaining three hours that nonetheless leaves us with a distinctive sense of emptiness, despite the fullness of aesthetic experience to which we've just been subject.

The examination of the properties of aesthetic experience reveals essential aspects of our perceptual, cognitive, and semiotic capacities.

This book investigates the nature of aesthetic experience and aesthetic objects.

Ha's paintings, uniformly titled Conjunctions, propose a kind of aesthetic experience, a qualitative leap into an epic momentum, referencing both spiritual and secular impulses along the way.

It was painting that mattered most,...» Over the years I have come to believe that painting offers the highest order of aesthetic experience, an intimation of «oneness» or singularity.

Yet they impart this perception without regret, as if our transient awareness were not only without tragedy, but constituted the very essence of aesthetic experience.

Postmodernism deprived painting of originality and first - hand experience at the same time that Greenberg's disembodied abstraction, addressed to eyesight alone, collided with the desire on the part of some artists to retain the wholeness of the aesthetic experience made available by the old masters in their fusion of the haptic quality of sensuous painterly surfaces with the optical melding of colour and light.

Rob Marks writes about the nature of the aesthetic experience and its effect on self and society.

Collectively, the works resist the impulse to rush, survey and move on, suggesting instead the possibility of an aesthetic experience, which takes place in another temporal register.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Whether through paint or video, Pindell squeezes the spatial and temporal attributes of aesthetic experience, and finds new ways to disorganize, or at times even suffocate, the space of aesthetic contemplation.

He brought up Taylor Swift as an example of an under - recognized figure in the arts, whose fangirl audience appreciates her work on a level of aesthetic experience.

But a certain amount of bewilderment is, of course, essential to the essence of an aesthetic experience, so if possible, see the more impressionistically organized Phillips Collection before the Hirshhorn.

Each reveling in visual detail, eliciting an almost iconoclastic charge, the works in this exhibition continue to expose layers of pleasure and discomfort lurking beneath the surface of aesthetic experience.

To provide cultural leadership in Southwest Florida by maintaining a high standard of quality and by offering exhibitions with a wide variety of aesthetic experiences and not otherwise available to area residents and visitors.

Operating within this zeitgeist, artists experimented with a range of practices that questioned authorship, explored new collective forms of art making, and opened up new modes of aesthetic experience.

A Philosophy and Social Sciences graduate, her research focuses on art and politics, developing a thesis on democratization of the aesthetic experience and horizontal curatorial models.

Having graduated from the University of Toronto with degrees in Philosophy and Semiotics in 1996, Jacob's work addresses issues of social interaction and the subjectivity of aesthetic experience.

It was painting that mattered most, â $ ¦ â $ Over the years I have come to believe that painting offers the highest order of aesthetic experience, an intimation of â $ ˜ oneness» or singularity.

Using the tensions between representation and represented reality as a cognitive tool, some of his recent concerns are related to the colonisation of aesthetic experience by capital.

Whether they major in the field or take a course or two, students have found that informed visual thinking, no less than the pleasure of aesthetic experience, continues to enrich their lives and their work.

The grid works — like all of Gaines» work — are more rooted in philosophy than in the creation of some aesthetic experience.

It shows us whether abstract art is making a wide enough social impact to affect influential tastemakers, and what other types of aesthetic experiences are leaving memorable imprints on the minds and hearts of those who write about art as a profession.

Stamp, who studied under Johnson, also addresses personal histories in his work, providing astute, humorous, and hauntingly strange ruminations on the role of the artist and the state of the aesthetic experience.

This powerful art claims a place, a reality, for the deepest and most rewarding varieties of aesthetic experience, in our time and in our visual language.

Together these exhibition projects consider the essential components and fundamental dynamics of aesthetic experience: light, color, pictorial form, the context of the exhibition.

Simultaneously confounding and illuminating, The Intuitionists at the Drawing Center is a puzzle within a puzzle, a conceptual stunt that raises sticky questions about curatorial responsibility and the structuring of aesthetic experience.

«Furthermore, the conquest of each box is added to the pleasure of an enigma; that of the end and of a rebirth; that of a corpse magically revived; that of an aesthetic experience compared to the banality of an object.»

«It has been written that time engenders oblivion, but in the particular case of the aesthetic experience, it engenders imagination and memory.

Not exact matches

Its core functionality and corresponding aesthetic are designed expressly to support key features of an efficient shopping experience.

Borges, for instance, believed him a far more important figure in French letters than any of his more celebrated near contemporaries, and credited him with having invented an entirely new approach to aesthetic experience, reconciling (without merging) the traditions of Asia and Europe.

Ripatrazone draws a dichotomy also between dogma and the faithful's aesthetic experience of Catholicism.

-- The difference between an aesthetic experience and a «religious» experience IS one of the questions raised in this movie, and you haven't even begun to address that question, other than to restate it.

In modern societies, Weber argued, the biblical God must compete with worldly gods such as aesthetic experience, material success, nationalistic fervor, erotic pleasure, and the many other forms of self - transcendence and this - worldly immortality that call out to our inner demons.

The aesthetic character of reality means that every worldly value - experience contributes to the divine totality partly through the beauty that it actualizes and partly through its contribution to the beauty of subsequent occasions.

However, the aesthetic model of cosmic purpose suggests that our own experiences may be lacking in perspective.

If the concepts of relational power and aesthetic value are accepted as more adequate categories for understanding human experience than those arising from substance metaphysics, then we must obviously change our images of ideal personhood and ideal communities.

At first they may be taken merely as aesthetic moments, such as communing with nature, savouring memories andimages, meeting mysteries, the heightened sensing of musical sounds, odours, colours, the thrill of acute poetic expression, or moving encounters with other human beings; but on further reflection people often cite such experiences as having a spiritual quality and as hints of the divine.

If we take seriously Whitehead's claim that the fundamental form of order and hence of value is aesthetic, and the accompanying principle of relatedness, it is obvious that unilateral power (the ability to affect without being affected) inherently inhibits the growth of value in human experience.

When humans experience this harmony «they call it aesthetic experience Aesthetic experience is experience in which many influences vivify instead of neutralize one another and at the same time do not impair or destroy the clarity of consciouaesthetic experience Aesthetic experience is experience in which many influences vivify instead of neutralize one another and at the same time do not impair or destroy the clarity of consciouAesthetic experience is experience in which many influences vivify instead of neutralize one another and at the same time do not impair or destroy the clarity of consciousness....

However, to paraphrase Martin Buber, while they may accompany the event they do not constitute it.4 Our aesthetic sensitivities, important as they are in experiencing life to the full, are a part of the world, a part of creation.