Sentences with phrase «of analog photography»

In this series of spooky photographs, Cump sheds light on the darker side of nature, revealing the nocturnal landscapes and the intertwined histories of analog photography and the myth - laden night sky.

The elegiac pictures mourn the passing of analog photography while offering a final glimpse of its beauty and creativity.

Against a familiar backdrop of the accelerating disappearance of analog photography and the simultaneously triumphal progress of digital photography, these works explore new ways of re-picturing and inhabiting that history.

Brandt is known for employing early processes that celebrate the material essence of analog photography, while van Empel's digital composites result from the meticulous assemblage of hundreds of the artist's own source photographs into one photorealistic image.

Mounted and arranged on shelves in front of vivid color backgrounds, the figures become players in a story that is both a tribute to the heyday of analog photography and an accomplished vision of the possibilities that the digital age has opened up to artists.

After Yoko passed away, in 1990, Araki began a host of new projects, even using his own diagnosis with prostate cancer in 2008 as a jumping - off point to explore the diminishing status of analog photography.

Not exact matches

Whether it is in the eerie intimacy of Aron's analog consumer video or the larger than life exuberance of the boundless photography of the mountainous Utah desert, the 1.85:1 widescreen transfer packs a punch.

And in a movie crammed with odd contrasts, the most striking may be the clinical crispness of the digital photography up against the old - school strings and analog vibe of Bear McCreary's musical score.

It is also like the colors that occur in analog photography that tend toward dark mixes of Magenta, Viridian, Sienna, Umber, and Ultramarine Blue that sit in the photo paper in a way that shifted one way looks green and another way looks violet.

Today art is filled with presences, in the scraps of abstraction, of analog and digital, and of photography as object.

Employing traditional analog photography methods, British photographer Richard Caldicott produces a collection of stunningly beautiful, abstract works, deriving influence from iconic...

Focusing on social structures, mainly human connections and relationships that exist in his multi-faceted consciousness, Le makes chromogenic prints through a performative approach towards portraiture — utilizing a combination of analog and digital photography.

Stephen Shore, a well - known American photographer, has worked with both analog and digital photography as well as social media to explore the limits of the medium.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Fujifilm of North America, and Awagami Factory.

It's an understated piece among a survey of complicated and multi-faceted work, but could easily be the beating, analog heart of Public, Private, Secret, the inaugural exhibition at the International Center of Photography's new museum, which opens to the public today.

This self - reflexivity reveals the chemical processes of photography, dividing the picture plane into different exposure times; an analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium with its claims to both truthfulness and fabrication in the age of digitization.

Undergraduates establish strong photographic practices and discourses through the study of analog and digital processes, the history and theory of photography, and the development of critical thinking and writing skills through required and elective courses in photography, other creative disciplines, and the liberal arts.

By sourcing existing images, employing analog methods and digital interventions, the works in the show disrupt the expectations of straight photography, examining its limits with images that exist at threshold of photographic formulation.

Undergraduates establish strong photographic practices through the study of analog and digital processes, the history and theory of photography, and the development of critical thinking and writing skills.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the last in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, theNew York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the last in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Sun Stream (camera obscura), the site - specific intervention into the Museum's camera obscura, utilizes both analog and digital technology to reveal how we are at a point where light, traditionally the most central element of photography, has become disembodied from the natural world.

Making use of both analog and digital photography, as well as video, they interweave document and fiction to create pliable narratives that explore contemporary relationships.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the second in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Fujifilm of North America, and Yarden Wines.

Employing traditional analog photography methods, Caldicott imbues his minimalist set of components with rich, vibrant color.

Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the first in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak and FUJIFILM North America Corporation.

Poised between reality and abstraction, memory and interface, Instagram merges the analog photograph of traditional photography with digital coding to form a networked digital image.

When one speaks of «painting practices» nowadays, it's often the stuff of photography — analog and digital printing, the ever - investigated photocopy, even Photoshop — that is meant.

Offering courses in painting, drawing, graphic design, photography, sculpture, film and video, and film history and theory, the program provides enrolled students extensive contact with an internationally accomplished faculty as well as access to state - of - the - art technical, analog, and digital labs, including a fully functional letterpress studio.

Ocean of Images presents bodies of work that critically redefine photography as a field of experimentation and intellectual inquiry, where digital and analog, virtual and real dimensions cross over.

Using collage strategies, sculptural tropes and theater staging techniques, Lipps's series is a requiem for analog image - making, which is relevant to the ubiquity of photography in the digital age.

Close moves freely between painting, photography (both analog and digital), numerous modes of printmaking and drawing, and most recently the art of Belgian Jacquard tapestry weaving.

She distinguishes the subjects in her photography through a mixture of analog and digital processes creating what she calls «an illusion of technology.»

The artists in New Photography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of pPhotography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of photographyphotography.

This technique mirrors the material reversal of analog film - based photography, in which a negative is used to transfer the image.

Her career represents a breadth and depth of experience and skill in education, photography (analog, digital, alternative, and historic processes), the creative process, and workflow.

Her photographic works investigate the technologies and histories of photography, primarily using analog processes, to create new connections amidst events and objects that may have otherwise been overlooked.

Utilizing the imagery from her most recent solo exhibition with Mark Moore Gallery, «Range» is an exploration of an analog history of photography within the digital torrent that is its current technological manifestation.

He taught analog photography at the University of Hartford, has been a guest critic at the San Francisco Art Institute, and works as a fine art master printer.

Most of what is on view has more to do with photography's analog past than with its cybernetic future.

Paul Thulin uses analog photography, digital montage, appropriation and various alternative materials, to explore the contextual and material constructs of history, cultural identity, consumerism, memory and myth.

The paintings are rendered in the saturated and murky colors Twilley associates with analog photography and, though devoid of human figures, are filled with human presence.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Working in a darkroom, she manipulates the various chemicals used in analog photography to make colorful, unique abstract prints on irregularly shaped pieces of photographic paper.

Unlike digital photography, which usually only lets you collect prints, analog photography offers a range of items, such as filmstrips (like the ones from famous Magnum photographers), actual negatives, even vintage cameras themselves.

The reusable packaging of the film functions as a pinhole camera, which provides individuals with a way of exploring analog photography without the cost of having to buy an old medium format camera.