Sentences with phrase «of anamorphic»

The golf ball's journey up a steep ramp, over a painting of an anamorphic British naval captain, finds its way through the snake's bodies.

In addition to this piece, Murphy created a 10 ″ X 10 ″ work of an anamorphic heart that's bursting off of the wall.

The show features a new series of anamorphic

The show features a new series of anamorphic mural installations that document the most recent aspects of the collective aesthetic and poetic research of the group focusing on the study of geometric abstraction in relation with the architecture and the surrounding urban space.

Due to the use of an anamorphic lens, the projection is strikingly horizontal, thereby emphasizing the reference to historical landscape painting.

The image is sharp enough that you can clearly see where it goes soft towards the outer edges of the anamorphic lenses, as well as make out some rack - focus effects that were lost in the video murk on DVD.

The video benefits from the higher resolution of an anamorphic transfer.

But, this and the concurrently - issued disc of Adventures of Huck Finn (also directed by Stephen Sommers) were among just a handful of anamorphic widescreen releases out of the slew of catalogue DVDs rushed out by Disney over the next two years.

This is a true «scope title, thus a certain softness is to be expected, while the use of anamorphic lenses is a likelier culprit for the limited grain than DVNR.

In sampling, the DVD looked and sound great by the lower standards of anamorphic standard definition video and Dolby Digital 5.1 sound.

The movie's Mac Store whites gleam in high - definition, while the royal blue of Barry's suit — seemingly matched to the shade of anamorphic lens flares, which are prevalent — is bright and dimensional.

Image detail is nice on the whole, and though the film does occasionally look a little soft, this is an artifact of the anamorphic camera process used, rather than any transfer or compression issues.

Not exact matches

Get ready to trick your mind with amazing anamorphic illusions that will make you question your view of reality.

Shot on an iPhone outfitted with an anamorphic clip - on adapter, the movie bobs, weaves, and glides down sidewalks, while the soundtrack blasts out semi-obnoxious dance beats in between snatches of Beethoven and Armenian - language holiday song.

Deleted scenes, production notes and stills, an anamorphic wide - screen transfer, trailers, and before - and - after special effects footage round out this muscle - bound package of no - nonsense nostalgia.

The Quality The anamorphic widescreen transfer looks fantastic with some bright, vivid color (especially in the jungle of Nool) and some impressive detail, with the opening shot being one of the most realistic pieces of computer animation I've ever seen.

Video: With an aspect ratio of 2.40:1 Anamorphic Widescreen, the video quality of the film is higher than the time period of the action allows it to appear.

Screen formats: Widescreen Anamorphic 1.85:1 Subtitles: English; French; Spanish Language and Sound: English: Dolby Digital 5.1; English: Dolby Digital 2.0 Stereo; French: Dolby Digital 2.0 Stereo; Spanish: Dolby Digital 2.0 Stereo Other Features: Color; interactive menus; scene access; trailers; making - of featurettes; commentary; games.

Much of the attention for the movie has centered on its preposterously low shooting budget and camera, an iPhone 5s with a $ 7.99 high - def app, a Steadicam rig, and the odd anamorphic lens.

The anamorphic enhancement offered only the first of many improvements found on this disc when compared to its predecessor.

Another motif of Carpenter's is to shoot the action entirely in widescreen (or occasionally anamorphic).

Kino Lorber's DVD edition of The Strongest Man gives the film a good visual presentation in letterboxed 2.35:1 anamorphic widescreen.

The anamorphically enhanced 2.35 X 1 image was masterfully shot by cinematographer Stephen Burum, A.S.C., in real anamorphic Panavision and brought back the pre-Reagan-era look of Spy genre films.

It's presented in anamorphic widescreen, 1.85:1, and comes with a liberal selection of audio choices: 5.1 in English, French, and Spanish.

Both the theatrical and unrated cuts of The Hangover look pretty good in the DVD's 2.40:1 anamorphic widescreen presentations.

Video: With an aspect ratio of 2.35:1 Anamorphic Widescreen, the video is top notch.

Human Nature is presented in 1.85:1 anamorphic widescreen and fullscreen versions on the same side of a dual - layer disc; compositionally, it's a toss - up between the two transfers, since the latter opens up the bottom of the frame whilst cropping the vertical sides.

THE DVD Universal's DVD release features a sharp 1.85:1 anamorphic widescreen presentation of the film featuring a minimum of grain and edge enhancements and superior contrast.

Shot entirely on an iPhone (though you wouldn't necessarily guess that by looking at it, as director Sean Baker outfitted his phone with an anamorphic lens adapter), this gleefully hyperactive Sundance favorite observes the odyssey of two transgender sex workers — played by actual transgender actors, refreshingly — who are angrily looking for a cheating pimp.

Sufficed to say I'm not going to assess the 2.35:1 anamorphic widescreen transfer because I have no idea what consumers are getting for their ill - spent cash, though I can confirm that the DD 5.1 audio is suitably loud, with lots of rear - atmospherics that almost, almost get your heart pumping.

THE DVD For all the weaknesses of the film, Warner DVD's beautiful 1.78:1 anamorphic widescreen presentation of American Outlaws is a showcase piece for its audio / visual transfer.

Laden with dull blacks and mild edge - enhancement, the «all - new digital» 2.35:1 anamorphic widescreen transfer fails to show off the capabilities of the format while representing a minor upgrade from the previous DVD in terms of saturation and reproduction of flesh tones.

Something about this anamorphic black and white excursion through the barren terrain of Middle America keeps me coming back for more.

I told them, «These frames and references are probably not yours, but I only want to do it if I can shoot in anamorphic 35 mm, in Athens, Georgia, where I'm from, and with these actors»... and they embraced all of it.

Those like me accustomed to seeing the Indiana Jones films in the wonder of degraded pan-and-scan videocassettes should rejoice at the sight of these DVDs, which offer higher resolution and preserve the considerable frame width in anamorphic widescreen transfers nearer to 2.35:1 than the 2.20:1 aspect ratios widely cited.

The DC distinguishes itself on a technical level with the cleaner, more naturalistic 2.35:1 anamorphic widescreen transfer of the two.

DVD Extras Anamorphic 1.85:1; incredibly atmospheric animated menus; scene selection; choice of 2.0 / Dolby digital 5.1; full audio commentary by co - writer / director Shane Meadows, co - writer / star Paddy Considine, and producer Mark Herbert (all giggling), revealing that the decision to include Anthony in scenes other than flashbacks was last - minute, that the script changed daily on - set, that the castle was a disused zoo, and that the original ending was too close to Get Carter; nine minutes of commentary out - takes (Easter egg); Optimum trailer reel; What U Sitting On?

For an HD Remake, it smooths out a lot of the textures and graphics and anamorphic widescreen for better sense of immersion and no black bars from the original.

THE DVD Fox DVD's anamorphic widescreen (1.85:1) presentation of The Object of My Affection is crystal clear and vibrant.

THE DVD - THE LOVELESS Blue Underground (another company that, like Subversive, was formed by émigrés from niche gold standard Anchor Bay) gives The Loveless a 1.85:1 anamorphic video transfer every bit the equal in terms of revelatory power of The Witch Who Came from the Sea's.

The Calling looks fine for standard definition, but the DVD's 2.40:1 anamorphic widescreen transfer is a far cry from the satisfying highs of 1080p.

THE DVD One of six films that won the second round of Amazon's DVD Decision 2006, Looker debuts on the format in a handsome 2.37:1 anamorphic widescreen transfer that occasionally succumbs to pinholes and a high density of grain.

Its stunning 2.35:1 anamorphic presentation, supervised by Cundey, does for this film exactly what the Cundey - approved transfer of The Fog did for that film: it resurrects it, transforming a marginal not - recommend in the case of Cimber's film into a marginal recommend based on the strength of Cundey's gorgeous cinematography.

«Season three of The Knick was set in 1947 and was going — at my absolute insistence — to be shot in anamorphic black - and - white,» Soderbergh wrote, adding, «It's POSSIBLE that may have contributed to its demise...» Fans of the show would note that moving to 1947 would represent a massive time - jump for the series, moving the story almost 50 years past its original turn - of - the - century setting.

The film itself sports a handsome 1.85:1 anamorphic video transfer that seems a little soft and grainy, but for what it's worth, I didn't mind that, as it preserved something of a filmic quality.

THE DVD Fox checks in with a spotty 1.85:1 anamorphic widescreen transfer of Dunston Checks In on one side of a DVD and a fullscreen pan-and-scan version on the other.

THE DVD The kids division of MGM presents It's a Very Merry Muppet Christmas Movie in a full - frame «Special Edition» presentation all the more puzzling for the fact that a 1.85:1 anamorphic widescreen transfer was prepared for the film's R2 release.

As for Fox's Because of Winn - Dixie platter, it's a DVD - 10 containing 1.85:1 anamorphic widescreen and flipside unmatted transfers.

Say Anything... has also just made its DVD debut in the US this month, and reviews of that disc are full of praise for the new 16:9 anamorphic video transfer that's been done of the film under the director's supervision, making mention of its detail, sharpness, colour saturation and perfect black levels.

Housed in a regular Amray case, this production of A Room with a View is presented in 16 × 9 anamorphic widescreen, and divided into eight chapters.