Sentences with phrase «of apexart»
• The Results: The organizers of the three top rated proposals are notified that their exhibitions will be part of apexart's upcoming season.
http://blog.re-title.com/ Not exact matches
Between B @S and Kuras, he has realized exhibitions and projects with art fairs like NADA Miami, EXPO Chicago, PULSE Miami, and Volta NYC, and institutions like the Contemporary Art Museum of St Louis, The Queens Museum, The Walker Art Center, and apexart NYC.
He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; Bienal Tropical (2011) in San Juan, Puerto Rico; Under the Same Sun: Art from Latin America Today (2014 - 15) at the Guggenheim Museum in New York and Museo Jumex in Mexico City.
NYC's apexart gallery gathers a collection of meticulously crafted miniature dioramas for its newest show
«The Art of 9/11, «curated by Arthur C. Danto, ran at apexart through October 15, 2005.
From February 1 - 29, NYC's apexart will accept submissions for its Franchise Program: an opportunity to propose and produce an exhibition that takes place anywhere in the world outside of New York City.
The organizers of the four highest - ranked proposals receive an exhibition budget of up to $ 6,000, a location rental budget of up to $ 2,000, an honorarium of $ 2,000 for organizing the exhibition and writing an accompanying essay, and administrative support and involvement necessary to present their proposals as apexart Franchise Exhibitions.
He has lectured and led numerous panel discussions on art, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art Association.
Bad at Sports has done stuff with apexart in New York City, the Museum of Contemporary Art Chicago, Baer Ridgeway, NADA Art Fair, Open Engagement and many others.
Past performances and exhibitions include: Indianapolis Museum of Art, Performa 11, Andrea Meislin Gallery, apexart, The X-Initiative, Socrates Sculpture Park, Contemporary Jewish Museum SF, Herzelia Biennial ARTTLV, RH Gallery, The Queens Museum, Center of Contemporary Art Tel Aviv and The Jewish Museum NYC.
Andrea Chung has exhibited nationally and internationally in institutions such as Syracuse University, McColl Center for Visual Arts, National Gallery of Jamaica, Arthouse, Medulla Gallery in Trinidad, apexart, Deutsche Bank, MoCADA, Royal West of England Academy, Punkt Ø F 15 in Norway and the 2017 Jamaican Biennial.
2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..
ABC No Rio American Museum of Natural History Anthology Film Archives apexart The Architect's Newspaper Art Science Research Laboratory Artists Space Asia Society Buckminster Fuller Institute Center for Book Arts Creative Time Democracy Now!
He has curated, among other exhibitions, To Be Political it Has to Look Nice (2003) at apexart and Art in General in New York; PR04 Biennale (2004, co-curator) in Puerto Rico; George and Dragon at ICA (2005) at the ICA London; This Is Not America (2009) at Beta Local in San Juan, Puerto Rico; Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere (2010) at the CCE in Guatemala; Incidents of Mirror Travel in Yucatan and Elsewhere (2011) at Museo Tamayo, Mexico City; Bananas is my Business: the Southamerican Way (2011, co-curated with Julieta Gonzalez) at Museu Carmen Miranda, Rio de Janeiro; and MicroclimaS (2012) at Kunsthalle Zurich.
2013 Radio libre — Pedagogías de imágenes relacionadas, ARTIUM — Basque Museum Center of Contemporary Art, Vitoria - Gasteiz, Spain This is not America: Resistance, Protest and Poetics, Arizona State University Art Museum, Arizona, USA The Walls That Divide Us, apexart, New York, NY, USA Fotobienial MASP, Museo de Arte de São Paulo, São Paulo, Brazil In Between, Kasteel van Gaasbeek, Belgium Nasher XChange, Nasher Sculpture Center, Dallas, USA This Is (Part of) America, ASU Art Museum, Phoenix, USA The Aichi Triennale, Aichi, Japan Soundings: a Contemporary Score, Museum of Modern Art, New York, USA Junkies» Promises, Paul Kasmin Gallery, New York, USA Être humain et le savoir ensemble: Sixth International Biennial of Contemporary Art of Melle, Melle, France The Collection as a Character, MUHKA, Antwerp, Netherlands All You Need Is Love, Mori Art Museum, Tokyo, Japan Economics in Art, Museum of Contemporary Art, Krakow, Poland Verantwortung.
She curated the first exhibition exploring the phenomenon of crowdsourcing in art (Phantom Captain, apexart, New York, 2006), and, with artist Jon Rubin, organized an exhibit in which worldwide participants created a photo - sharing album of their imaginings on Tehran (Never Been to Tehran, Parkinggallery, Tehran, Iran, 2008).
He is the recipient of The Andy Warhol Foundation for the Visual Arts» Curatorial Fellowship and the apexart Outbound Residency.
Group exhibitions and performances include: LaMAMa Galleria (2014), Kunsthalle Galapagos (2014), Van Allen Institute for PERFORMA 13 (2013), Abrons Art Center (2013), Socrates Sculpture Park (2013, 2012), apexart (2012) Contemporary Jewish Museum SF (2012), Herzelia Biennial ARTTLV (2011), Boston University Gallery (2011), RH Gallery (2011, 2012), The Queens Museum (2010), Williamsburg Art Historical Center (2010), Center of Contemporary Art Tel Aviv (2009), The Jewish Museum NYC (2009), among others.
Tagged as: Alexis Gideon, Amalia Ulman, Andrew Hultkrans, Angel Nevarez and Valerie Tevere, apexart, Arlene Shechet, aura satz, Bleecker Street Art Club, Carrie Mae Rose, Cathy Park Hong, Christopher Sorrentino, Daniel Keller, Devin Troy Strother, Double Take Reading Series, eyebeam, Fabienne Lasserre, Flux Factory, Howard Singerman, hunter college, Hyperallergic, James Fuentes LLC, Jeff Bailey Gallery, Jessica Hodin, John O'Connor, Jon Rafman, joshua abelow, Joyce Pensato, Katja Novitskova, Loney Abrams, Mary Jo Bang, microscope gallery, Miguel Gutierrez, Mike Kelley, moma ps1, Museum of Modern Art, Nelly Reifler, Pansy Metal / Clovered Hoof, Pierogi Gallery, pratt institute, Rebecca Patek, Rhys Chatham and The X-Patsys, Rob Pruitt, RoseLee Goldberg, Roxanne Jackson, sean scully, Sikkema Jenkins & Co., Sue Williams, Sylvia Jeffriess, The Buckminster Fuller Institute, the drawing center, The Kitchen, Timothy Donnelly, Todd James, triple canopy
Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.
2008 30 Americans, Rubell Family Collection, Miami, FL Group Show, Andréhn - Schiptjenko, Stockholm, Sweden Belle du Jour, Collette Blanchard Gallery, New York, NY 21: Selections of Contemporary Art from the Brooklyn Museum, Brooklyn Museum, Brooklyn, NY As Others See Us: The Contemporary Portrait, Brattleboro Museum and Art Center, Brattleboro, VT The Other Mainstream II: Selections from the Collection of Mikki and Stanley Whithorn, Arizona State University Art Museum, Tempe, AZ Becoming: Photographs from the Wedge Collection, Museum of Contemporary Art, Detroit, MI City Stage, New Orleans Contemporary Art Center, New Orleans, LA Black Is, Black Ain't, Renaissance Society, The University of Chicago, Chicago, IL Perverted by Theater, apexart, New York City, NY Performed Identity, Kathleen Cullen Fine Arts, New York City, NY
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
Group exhibitions and performances include: La MaMa Galleria (2014), Kunsthalle Galapagos (2014), Van Allen Institute for PERFORMA 13 (2013), Abrons Art Center (2013), Socrates Sculpture Park (2013, 2012), apexart (2012), Contemporary Jewish Museum in San Francisco (2012), Herzelia Biennial ARTTLV (2011), Boston University Gallery (2011), The Queens Museum (2010), Center of Contemporary Art Tel Aviv (2009), The Jewish Museum NYC (2009), among others.
Olujimi has been awarded fellowships from the Skowhegan School of Painting and Sculpture, Santa Fe Art Institute, The apexart Outbound Fellowship to Kellerberrin, Australia, and the Fine Arts Work Center in Provincetown, Massachusetts.
at apexart, which highlighted artwork by men on death row at the Riverbend Maximum Security Institution in Nashville, Tennessee, activist and artist Fury Young organizes a group show of artwork created by prisoners from all - across the country.
Following last year's Life After Death and Elsewhere at apexart, which highlighted artwork by men on death row at the Riverbend Maximum Security Institution in Nashville, Tennessee, activist and artist Fury Young organizes a group show of artwork created by prisoners from all - across the country.
An international jury of more than 100 people in multiple disciplines evaluates proposals and the three winning exhibitions will be presented in apexart's 2014 — 2015 season.
Logistics: apexart covers costs for approved insurance, advertising, publicity, documentation, the design, printing, and mailing of the brochure, as well as the opening reception.
apexart covers costs for approved insurance, advertising, publicity, documentation, the design, printing, and mailing of the brochure, as well as the opening reception.
Deadlines: Proposals for exhibitions outside of NYC are accepted February 1st — March 1st, 2018 for program season 2018 — 2019 Proposals for exhibitions in apexarts NYC space are accepted October 1st — 31st, 2018 for program season 2019 — 2020