Since the 1890s New Testament scholars have been rediscovering the importance
of apocalyptic literature among Jews and Christians in the ancient world, represented in the books referred to as Apocalypses, which offer visions, revelations of the future, and other divine mysteries.
Historicism and rationalism in their understanding
of this apocalyptic literature, have completely lost such a depth of understanding about power.
Knowing things like the parallelism of Hebrew poetry, the ancient letter form, and the characteristics
of apocalyptic literature would help us receive the books that biblical authors actually wrote.
As a piece
of apocalyptic literature it takes its place naturally in the series which begins with the Book of Daniel, and includes such works as the Book of Enoch, the Assumption of Moses, the Apocalypse of Baruch, and 2 Esdras.
A significant element in the background to the Gospel accounts of Jesus is the tradition
of apocalyptic literature in which God has come to be viewed as temporarily absent from the current flow of history.
Not exact matches
Apocalyptic literature is just that, a genre
of literature.
By the same token, there is a radical difference between the
apocalyptic literature cited by Robert Kinkela and the corresponding subgenre
of horror films.
This is not to deny Jesus» profound connection with the tradition
of Jewish
apocalyptic literature.
Ars moriendi
literature is in some respects a species
of apocalyptic.
Apocalyptic literature is so full
of symbolism that the line between what is literal and what is figurative is often indiscernible.
As time went on and the concept developed, all kinds
of pictures and ideas were associated with it, especially in the
apocalyptic literature: the transformation
of the earth, the end
of history, the resurrection
of the dead, and many others.
I say this because the Taylor uses the book
of Daniel to provide practical examples
of how to read and teach
Apocalyptic Literature.
The immediate background to Jesus» use
of Kingdom
of God is certainly the use in the ancient Jewish prayers and in the
apocalyptic literature.
Apocalyptic literature follows the pattern
of a vision in which the author receives a call to write, and then describes, with highly cryptic imagery, a series
of symbolic events which predict the overthrow
of evil and the triumph
of righteousness.
The
apocalyptic literature represents just such a crisis
of narrative vision.
The problem becomes even more complex when we turn to a special genre
of literature,
apocalyptic writings.
As the secular hope
of a golden age had its prophecies and oracles, so the Judaism
of this period produced that curious
literature known as «
apocalyptic.»
Reading each reference, it is clear that Calvin treated it as
apocalyptic literature, written for the comfort
of the suffering, persecuted church in the first century and that he found in it notes
of comfort for every age.
In the August issue
of Bible Review magazine, Witherington noted the popular appeal that
apocalyptic literature has in unsettling times, «Unfortunately, not all
apocalyptic thinking is good
apocalyptic thinking, and this is especially true
of the so - called dispensational theology that informs these novels,» Witherington wrote.
There is,
of course, an extensive Jewish and Christian
apocalyptic literature outside
of the canon.
In these recent years when Christians have again had to go through «dungeon, fire, and sword» for their faith, the meaning
of this
apocalyptic (or vision)
literature has come alive to many.
A now classical definition
of this term
apocalyptic (literally, «uncovered») properly sees the transition from prophetic to
apocalyptic literature as really scarcely traceable.
We often think
of the Revelation as a quite unique book with nothing else like it; but it is
of the first importance to remember that in fact the Revelation is the one representative in the NT
of a type
of literature called
apocalyptic literature which was very common between the Testaments and in NT times.
Unlike many studies
of Judaism, the book is organized not by categories
of literature (
apocalyptic, rabbinic, mystical, etc.), but by the practices associated with daily living, the Sabbath and the Jewish festivals.
It is a combination
of historical story, with the scene laid in the time
of King Nebuchadnezzar, and a new type
of writing, the
apocalyptic literature.
For the same reason, we can understand how prophecy and wisdom could converge in
apocalyptic literature where, as is well known, the notion
of a revelation
of the divine secrets is applied to «the last days.»
This concentration on the idea
of revelation as God's plan is all the more insistent in what
apocalyptic literature which was subsequently grafted on to the prophetic trunk, calls «apocalypse» — i.e., revelation in the strict sense
of the word — the unveiling
of God's plans concerning the «last days.»
It is in this period, and notably in the «
apocalyptic»
literature beginning with the Book
of Daniel, that the idea
of personal immortality begins to play a significant part; and this in itself attests a new value attached to the individual.
The imperial powers
of Babylon, Egypt, Assyria, Greece and Rome are regarded as powers
of darkness and chaos in the Biblical
literature, especially in the
Apocalyptic writings.
The
apocalyptic literature should be regarded as the story
of politically oppressed people about the dominating powers.
7.13 exhibits a concept we may speak
of a Son
of man conception in Jewish
apocalyptic, but it would be better to speak
of an «image», and, therefore,
of the varied use
of «Son
of man imagery» in Jewish
apocalyptic and midrashic
literature.
In order to make our meaning clear, and in view
of the intrinsic importance
of this subject, we shall offer an analysis
of the use
of «Son
of man imagery» in Jewish
apocalyptic and midrashic
literature as we see it.
It may be from Zoroastrian influence that some Jews developed the picture
of a cosmic struggle, which is to be found in
apocalyptic literature.
Although we chose those passages at random, no amount
of searching the
literature would produce an
apocalyptic or rabbinic statement on this theme with such vividness and brevity; in these respects Matt.
«The Transcendent Sovereignty
of the Son
of Man in Jewish
apocalyptic literature», and in the subsequent discussion he assumes that there is a unified and consistent conception which reveals itself in various ways in Dan.
His familiarity with
apocalyptic literature (reference to the Assumption
of Moses in verse 9, to I Enoch in verses 14 - 15) explains his repeated use
of the expression «these» (8, 10, 12, 16, 19).
For example The Epic
of Gilgamesh, one
of the earliest surviving works
of literature (some
of it dating back almost 4000 years), contains references to
apocalyptic events.
If we receive several submissions that express the same style or possess the same tone, especially if it falls outside the purview
of the genre we are seeking — in this case,
apocalyptic and post-
apocalyptic literature — then some or all
of those manuscripts will be rejected.