The most striking instance of the concrete new taken into an apocalyptic story so that it becomes the peripety or surprise in the plot would be the adaptation
of the apocalyptic story by the early Christians to the new which they saw in Christ.
Most of the script suits the mood
of an apocalyptic story, but there are a few places in the script that could definitely do with a rewrite, as they feel decidedly out of place or rush the story forward without a plausible explanation.
Not exact matches
We tend to have a basic knowledge
of history and know that there is nothing magical or special about the supposed history
of the Jews, gospels, letters,
apocalyptic story (Revelations) and other materials that found their way into the Bible, in that they are largely indistinguishable from the other mythology and religious writings
of the Greco - Roman Mediterranean.
We could illustrate from
stories like Walker Percy's Love in the Ruins that are
apocalyptic in the narrow sense; these would raise the question, as old as Hebrew prophecy,
of the paradoxical tension between threat
of inevitable destruction and summons to new, creative action.
This book is more than a collection
of apocalyptic horror
stories; it is in the authors» characterization a «can - do» book: a book about what you [meaning all
of us] tan do to help restore the work ethic.»
Both early Christian
apocalyptic and Zealot
apocalyptic drew on the openness
of this form
of world - vision to the new, to make possible a meaningful participation
of the believer in the «big
story» to which he found that he was contributing as it moved forward to its end.
They reversed the trend
of apocalyptic narrative: instead
of thrusting the decisive change out
of the plot into the consummation, they brought the symbols
of the end into the midst
of the crisis
of the
story by applying them to Jesus.
Another way
of getting at what is at issue is to say that
apocalyptic narrative is instructive for us because it shows the difficulty
of working both God and man into the same
story.
Thus the
apocalyptic story, with its vision
of an all - encompassing end, tends to shift the new from being a surprise in the plot to being a final cessation
of new occurrence at all.
Some attention to the
story form in
apocalyptic can show us some
of the reasons why the narrative form is in trouble, while process theology has some fundamentally useful hints about how we may re-imagine the
story, or grasp a new narrative vision
of the world, which will enable us to set the new into a meaningful framework and respond to it with hope.
We tend to have a basic knowledge
of history and know that there is nothing magical or special about the supposed history
of the Jews, gospels, letters,
apocalyptic story
Note that the mighty events recorded in the New Testament are often given musical settings, as in the Christmas
stories and in the
apocalyptic visions
of the Revelation
of John.
It is a combination
of historical
story, with the scene laid in the time
of King Nebuchadnezzar, and a new type
of writing, the
apocalyptic literature.
The special materials
of Matthew, then, and his own religious interpretation
of the
story of Jesus point in the direction
of an
apocalyptic - minded Christianity emerging from Judaism in the direction
of a universalizing Catholicism.
The
apocalyptic literature should be regarded as the
story of politically oppressed people about the dominating powers.
The
story of Creation (Genesis 1 and 2), the Vision
of the Messianic Reign (Isaiah 11, Rev. 21 and 22) and other
apocalyptic visions belong to the same category.
Sylvia Fleener, 53,
of Union, W.Va., claims that The Omega Code, the 1999
apocalyptic movie, was originally her
story.
A site full
of bad date
stories, sketchy emails, peculiar profiles, and
apocalyptic breakup tales.
Six hours left to a matter -
of - fact end
of the world, but don't expect
apocalyptic activity in Last Night, a surreal, elegantly melancholy, and yet witty ensemble
story — the snazzy feature directorial debut
of Canadian writer - actor Don McKellar (The Red Violin) and the antidote to Y2K baloney.
There is virtually no precedent for this film, with past Christian movies looking to inspire, move, or awaken with sentimental family drama, Biblical
stories, and
apocalyptic tales
of the Rapture.
His struggles with inadequacy and fear have been a major part
of the
story arc
of Marvel's movies, and from the
apocalyptic look
of the Soul World - colored parts
of the trailer, it could be that Thanos has used the Soul Stone to create a personal version
of hell for Stark.
The ship's great look, the decent (though very dark, which fits the situation but means a lack
of detail to appreciate) special effects, and Garland's threadbare moral quandary within the
story's impending
apocalyptic setting keep things slightly intriguing until the
story proper kicks in.
The
story told here by Garland — whose screenwriting credits also include 28 Days Later, Dredd, Sunshine, and Never Let Me Go — contains elements familiar from his past works:
apocalyptic events, authority figures or scientists faced with ethical dilemmas, the exploration
of the issues
of gender, identity, and creation.
We look forward to working with them and David Mackenzie to bring this haunting
apocalyptic story of the world gone wrong to American audiences.»
For those
of you unaware Cloud Atlas is a
story that jumps from century to century from the 1800s all the way up to our post
apocalyptic future.
The series, with the exception
of the final two episodes, functioned as narratively complete short
stories with a definite Zane Grey - cum - Edgar Rice Burroughs - cum - Philip K. Dick feeling (pulp as masticated by an
apocalyptic culture, the only one that has experienced an atomic weapon attack)-- building as it progressed a bebop quintet
of characters with hero Spike, mentor Jet, buxom femme Faye, spirit guide Ed, and animal sidekick Ein.
An
apocalyptic story set in the furthest reaches
of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities
of life.
Some
of you may have seen his first two features — the teen - drama / time - travel film The Girl Who Leapt Through Time and the techno -
apocalyptic dysfunctional family dramedy Summer Wars — but the director tops himself with his third and latest film Wolf Children, a stunningly beautiful, unabashedly sentimental, and surprisingly complex
story that works as both a coming -
of - age film and a study
of the trials
of being a single mother.
Shannon is one
of the few actors who can express those emotions at length without seeming to relish it a little too much, in part because it seems possible that his efforts will cost him his mind and in part because (
apocalyptic outburst notwithstanding) Nichols doesn't gravitate toward that kind
of melodrama, even when his
story seems to call for it.
For his fifth film, writer / director Jeff Nichols eschewed aliens,
apocalyptic visions, and bounty hunters in favour
of a period love
story that...
A series
of intersecting
stories form the backbone
of Anderson's magnum opus, which blends brilliant ensemble performances, heartbreaking musical sequences and a bewilderingly
apocalyptic plague
of frogs.
It also influenced a lot
of modern day post
apocalyptic stories and pretty much revolutionized if not created the genre.
As directed by Zak Hilditch (whose 2013 debut «These Final Hours» was an expressionistic
apocalyptic tale), «1922» has the merits
of a solid «Tales From the Crypt» or «Masters
of Horror» episode, with a straightforward
story that folds the delicate visual language
of a rural Terrence Malick drama into the mold
of existential horror.
Though the operatic dissonant relationship between Jean Valjean and Russell Crowe's Javert does prove to be compelling opera as it weaves throughout the rest
of the
story, the film's second act focus on the
story of rich pretty boy Marius (Eddie Redmayne, whose singing voice is 45 percent Kermit the Frog) falling for Cosette (Amanda Seyfried) at first sight doesn't register nearly the same amount
of urgency, feeling like a silly problem that doesn't fit into the
story's near -
apocalyptic presentation
of revolutionary France.
The Black Ghiandola is a
story about a young man risking his life to save a young girl he has grown to love, after his family has been killed in the
Apocalyptic world
of Zombies.
No doubt parallels abound between Boccaccio's plague - ridden Renaissance and our own
apocalyptic present, so surely the time is ripe for this adaptation
of a
story from The Decameron, about vulgar nuns fighting the patriarchy the only way they can: sex, alcohol and witchcraft.
I don't read
Apocalyptic Horror where the hero might feel a bit
of fondness for the heroine by the end
of the
story.
Mixing a trauma reckoning with dark,
apocalyptic fantasy and notes
of psychological horror, this commandeering novel's multiplicity is elusively complex yet never complicated: although the many gut - quivering
story elements are not clearly defined, they always speak to each other, and Smith wisely leaves much up to the reader.
Set in the shattered subway
of a post
apocalyptic Moscow, Metro 2033, by Russian author Dmitry Glukhovsky is a
story of intensive underground survival.
A meteor sets off a chain
of horrific events in this
apocalyptic story filled with honest characters and emotions.
A former Simon & Schuster editor imagines what might happen if the Earth's rotation suddenly started to slow, setting a sensitive coming -
of - age
story against an
apocalyptic backdrop.
One
of their most successful is a property entitled «Dreadtime
Stories,» a collection of original horror stories, and a series of apocalyptic zombie s
Stories,» a collection
of original horror
stories, and a series of apocalyptic zombie s
stories, and a series
of apocalyptic zombie
storiesstories.
It is a twisted,
apocalyptic story oozing from the insane mind
of Jack Stark, from his soon to be released short
story collection, «Tales from a Dying Planet».
«The Prophet» — END
OF DAYS: AN
APOCALYPTIC ANTHOLOGY VOLUME 2, 2009 Read: Print Smashwords Kindle / iPhone / iPod Apple iTunes Nook Kobo Sony Reader This
story reminded me why I used to thrive on short
stories.
The
story continues that
of the
apocalyptic orphan Clementine battling elements
of the ever terrifying zombie infested planet, and as always, your decisions affect the outcome
of the game.
You play the character
of Senua, a Celtic warrior set in the time
of myths and legends
of Viking invasions and
apocalyptic stories.
The Walking Dead: A New Frontier is the fourth instalment
of the popular Telltale series based on the Walking Dead graphic novels and is the third season in the
story that follows Clementine on her path to surviving the
apocalyptic world filled with infected walkers while scavenging the limited resources and secure shelter.
So Mad Max (an
apocalyptic and brutal wasteland), Danganronpa (a series about kids being forced to kill each other) and Metal Gear Solid V (the
story of a war hero turned criminal) are childish?
We've added lots
of little details that tell various
apocalyptic stories if you look closely, and placed rewarding secrets for the most inquisitive» - reveals producer Tymon Smektała.
Even as the game falls further and further into its
apocalyptic abyss, the key personalities
of the
story remain engaging, keeping you transfixed on their tale, even as the circumstances become more and more ominous.