Not exact matches
We could illustrate from stories like Walker Percy's Love in the Ruins that are
apocalyptic in the narrow sense; these would raise the question, as old as Hebrew prophecy,
of the paradoxical tension between
threat of inevitable destruction and summons to new, creative action.
Paradoxically, the
apocalyptic warning is intended to remove the
apocalyptic threat by acts
of apocalyptic transcendence.
The positive power
of apocalyptic lies in its capacity to force humanity to face
threats of
It may be that his reflections about the evil
of the evolutionary viewpoint and the desirability
of renewing the
apocalyptic one constitute his reaction to what others are saying about the
threat.
The precariousness
of life, under
threat from famine and plague as well as from war, was signalled in the
apocalyptic feelings and expressions
of the time.
So I try to put out
of my mind the
apocalyptic threats under which I live.
With the ecological crisis, the
threat of nuclear war, and international monetary problems, everyone is thinking in
apocalyptic terms — except the liberal, contented church, which long ago made its peace with the present and trusted in tomorrow.
On the other hand, the danger
of big, headline - grabbing
threats has been ameliorated to a limited extent — but these
threats, like dirty bombs or bioterrorism, have always been inherently unlikely to come to pass on anything like the
apocalyptic scale feared by some.
Most previous studies
of apocalyptic astronomical events — like asteroid impacts, neighboring stars going supernova or insanely energetic explosions called gamma - ray bursts — focused on their
threat to humankind.
I'd also like to compare it to dramas like TV's The Walking Dead or War
of the Worlds starring Tom Cruise in how a father has to fight for his family's survival in an almost
apocalyptic environment against all odds and with his fellow humans being a bigger
threat than just the situation itself.
Unlike the similar
apocalyptic claustrophobia
of last year's 10 Cloverfield Lane, the tension in It Comes at Night isn't based on whether the
threat is real (that's made clear in the opening scene), but whether it can be kept at bay and who might be bringing it home.
While the other superhero films
of 2016 dealt with
apocalyptic threats and bad guys with grand, dastardly schemes, Deadpool kept things simple and restrained, and it was all the better for it.
The building phase is a case
of rapidly prioritising the buildings and technologies that'll stop you from dying, but there's also the looming
threat of a massive undead assault, with bigger and bigger waves
of attackers until one final
apocalyptic crowd
of zombies tries to tear your settlement apart.
Apocalyptic scenes have played a major role in art throughout the centuries as means to point to the
threat of evil.
From
apocalyptic expectations in our present environmental, financial and political climate, this «
threat»
of proximity signifies the potential collision that reflects our changing ideology
of past modernity, concerns and images.
Researchers who disagree with the government's
apocalyptic manmade global warming theory have been subjected to hundreds
of documented death
threats.
In a December 4 address to the high - level segment
of COP18, UN Secretary - General Ban Ki - moon spoke in
apocalyptic terms
of the «existential»
threat to humanity and the planet posed by the «crisis»
of climate change.