Sentences with phrase «of architectural subjects»

Calling himself something of a globetrotter, he loves to explore cities in search of architectural subjects to capture, focusing on graphics and colours, as well as different shapes and perspectives.
Wright has won numerous awards for his work, including the Royal Academy Summer Exhibition award for a drawing of an architectural subject in 2001.

Not exact matches

Attentive to the influences of liturgy, denominational tradition, architectural style, social class, and ethnicity, Williams has nevertheless chosen to view his subject primarily through the lens of region.
Anellotech's proposal is subject to review by the Zoning Board, Plannning Board and Board of Architectural Review, and this review is underway.
The San Francisco Unified School District teams up with the Architectural Foundation of San Francisco to offer high school juniors and seniors an opportunity to study architecture in combination with other academic subjects.
The art of Stephen Wiltshire Stephen Wiltshire is a British architectural artist with an incredible gift — he can look at something once, and then produce an intricate, detailed portrait of the subject.
In the years following graduation, he worked in architectural metalwork and woodworking studios while engaging in an ongoing study of the scientific and philosophical subject matter that continues to inform his work.
His architectural series — Desert Realty and Urban Realty — have been the subject of touring museum shows.
Architectural subjects, including paintings of the weathered barns and buildings on the Stieglitz property that blend the descriptive and the abstract, emerged as a theme, as did a number of panoramic landscape paintings and bold, color ‑ filled abstractions that often visually related to the subjects she was working on at the time.
Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.
Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.
While antithetical to traditional landscape painting, the square canvas, with slight compositional variations of placement, scale, color, and architectural imagery, is appropriate to her modernist subject matter.
While our first exhibition Architecture as Muse: The Grand Tour featured architectural subjects that artists encountered while traveling abroad, our newest iteration in the series turns its attention to the dynamic and eclectic architecture of the United States.
For more than a century, photographers have dealt with the spaces of their studios in strikingly diverse and inventive ways: from using composed theatrical tableaux (in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their subjects against neutral backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural sets within the studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).
Her homes, projects, and businesses have been the subject of numerous books and articles from the likes of The New York Times, Architectural Record, and Town & Country Magazine.
In studio 328, Francine B. Livaditis, whose eye is drawn to architectural subjects, will display visions of Las Vegas and a selection of what she's intriguingly dubbing «Bits & Pieces.»
She exploits the similarity between the liquid form of both subject and medium - water, sky, light - filled architectural spaces - which she anchors with strong but simple geometric elements.
Subjects, therefore, may vary from the abuse of Iraqi prisoners at Abu Ghraib to the proliferation of trash in the environment, from concern for architectural heritage to the gritty everyday life of the city's streets.
The subjects of her paintings from the period were often the rocks and bones from the desert floor or the distinct architectural and landscape structures of the area.
The lighting and all the architectural features of the gallery become subject matter.
The hotel in question, a neighbor to the ruins of the Mayan city Palenque, becomes a subject of jargon - filled architectural dissection: a contemporary ruin transported to the University of Utah via slide projection and Smithson's voice.
Recent work interweaves ruins, architectural ornaments and botanical forms, focusing the subjects on loss, extinction and the beautiful tenacity of nature.
A fragmentary array of movie theater architectural tropes, cult films stills, performative environmental settings, and photographs of cinema personas, the exhibition focuses in cinema's social space as a privileged subject in Tom Burr's sculptural model.
Many of his iconic works feature an architectural, ghost - like framing device around his subjects.
He uses his camera in a myriad of ways to create images that seem to convey his subjects» essence, whether architectural, sculptural, painterly, or of the natural world.
In the Magazine paintings, Gomez tears out advertisements from upscale design magazines like Luxe, Dwell, and Architectural Digest, and paints domestic workers into the scenes in ways that leverage the subjects and compositions of the ads.
The wall drawings and paintings of Gary Simmons, which typically use text or architectural drafts as their subject, take on received notions of gender, race, class, and other socially determined markers of identity.
Al Ofi sheds light on certain aspects of the human, environmental and architectural landscape by casting an otherwise unforeseen gaze, all the while conversely igniting mystery and questions around the very subjects themselves.
The fact that Malevich eventually moved his Suprematist vocabulary off the canvas into maximal architectural forms is equally fascinating, but this is the subject of another essay, still in progress.
Depicting a variety of subjects, his art is infused with meaning, mood and atmosphere whether the subject is figurative, landscape, architectural or inspired by nature.
Installed in an adjacent gallery (one that's next door, so to speak) are paintings devoid of figures but filled with implied life through arresting architectural subjects by Daniel Pollera and Marco Martelli.
A fragmentary array of movie theater architectural tropes, cult films stills, performative environmental settings, and photographs of cinema personas, the exhibition focuses in cinema's social space as a privileged subject in Tom Burrs» sculptural model.
Architectural ruins was a common subject for 18th - and 19th - century artists and an especially favored theme among the Romanticists; Farm Security Administration photographers such as Walker Evans and Dorothea Lange are known for documenting the effects of the Great Depression; and most recently, an obsession with photographing urban decay has sparked an entire genre dubbed «ruin porn.»
Parker admires Nick's «unapologetically direct depiction of his subjects, whether architectural aspects of Boston, rural landscapes, Venetian canals, simple room interiors or unstintingly honest portraits and self portraits.»
Alexa Meade is a Los Angeles based artist that paints on the surfaces of live human subjects, found objects, and architectural spaces in a way that optically compresses 3D space into a 2D plane when photographed.
Varied subjects, such as figural fragments, drapery, and architectural relief appear on a typical single Baroque study sheet for the sake of economy and for the rehearsal of an image.
In the 60s and 70s the subjects of his work are reflected in his composition and subject; small identifying features of faces are distinguishable in his portraits; architectural spaces are built up in structural planes and the smooth fluid horizontal planes of his Venice scenes conjure up the reflections of Italianate Facades on the acqua alta.
Among the main female protagonists that inspired this research are Balkis Sharara, Rifat Chadirji's wife who in 1979 carried copies of his works into and out of Abu Ghraib allowing him to author three of his seminal books while in the prison; artist Nuha al - Radi whose diaries of 1990/91 describe the dynamics in the lives of Baghdad's people beyond the news coverage; an unknown young woman who stands out in the festivities of the gymnasium's 1990 new year concert; Fahrelnissa Zeid who was herself an artist (most recently the subject of a major exhibition at Tate Modern) and the wife of the Iraqi Ambassador in London when Le Corbusier received a telegram confirming the approval of his first design proposal for Baghdad; poet Iman Mersal who paid a solidarity visit to Baghdad under siege in 1993; Zaha Hadid whose architectural drawings influenced the imagination of architectural students in the 1990s; and others.
Originally intended to be named simply «the Union,» the Cooper Union began with adult education in night classes on the subjects of applied sciences and architectural drawing, as well as day classes primarily intended for women on the subjects of photography, telegraphy, typewriting and shorthand in what was called the college's Female School of Design.
Taking this jutting, architectural approach to figuration, the artist's work poses intriguing questions of how humanity recreates its own inherent forms, and the dissonances that occasionally enter the dialogue between subject and object.
Guston's subjects include large heads, hairy legs, clumsy shoes, and all manner of architectural fragments such as walls, doors, and light bulbs reminiscent of 1920s comics, and they often come over as the precursors of «Bad Painting».
In contrast to the compressed energy of the block works, Clearing, a three - dimensional drawing in space is five kilometers of arcing metal rod which turns the Main Gallery into a vast energy chamber contesting the architectural definition of space and making the viewer its subject.
The photographic works of James Casebere explore architectural subjects such as domestic settings, flooded corridors of grand mansions, bare spaces of prison interiors, Moorish and Islamic architecture, ancient water tunnels in Bologna, or the Jewish Ghetto in Venice.
Drawing his subjects from the visible world, Moore remains a painter of our everyday lives, as he continues to incorporate still - life arrangements, urban landscapes, and architectural motifs into his formally constructed compositions.
Continuing her interest in the confrontation between nature and culture, the paintings on view explore the pictorial space, where the physicality of painting and the play with architectural elements, in all senses, become the subject of the picture.The exhibition will be on view from Sunday, September 11 through Sunday, October 16, 2011.
Subjecting architectural materials to transmutations in the studio, Williams uses a range of possible conversions on an industrial scale.
In individual photographs as well as series, Kelm explores a vocabulary of subjects ranging from everyday objects to architectural and landscape photographs to portraits.
These include a myriad of subject matter: architectural, aerial shots; portraits of his family members; people who agreed to work with him for some time, and strangers.
Primarily working with oils and linen, Hanlon continues to work with large scale pieces and creates different palettes and depth of layers to reflect her subjects, which has changed from architectural subjects to large succulent / plants to dairy cow compositions.
He is well known for his figurative work, particularly depictions of the human head, but he has also addressed architectural subjects.
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