Sentences with phrase «of archival»

Self - Interned, 1942 brings together about two dozen works from the Museum's collection, dating from before, during, and after Noguchi's time at Poston, along with a substantial selection of archival documents.

The exhibition featured five built projects and proposals dating from 1984 — 1994 in a display which included new representations of the projects through both drawing and models, and photographs of archival material.

In 2016, under the auspices of his publishing and merchandise imprint, Arcangel Surfware, he self - published a compilation of archival zines in the form of a paperback, titled The Source Digest.

Now, following six years of archival research by Dada scholar Adrian Sudhalter, many of those fragments of the never - realized whole have been assembled for the exhibition «Dadaglobe Reconstructed,» on view at the Museum of Modern Art in New York.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.

It's a study on pre-9 / 11 terrorism, composed of archival footage material — interspersing reportage shots, clips from science fiction films, found footage, home video and reconstituted scenes.

Geometry of Knowing Part 4 synthesizes materials from a selection of archival sources and works submitted through an open call.

Another key feature of his work is the inclusion of archival material.

The 4D film - based experience explores the conflicting and overlapping belief systems implicit within his grandfather's engagement with the debunking of paranormal activity, The broader reach of the archival material is presented in a 600 - page, fully illustrated publication that makes the archive available to the public for the first time.

I started to work with Jim in 2002 on his first «O - ist» show at the Swiss Institute in New York, which included thousands of archival documents and a story revolving around religious orders and fictional characters.

Using black and white to symbolize this juncture in reality, Solomon presents his observations through symbolism and use of archival material, which provides personal and political narratives beyond his locale.

The range of archival material is expansive, including spoken word, field recordings, electronic noise, and soundscapes, among others.

«Reunion» will span six decades of Richard Smith's artistic practice, including drawings, paintings, collages and prints alongside a series of archival books, photographs and interviews.

Macuga's practice is located at the intersection of two strands that have done much to define the landscape of contemporary art in the last decade: on the one hand, an increasing interest in research — specifically of the archival, historical kind — and on the other, a growing concern with strategies of display and the blurring of boundaries between art making and curating.

Placed alongside the museum's curated display of archival artifacts, two vitrines each contain a fragmented body formed through the careful selection and placement of items both artificial (like a pair of underwear) and natural (nail clippings, a severed foot) sourced from both Milner's and Warhol's own archives.

His work explores ways that private and public spaces are used to promote and sustain injustice, often taking the form of archival research, writing, public programming, participatory workshops, ephemeral interventions, and performances within the built environment.

We have a lot of her archival material.

The Delaware Art Museum holds the largest collection of work by the American artist and illustrator John Sloan, as well as a rich trove of archival materials.

The Museum's permanent collection contains more than 2,600 works of art by Sloan, and the Museum's Helen Farr Sloan Library and Archives houses more than 300 boxes and drawers of archival material related to the artist.

Scholar and curator Daniel Garza - Usabiaga continues his discussion of archival practice in Mexico City, examining the implications of Jill Magid's «The Proposal» that have remained beyond the scope of public discussion.

Tacita Dean, a pioneer of the archival mode, photographed the dilapidated remains of the trimaran Teignmouth Electron, in which amateur seaman Donald Crowhurst made his fatal effort to sail around the globe.

With a wealth of archival images and full - color plates, this publication constitutes an important step in scholarship on this groundbreaking artist and his oeuvre.

Effectively editing seemingly incompatible sequences of archival footage with the poetics of art history, Factory Complex and Reincarnation are both focused on female experience, each work presenting historical information not usually discussed in the West.

Today, the foundation, which was founded by William S. Arnett, holds the largest and foremost collection of works of contemporary African - American artists from the southern United States, encompassing over 1,200 works by more than 160 artists as well as a collection of archival photographs, videos and documents relating to artists in the collection.

The grouping of this work with James Beckett's roboticized library of standard Modernist architectural forms, and Sammy Baloji's use of archival photographs to demonstrate the use of mapping as a tool for segregation in urban planning, is poignant.

It seems to have collaborated and mingled with all the right schools of artists, and the myth of its long career has culminated in this moment: the unveiling of an archival retrospective, showcasing the most important remnants from its early foundations.

These modern - day plein - air sketches have an astonishing painterly feel, even though Colombo does not use a brush and his final output is not on canvas but in the form of an archival pigment print.

A vitrine of archival materials as well as a catalogue with selected images and an introductory essay by Paul Galvez will further document DeFeo's highly individualized response to our increasingly instrumentalized world.

This editing questions the veracity of archival imagery while reflecting the artificial nature and alternate realities present in stage and set design.

Breathing new life into Emily Carr's legendary fascination with the Pacific Northwest through the display of archival materials, paintings and artifacts, the AGO presents From the Forest to the Sea: Emily Carr in British Columbia in spring 2015.

Series of archival pigment print images, 30» x 20» framed (Installation view) Photography Courtesy of Haik Studio.

They range from postwar experiments with darkroom processes (such as photograms and photomontages), to 1970s feminist performances conceived for the camera, to political and documentary engagements with labor history and globalization in the 1980s and 1990s, to forms of archival and historical reconstitution made since 2000.

The exhibition also focuses due attention on his efforts outside of the studio, offering a glimpse at some of the archival relics of his charitable work, exemplified by the non-profit Rauschenberg Foundation.

Notably, they are presented as artists and teachers through the inclusion of their individual works as well as the inclusion of archival classroom photos.

Also included is an abundance of archival documents and photographs, installation views of all 2002 shows, as well as the artist's diagrams and drawings.

(L) Series of archival pigment print images 20» x 30», (R) Oil on canvas, 30» x 40» Photography Courtesy of Haik Studio.

With a combination of archival footage, shots of paintings, and memories of those who knew him, this personal documentary explores Armenian Surrealist and Abstract Expressionist Arshile Gorky's legacy.

«It's the first ever exhibition of his archival materials,» explains Nicole Will, independent curator of the exhibit.

Apart from enamel on canvas paintings the exhibit will feature a selection of archival documents related to the series, including an original 1960s Ducolux paint sample card that inspired the artworks.

Told entirely through a largely - unseen trove of archival footage, the film captures the pageantry, pathos, and charisma that followed the 40th President from Hollywood to the nation's capital.

W Acrylic paint on top of archival pigment print 2017 One of a kind Framed This piece is part of the Hunter & Gatti series titled «N...

«In this age of social media, the exhibition will illustrate the interconnectedness of archival collections» said Liza Kirwin, acting director of the Archives of American Art.

W Acrylic paint on top of archival pigment print 2017 One of a kind Framed This piece is part of the Hunter & Gatti...

They vary from an attempt at reconstruction (When Attitudes Become Form, Venice, 2013), which entails the impossible endeavor of providing the viewer with an authentic experience in the form of an archival documentation exhibition with the aim of updating our (own) past (Recollections), to a much more multifaceted or «corrected» image of the original, such as Jens Hoffman's Other Primary Structures, which also included sculptures by artists working in the 1960s in Asia, Latin America, the Middle East, Eastern Europe, and Africa, and which reexamined the exhibition of 1966 from a global point of view.

Note: Session 3 of Archival Resistance will feature two participatory performances: I Never Ask For It by Blank Noise Action Heroes and ID Shop by Sue Jeong Ka.

W Acrylic paint on top of archival pigment print 2017 One of a kind Framed This piece is part of the Hunter & Ga...

W Acrylic paint on top of archival pigment print 2017 One of a kind Framed This piece is part of the Hunter & Gatti series title...

This is not because of the combination of archival materials with art but is instead the result of certain artworks falling short of the vibrant appeal of others, or appearing only tangentially related to the exhibition's central themes.

Their film Handsworth Songs (1986), which marks its 30th anniversary next year, explored the 1985 riots in Birmingham and London through a charged combination of archival material.

The exhibition also includes a video compilation of archival footage from The Estate of Jason Rhoades, including materials being released for the first time.