The Future Generation Art Prize@Venice 2013 offers a rich scope
of artistic positions, mapping and discovering groundbreaking and future tendencies of a new generation of artists.
The exhibition curated by Anka Ziefer presents a selection
of artistic positions from the Hildebrand collection, which explore individual and collective memory or reflect on the interrelations between remembered places, the human mind and emotional states.
The first stage of the «Morality» project includes a diverse range
of artistic positions, a website and a blog, as well as concentrated fringe events and educational programmes.
The show sheds light on the question of a possible conclusion of an oeuvre — with a sharply focused selection
of artistic positions from the late 19th century through to the present.
The artists who have created projects for the Kunsthalle Zürich over the years of its existence represent an impressive group
of artistic positions, and their works have made a substantial contribution to decisive moments and events in the history of contemporary art.
On the other hand, however, the dialogue - oriented confrontation allows for the direct comparison
of artistic positions and their varying artistic and biographical prerequisites, thereby clearly indicating artistic production in Germany as a stimulating cooperation and interaction of identity and «alterity».
The exhibition presents a selection
of artistic positions from the Hildebrand collection, which explore individual and collective memory or reflect on the interrelations between remembered places, the human mind and emotional states.
Both exhibitions subscribe to a broadened conceptually - geared view of drawing: drawing is not understood as a secondary medium to the work of the artists a mere preparatory sketch, but as hierarchically equal and autonomous media within which the conceptual and creative basis
of an artistic position is articulated.
Not exact matches
It seems that only secular philologists are in a
position to see the literary and
artistic value
of these prayer formularies, which are certainly among the oldest constituent elements
of the liturgical heritage.»
Whitehead explodes the boundaries
of philosophy and denies it a privileged
position over
artistic and imaginative enterprises.
MILAN, Italy — Last Wednesday, when Alessandro Sartori started his new
position in Milan as
artistic director
of the Ermenegildo Zegna Group, it was more sentimental homecoming than first day on the job.
Position away, O ye spinners: The good news for all who are not awards voters is that this newer, shorter World — shorter, anyway, in the category
of languid movies over two hours — is that it communicates Malick's luminous
artistic vision
of innocence and loss, wildness and order, risks taken and chances lost, with more clarity than his first cut.
Battling it out with Winter Sleep in an almost tied
position of second and third spot is Andrey Zvyagintsev's
artistic magnum opus Leviathan.
The star
of American Beauty and The Usual Suspects told London Tonight he loved his role as
artistic director
of London's Old Vic theatre, a
position he has held since -LSB-...]
Rauschenberg describes in his quotes his search for a fitting
position in American painting, moreover he presents an impression
of his
artistic life with art - mates Jasper Johns, Cunningham and composer John Cage.
Felix is about to stage a brand new production
of The Tempest, starring himself as Prospero, when he is unceremoniously ousted from his
position as
artistic director at the Makeshiweg Theatre Festival.
- Xudong Zhang, author
of The Four Books «Liu Zhenyun's work enjoys a unique
position within the Chinese world, in that not only does he have many, many fans, his works have a distinctive
artistic quality that has fascinated and entranced scholars for decades.
- The hotel Rubens boasts an enviable
position in the historic centre
of Catania, fabulous city providing a wide
artistic patrimony, testifying the glorious past
of the city.
Considering Moss»
artistic relationship with Mondrian is a way
of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part
of a bigger and very necessary exchange artists are making now with modernist
positions that are far from redundant.
Language is an important part
of Verbicky's
artistic practice as well, with the
positioning of the letters, symbols, and phrases taking on new life as well, transforming the disparate elements into a continuous story.
In addition to her prolific
artistic practice, she holds the
position of Professor
of Contemporary Art at the University
of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures
of the Black Arts Movement and participating in numerous conferences on art
of the diasporas.
Clayton Campbell (Curator) is an artist and arts organizer who has been with 18th Street Arts Center since 1995 and currently holds the
position of Artistic Director.
He
positions his
artistic practice as a tool for reflection on local realities in crisis, as the contemporary place for critical reflection and creation, and between the edges
of progress and dystopia.
Art critic, Midori Matsui has contributed her essay titled «The Presence
of Things, the
Position of People: The Interdependence
of Mind and Matter in Kishio Suga's
Artistic Practice» to this exhibition catalogue.
Their
artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has
positioned them among the most compelling and literate interpreters
of our contemporary post-communist condition, which extends far beyond their native Romania.
Bogin's pictures combine
artistic positions that had hitherto not been brought together, like those
of Donald Judd and Andy Warhol, thus creating a kind
of painting that could be called «Minimal Pop.»
This subtext, imagined or otherwise, added personal resonance to ostensible concerns with notions
of «home» and territory, and expectations to speak
of or from a singular yet conflated
position of artistic and cultural authenticity.
Moore's self - identification (petit or «tit in local parlance) with the mercurial Rockmore as a kind
of spiritual protégé
positions her within both local history and
artistic traditions.
It showcases a variety
of artistic practices and
positions, brought together in a Read More»
POSITION OVERVIEW: 18th Street Arts Center is accepting applications for Program interns to work under the supervision
of the
Artistic Director.
Susanna Hertrich's
artistic practice occupies a privileged
position as both interpreter and active participant in the otherwise largely inaccessible world
of scientific research.
Her
artistic practice and pedagogical bent — she is an esteemed professor
of painting at the School
of the Art Institute
of Chicago, a
position from which she weilds considerable influence in the city's art scene — has shaped her presentation on the fourth floor
of the Whitney, which she has organized as a sort
of visual curriculum on various
artistic processes and approaches to materials.
Hiwa K often distances himself from the standard
position of the artist, instead appearing in his works as an interviewer, guide, bandleader, or political organizer; many
of his
artistic projects take shape through self - education, informal collaborations, and exploratory trials.
In addition to a wide range
of outstanding
artistic positions, the fair will supply a supporting programme consisting
of artist and curatorial talks, special exhibitions and further events.
Representing no single point
of view, and in some cases presenting productively contradictory
positions, «Trigger» assembles artists for their singular efforts in considering gender's capacity to represent a more general refusal
of stable categorization — a refusal at the heart
of today's most compelling
artistic practices.
nt to continuously reassess the
position of artistic practices within their wider cultural, social and political frameworks.
1982 seeks instead to temporarily disrupt such hierarchies by privileging the coexistence
of distinct and idiosyncratic
artistic positions, through a group
of artworks that have little in common apart from the fact that they were produced in close — chronological — proximity to one another.
SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops
of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0:
positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building
of the City
of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material
Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy
of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows
of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium
of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side
of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany
These programs seek to address the needs
of vulnerable communities, specifically local students,
positioning the museum as not just a place for
artistic displays for casual viewing, but as a responsive vehicle for positive community engagement.
The various currents and
artistic positions of American realism play a part in the development
of American art, which is only partly appreciated by the art world.
Reflecting the broad range
of artistic approaches, the literal
positions taken include a range from precarious to stable, and the kind
of details varies from carefully detailed to highly abstracted and expressive.
The Art
of the Flower
positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through
artistic experimentation in the 19th and early 20th centuries.
Backstage, in this context, refers to a
position that is witness to
artistic transformation, experimentation and subversion; a space off - stage or screen where the demands
of the centre stage do not apply.
Since taking over the
position of artistic director at Dior Homme in 2007, KRIS VAN ASSCHE has taken a consistent approach to men's fashion at a time when the concept
of menswear itself has been under siege.
They offer an impressive survey
of some
of the most important international
artistic positions in the four decades between 1960 and 2000, but at the same time reflect the history
of the Galerie Paul Maenz, whose self - perception as an avant - garde showcase set new standards in West Germany.
It acquired a
position in the field
of artistic practice.
A meeting
of culture agents who share critical
positions regarding the status
of artistic labor, the format
of this encounter intersects the symposium and the crash course, as a physical symposium that re-thinks the social relations traditionally established in those socio - academic circumstances.
DRAF will investigate fresh ways
of supporting art and showcasing
artistic positions.
EIGEN + ART Lab, project space
of Galerie EIGEN + ART, is an innovative field for experimentation
of contemporary
artistic positions.
Curator Branka Benčić elaborates further: «
Artistic positions engage with issues
of (re) presentation, structure and construction
of the work
of art, or the act
of «exhibiting» itself, pointing to tensions between the observer and the observed, exploring spatial relationships and interactions between objects.»