Their timely book explores the specifically female development
of artistic practice since the 1970s, and the impact that various feminist movements have had on the development of contemporary art.
Etching has been an integral part
of his artistic practice since the early 1980s.
The book as object and metaphor has constituted the key material
of his artistic practice since the early 1990s.
Not exact matches
With the rise
of 21st century independent game development this impulse is getting pushed back, however even much
of this work is unable to imagine itself further incorporating an
artistic practice,
since game development is long held to be a drawn out and financially draining process that result in this one shot to make it all back.
Since a few years we see a new development
of artistic practice using the aesthetic
of artistic and experimental animation for interactive works, games and apps.
He returned to his
artistic practice in 2005, and has
since exhibited in several group exhibitions including State
of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum
of Art; Ends
of the Earth: Art
of the Land to 1974 at the Museum
of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part
of the 2014 Whitney Biennial.
High Anxiety: New Acquisitions (30 November 2016 - 25 August 2017) presents selections
of artworks from 32 artists acquired
since 2014, many
of whom explore polarizing social and political concerns through a broad spectrum
of contemporary
artistic practices.
Since the early 1990s, Paweł Althamer (b. 1967 Warsaw, Poland) has established a unique
artistic practice and is admired for his expanded approach to sculptural representation and his experimental models
of social collaboration.
Since then it has been the main focus
of my
artistic practice.
Since the very beginning
of her work until the present, photography has been an important component
of Isa Genzken's
artistic practice.
Astute at locating and engaging the dynamic fountainhead
of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary
of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body
of work that the artist has cultivated
since 1972.
Artists from Robert Rauschenberg to Christopher Wool have fostered skepticism about the role
of the hand - made as an indicator
of artistic genius or authenticity, a doubt that has found an outlet in a wide variety
of paintings and
artistic practices since the 1960s.
Since then, using a wide range
of media including video, sculpture, performance, installation, and works on paper, she has generated an
artistic practice centered around issues
of ritual, race, consumerism, and the politics
of identity.
Although most
of Tuttle's prolific
artistic output
since the beginning
of his career in the 1960s has taken the form
of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature
of his
practice.
Since the beginning
of her career, Laval has alternated agency and magazine commissions and publications (Here is New York 2002) with an
artistic practice, wherein she combines portraiture
of personalities from the cultural world with images
of geographical locations (France, Norway, Portugal, Cuba) and visual narratives.
PROGRAM Monday, April 25, 2016 2 PM: Reception at the BAI 3 — 6 PM: «Medium in Permanent Flux» Introduction to the history
of recent drawing by Jan - Philipp Fruehsorge M.A. «
Since the 1960s until most recently drawing, unlike any other
artistic medium, has been continuosly undergoing a transformation process which led to a radically new view and defintion
of its functions and
practices.
Since the late 1960s, Adrian Piper has forged a unique
artistic practice that infused classical Minimal sculptural form with explicit political content and introduced issues
of race, gender and identity politics into the vocabulary
of Conceptual art.
BB:
Since reading Suzi Gablik's The Re-Enchantment
of Art in the early 90's I have grappled with how to meld the challenges she put forth with a sustained
artistic practice.
Deaf
since the age
of ten, Joseph Grigely has dedicated his fifteen - year
artistic practice to researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.
The history
of performance art as a manifestation
of radical shifts in social thought and
artistic practice is well documented in publications like Performance: Live Art
Since 1960 (1998) by Roselee Goldberg, and her seminal book from 1979, Performance: Live Art 1909 to the Present.
Ironically, given the rich history
of performance and its prevalence in black
artistic practices since the 1960s, this tradition has largely gone unexamined save for a handful
of publications including the exhibition catalogue Art as a Verb (1988) by Leslie King Hammond and Lowery Stokes Sims.
Cronin first gained recognition in the 1990s for a series
of performance - based photographs and watercolors depicting the artist in the act
of love making with her partner, and
since then, she has continued to develop a sophisticated and dynamic
artistic practice.
Since 2011, The Pew Center for Arts & Heritage has provided recent Pew Fellows with opportunities to take sojourns outside
of the Philadelphia area, for residencies intended to push their
artistic practice and expand their horizons.
Since the beginning
of his career, Chan has combined his
artistic practice with political activism and writing.
Won Ju Lim Schliemann's Troy (detail) 2001 On View July 19 — October 4, 2009
Since the mid-1990s, sculpture has developed as a particularly vital and inventive area
of artistic practice in Los Angeles.
Since the 1960s, Alabama - born Whitten has devoted his
artistic practice to the potential
of painting, transforming material into process, and breaking ground with the plastic and sculptural possibilities
of abstraction.
Since founding the LES Studio Program, we have helped foster the
practice of dozens
of artists who have proceeded to establish successful
artistic careers, most notably Martin Basher, Sonia Blesofsky, Amy Chan, Blane De St. Croix, Mike Estabrook, Chitra Ganesh, Jeffrey Gibson, Kent Henricksen, Olek, Rune Olsen, and Mary Ting.
The history
of performance art as a manifestation
of radical shifts in social thought and
artistic practice is well documented in publications like Out
of Actions: Between Performance and the Object 1949 - 1979 by Paul Schimmel, Greenwich Village 1963: Avant - Garde Performance and the Effervescent Body by Sally Banes, as well as Performance: Live Art
Since 1960 (1998) by RoseLee Goldberg and her seminal book from 1979, Performance: Live Art 1909 to the Present.
Since more than 170 years the VBK offers an open space for communication and presentations in a variety
of artistic practice.
[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual photographic work that the artist has been consistently producing
since 1978 and that has been
of major relevance in his multidisciplinary
artistic practice which includes sculpture, works on paper, photographs, films and books.
Since his first trip to India in the 1970s, Francesco Clemente immersed himself in the country's rich cultures as well as the everyday life and
artistic practices of local people.
Episode Two, 2012
Since the rise
of appropriation in American art
of the 1980s, the strategy has become so commonplace as to evade continued examination as a unique vein
of artistic practice.
This is what I've been trying to say
since the beginning
of my
artistic practice 30 years ago.
Lecture by peer to space's director Tina Sauerländer
Since the launch
of HTC Vive, Oculus Rift or Google Cardboard, Virtual Reality (VR) is widely used in
artistic practice.
Since opening its doors it has been home to exhibitions exploring pioneering movements across a broad spectrum
of contemporary
artistic practice — including Minimalism, Spatialism, Conceptualism and Arte Povera — that continue to inform the gallery's aesthetic today.
Representing a generation
of artists active
since the late 1990s, Body Talk foregrounds six African women artists whose
artistic practice is concerned with past and current iconography
of social protest and resistance.
This exhibition entitled The Housebreaker proposes a discovery
of the plurality
of artistic practices taking place on the French scene
since the year 2000.
Syria: faith in art», a collective exhibition featuring artworks by contemporary Syrian artists encompassing a range
of artistic practices and writing that has been produced
since the onset
of the Syrian Revolution in 2011.
A wide selection
of work proves how that primeval instinct — which leads to the representation
of the human being, transferring its features on a pliant, durable, tridimensional medium — is still surprisingly up - to - date and well - present in
artistic practice nowadays; here and
since the dawn
of time, we can see the attempt to embed an inert material with rituals, memories but also events from real life, with the aim
of consigning it — potentially — to eternity.
Since its inception in 2008, the centre has addressed the antinomies
of artistic production and structural development in Africa, while resisting institutionalised cultural schemes that often dampen the political convictions
of artistic practice.
The exhibition dedicated to Plamen Dejanoff is part
of the research program titled Criticism that MAMbo has conducted
since 2006: a reflection on, and an investigation
of,
artistic practices and the role
of contemporary museums.
Since Carolyn is closely involved in working with artists, she has a grasp on the larger historical understanding
of artistic practice from different places.
Since the 1980s, Koether has engaged in an intimate «battle» against painterly tradition, developing a defiant
artistic practice able to sketch out a counterhistory
of the modernist, male - dominated and heteronormative canon.
The reference to mythology as a source
of inspiration; using abstract composition as a way to evoke literary and lyrical stories; the control
of the design so as to achieve a delicate balance between the freshness
of gestural strokes and the clearness
of drawing; the reference to the tradition
of art history as an endless process
of acknowledgment
of the meaning
of artistic practice; the attention paid to the sign itself as a multi-linguistic mark
of the artist's expression; these are all constant features
of Twombly's work, and have been
since the very beginning
of his career in the late 1940s.
Since 2008, LMCC has presented a suite
of free workshops and intensive seminars on timely issues in the areas
of business proficiency,
artistic practice, and community engagement.
I wonder how you think about these recent political events,
since they seem to relate to the longstanding engagements
of your
artistic practice in a variety
of ways.
Today we are experiencing a renaissance in this mode
of artistic expression, due, in large part, to the National College
of Arts in Lahore, Pakistan (NCA), which
since the 1980s has taught this traditional
practice of wasli paper - and brush - making techniques, paint mixing, narrative style, and iconography.
Since the late 1980s, the obsessive and visionary
artistic practice of Yuji Agematsu has included daily walks through Manhattan's streets, during which the artist documents and collects the flotsam and jetsam that, though often unnoticed, comprises much
of our urban experience.
An exploration
of the public and private faces
of art institutions — including their educational tools, marketing materials and funding arrangements — has
since become a major element
of Fraser's
artistic practice, which has encompassed live performances, texts, videos and installations.
This is a bit
of a discordant concept,
since these days we've come to understand that anything an artist does is wrapped in the larger context
of their «
artistic practice» and therefore becomes art.