Sentences with phrase «of as an abstract painter»

And, Deana, sometimes I think of myself as an abstract painter, although nobody would ever say that.

Not exact matches

After obtaining a Bachelor of Fine Arts from the University of Georgia, Britt opened up shop as an abstract painter — a talent she discovered with less than a year and a half left at the Lamar Dodd School of Art.
English character actor Timothy Spall plays the painter over the last 25 years of his life as his work began to grow more abstract.
Richly colored acrylic paint - and - paper collages illustrate the life of Vasily Kadinsky, a first painter of abstract art, who as a boy, felt he could hear the colors he painted.
Pennsylvania, United States About Blog Taryn Day's style of painterly realism is inspired by the work of modern painters who combine realism with a strong emphasis on abstract design, such as Richard Diebenkorn, Fairfield Porter, Edwin Dickinson and Edward Hopper.
«In the future, I hope when people talk about me, it's not as an abstract painter, but that I came to abstraction through the study of very concrete objects,» Zhang said.
In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.
Stunned that he had never heard of these artists, Odita began a project to interview abstract painters from the 1970s and 1980s, such as Pindell, Loving, Edward Clark, Frank Bowling, and Stanley Whitney.
As early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raquAs early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raquas 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.»
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric paintinAs a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric paintinas a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.
«In the course of his long life as a painter, Jack Tworkov became an important figure in the maturation of abstract art in America.»
Brooklyn - born painter Walter Price stands out as particularly impressive in this context, with a selection of small skewed and abstracted figure - in - landscape paintings.
Behind the black gate was a world of color, hundreds of abstract works created and hidden away by Mr. Bates, who had a promising start as a painter in the 1970s before renouncing the art world and retreating to his storefront to paint.
The epiphany of this retrospective is that it debunks the myth of Richter as two artists — the abstract painter and the photo - realist.
It features works by abstract and figurative painters and sculptors, as well as pioneers of installation and performance art.
For BOS, Julie has been organizing a community of international as well as American abstract painters and curating their works.
This gives him almost the same freedom as an abstract colour - field painter, or possibly even more, since his colour is largely relieved of its space - making duties by the figuration of his drawing.
As such, «Rower's pours come closer to the abstracting nature photos of Edward Weston than to the works of Pollock or de Kooning, painters who, even when most abstract, always left behind traces of the actions of their hands.»
But in her work, and that of other abstract painters I've mentioned, the issue of whether there is anything already in such paintings, as opposed to what we might «read» into them, is often raised.
Though Flack has become an artist with an impressive career as a representational painter, and later a sculptor of public monuments, her early experiments in abstract painting — like those of Pat Passlof, shown at Elizabeth Harris last year — mirror and impersonate the classic AbEx look.
Contemporary painters like Sean Scully, whose black - stripe paintings from 1975 to 1980 are at LeLong, and John Zurier, whose wispy abstract paintings are at Peter Blum, uphold their medium as a vehicle of timeless poetics.
As a painter, Fairfield Porter forged a distinctly American vision out of two disparate styles: the first — intimate, sensual and representational; and the second — colorful, gestural and abstract.
Schlesinger's background as a painter influences his selection of abstract shapes, patterns, and manipulation of the material's consistency.
It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.
Gene Davis also was a painter known especially for paintings of vertical stripes of color, like Black Grey Beat, 1964, and he also was a member of the group of abstract painters in Washington DC during the 1960s known as the Washington Color School.
There has never been a better year to look at the work of Kazimir Malevich, a pioneer of abstract art often seen as the greatest Russian painter of the twentieth century.
The influence of abstract expressionism on Eggleston, partly through his friendship with the painter Tom Young, is addressed at points throughout the show, and it is important to recognise that perspectival lines, the balance of colour throughout a composition, and the presence of contextual details such as logos and pavements, are as important as the features, dress and celebrity identity of the subjects.
This group of exclusively male artists were often referred to as action painters, a term coined by Modernist art historian Robert Rosenblum, referring to the abstract, gestural painting style.
For generations, artists such as Mark Rothko, Yves Klein and Kazimir Malevich have attempted to locate and convey a certain ethereal quality within a space of visual absence, one that abstract painter Peter Halley defined as a «serenity or radiance».
This conviction is as central to him as his use of paper is to his practice as an abstract painter,» said BMA Director Christopher Bedford.
It took her from being a painter and leading figure in the Brazilian neo-concretist movement, an offshoot of European constructivism, to becoming a maker of abstract sculptures that were as much propositions as fixed objects.
While she describes herself as a painter and has won international recognition for her abstract canvases embroidered with erotic motifs, Ghada Amer is a multimedia artist whose entire body of work is infused with the same ideological and aesthetic concerns.
These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.
Guston achieved fame in the 1950s as a part of the first generation of abstract expressionists, although the painter himself preferred the term New York School.
Looking at painters who came to prominence in the 1960s,»70s and»80s, this book shows how abstract painting has developed in the wake of postwar movements such as Art Informel.
The other version came in March at the Whitney Biennial, as a likeness of Emmett Till in his coffin was included in a series of abstract paintings by the white painter Dana Schutz.
While his work bears similarities to that of American abstract expressionist painters such as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter in painting as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting as the product of an individual and a time.
Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.
One of the standard - bearers of the polarizing, hard - to - categorize group of contemporary painters that includes such artists as Mark Grotjahn, Nicole Eisenmann, Richard Aldrich, Josh Smith and Michael Williams, Joe Bradley (born 1975) is widely known for his bright abstract paintings and glyph - like drawings.
Callum Innes has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group shows worldwide.
Signed LL Theorodos Stamos is heralded as one of the few abstract painters who bridged the New York School's first and second generations.
Whatever else they may or may not have in common with the work of abstract painters and sculptors from elsewhere, the artworks shown here were made to be exhibited as such.
Harold Cohen (1928 — 2016) Harold Cohen, an abstract painter best known as a pioneer of computer - generated art, has died at home in California aged 87.
And yet, this American painter managed to forge his own path and become one of the most famous abstract artists, who stood toe - to - toe with titans such as Jackson Pollock, Willem de Kooning, Mark Rothko, Clyfford Still, and Barnett Newman.
Richter's technical aptitude has led to his reputation as one of the outstanding painters of our era and Abstraktes Bild, which lays testament to his relentless technical explorations in the field of abstract art and to the painterly and intellectual elasticity unique in his work, is estimated at # 500,000 - 700,000.
Painter Arshile Gorky, who committed suicide in 1947, is described as the last of the surrealists and first of the abstract expressionists.
Jack Bush started off as an illustrator but fostered his love of abstract art in his spare time, playing a role in the Toronto - based abstract expressionist group Painters Eleven (1953 — 60) and winning the attention of Clement Greenberg in 1957.
As part of Joan Mitchell Foundation's ongoing collaboration with Voices of Contemporary Art (VoCA), please join us on Thursday, October 12, when abstract painter and Yaqui Indian Mario Martinez will sit down with Steven O'Banion, Director of Conservation at Glenstone, to discuss his life, work, and personal philosophy.
Visiting abstract painter Mike Elsass in his Front Street studio By Bill Franz Photo: Mike Elsass» signature rusted steel paintings hold as many as 40 layers of paint; photos: Bill Franz Mike Elsass may be Dayton's most colorful artist, and he works in what is definitely Dayton's most colorful studio.
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