«Munger Road» does an efficient, skillful job
of audience manipulation using the techniques of darkness and vulnerability, and the truth that a horror not seen is almost always scarier than one you can see.
Transsiberian is a model
of audience manipulation, a slow - fuse thriller that builds its suspense gradually, in increments, until it has becomes close to unbearable.
Not exact matches
Like stage magicians, such economists distract their
audience's attention from the topic at hand in this case, the tendency for privatizations to turn control over to financial managers and foreign owners to somewhere that they can distract the
audience's attention from the «invisible hand»
of corruption and political
manipulation.
It's not a form
of manipulation or deceit because the primary goal is writing good content for the publisher's
audience.
Fearing a drift into oppressive «technocracy,» Houston pleaded with his
audience to «far more seriously turn our minds, our scholarship, our practical concerns, to know how future man can be defended against the impersonal forces, the
manipulations and other pressures
of the complexities
of life in these closing decades
of the twentieth century.»
As C. W. Anderson observes, content farms are engaged in the attraction and
manipulation of a «quantified
audience,» a strategy that marks a nebulous border space between more reputable and legitimate media production and spam as such.
There is no mystery here - the
audience is cleanly and surgically manipulated (completely in the opposite way as in Life
of Pi - where the emotional
manipulation was in fact necessary to achieve the point
of the film), and the purpose was merely to show the viewer how easy this is.
Alfred Hitchcock's 1960 masterpiece blends a brutal
manipulation of audience identification and an incredibly dense, allusive visual style to create the most morally unsettling film ever made.
(Hitchcock also liked to say he played the
audience like an organ; «Man Push Cart» is no less masterful, but its method and effects are not the bravura
manipulations of Hitchcock but the subtle, underplayed shadings
of Bresson or Yasujiro Ozu.)
This commercial strategy, geared toward adolescents
of all ages, resembles the Democratic party's political
manipulation of black Americans, targeting that
audience through its insecurities about heritage, social prestige, and empowerment.
Though rarely, Fletcher at times can reveal a softer side, but through these inviting glimpses, our eyes can only make out the tactics and tricks that add to a greater vocabulary
of manipulation, leaving
audiences as tormented as his students.
So is that then also being emotionally manipulative, isn't any film trying to elicit any strong reaction out
of an
audience — whether it be scares, laughs, or tears — technically guilty
of manipulation?
As one
of the most influential, popular, successful and important filmmakers
of the past 40 years, Steven Spielberg has specialised in having
audiences willingly submit to his masterful emotional
manipulation.
Yet Jury does offer older teens and mature
audiences opportunities to address many questions about our legal system and the possibility
of one person being able to sway the entire judgment system purely by their talent
of manipulation.
But, more than either
of those things, it ends up being a stupid exercise in illogical
audience manipulation.
Dolarhyde's «art» (the
manipulation of mute
audiences and the ritualistic murder
of women), then, is Harris's extended literary trope shifted to image; look to further references
of the infernal method in Lecktor's messages to the madman and in Graham's evolving grasp
of Dolarhyde's «dream»
of transformation.
The Dark Knight takes the
audience into a dark and malevolent underworld
of corruption and
manipulation that will stain the soul
of even Gotham City's purest, leaving Batman unrecognisable from his foes.
Against the emotional
manipulations of a wounded Union soldier on the right side
of history, Coppola subtly plants land mines for our allegiances are makes the
audience reconcile their unspoken past.
The ostensible plot has Shanté suspecting her boyfriend Keith Fenton (Morris Chestnut)
of cheating, and the remainder
of the film has her outlining to the
audience her allegedly foolproof ten - day plan, which entails lying and all sorts
of psychological
manipulation, to get any man in gear.
You could win with brute force, or you could combine special Star Moves, secret Badge Powers, clever swapping
of support characters and
manipulation of the combat «
audience» to swing the battles over to your side.
Kojima adores playing with
audience expectations, doesn't mind upsetting his fanbase to do so, and has a history
of examining behavioural control and media
manipulation in the internet age (just play MGS 2 again).
By means
of conceptualization, appropriation, image and sound
manipulation, visceral / violent performance and
audience control, he exposes visible and invisible power dynamics embedded in our society.
His work attempts to manipulate an
audience with a simultaneous recognition
of the machinations
of the
manipulation.
Quite ostensibly, the
audience did not have an adequate perception
of the experience, due to the
manipulation of prison circumstances and practices.
The
manipulation of the idea
of archetype and nature in the objects he cre - ates, poses for the
audience something that surpasses normalcy, and therefore alters the expected attitude
of indiffer - ence.