Sentences with phrase «of audio design»

It feels amazing to go from playing Halo 3 multiplayer matches during lunch breaks years ago, to being a part of the audio design team for the brand new Halo multiplayer mode Dominion.

As for the audio the voice acting is generally solid throughout, while the rest of the audio design is fantastic.

It's a simply fantastic example of audio design, with active surrounds that contributed a lot to the presentation.

The strong Hans Zimmer score has a tendency to overpower the film, it screams at you to watch or pay attention to specific moments, while the rest of the audio design sucks you into the world.

Not exact matches

The new device was heralded as a big improvement over the previous version of Dropcam, promising higher resolution video, better night vision, improved audio capabilities, and a sleeker hardware and app design.

Designed for up to six participants in small to midsize meeting rooms and workgroups, C3 Teamroom MP features Yamaha's PJP 300V with triple 120 degree pan cameras, and a built - in array of 16 microphones and 14 loudspeakers for automated track - the - talker audio and camera adjustments.

Advances in AI have led to researchers creating realistic audio and videos of political figures that are designed to look, and talk like real - life counterparts.

Using Cisco's TelePresence technology — an immersive audio visual conferencing system — the partnership is designed to enable the dissemination of scientific knowledge and academic resources throughout the world.

Pros: Affordable price, 1080p video, two - way audio, works without wires, free app, no delays, easy setup, cute design, wide field of view, great app, wireless option

Bergdorf Goodman, for example, enlisted in excess of 100 workers to fashion the design, style, lighting, staging and audio for its holiday windows.

Search for «Pixel Handler» to read or listen to the audio review of the book, «Web Design for ROI».

He's also a big fan of headphones / home audio and random well - designed gadgets.

If they are considering something in electronic media, which is a quickly growing industry for college students, you might want to find something with a wider, clearer screen (for graphic design and production - related majors) or top of the line speakers (if they consider audio production, music, or even broadcast journalism).

Introducing Audio Insights, a series of audio files designed to offer insight into the inner workings of the IHSA.

Designed to play nicely with the typically low - powered factory radios found in most cars, these speakers can take your audio experience to the next level without a lot of effort on your part!

Featuring a pair of 45 mm rare earth drivers that deliver superb sound, the closed ear design results in an audio reproduction that has repeatedly been lauded by critics and users alike.

Called Audetel, (audio described television), it was originally designed to give visually disabled people the chance to enjoy TV by providing an audible des - cription of what is happening on the screen and transmitting it with ordinary TV signals.

Professor King's role was to contribute his methodological expertise to the design of the study and particularly the analysis of the interview transcripts and audio diaries.

More than 3000 hours of audio recording from 81 infants were collected between February 2010 and May 2012 as part of a language study designed to compare differences in language outcomes between late preterm and term infants.

With one large lecture theatre, five seminar rooms, a bistro, a variety of collaborative spaces as well as full audio / visual support and conferencing services, Perimeter is explicitly designed to handle a wide range of scientific programs, while concurrently facilitating ongoing in - house activities.

Considering its potential, a study was undertaken to develop a product design model based on synesthetic evaluations of tactile, audio, scent and taste stimuli, and supported by neuroscience techniques and implicit and explicit evaluations.

The EFT / Meridian Tapping Healing Audios are specifically designed to hold the core vibrational quality of EFT / Meridian Tapping energy.

The Reiki healing Audios are specifically designed to hold the core vibrational quality of Reiki energy.

The Massage Healing Audios are specifically designed to hold the core vibrational quality of a full, one hour massage.

The Meditation Series Audios are designed to awaken specific essential states of being and support you in learning to access those levels of consciousness to live a more vibrant and fulfilling life.

The Rhys Method ® Crystal Bowls Healing Audios are designed to create a peaceful supportive environment in which the energetic body and mind come out of resistance and back into harmony from specific illness and energetic imbalance.

Join us in Digital Anxiety Pill and you'll learn the ABCs of anxiety, 7 short video lessons + 3 audios designed to rewire your brain for long term relief.

Sexy, Juicy, Joyful: Metabolism is a four - part series of audio play dates (also known as webinars) designed to right your hormone levels and double your metabolism through safe, clinically proven practices you can do yourself with my guidance.

This website is designed with easy to use features; that includes creation of audio greetings using cell phones instead of switching computer every time.

With the greatest sound design I have ever heard, the audio track adds a whole other level of tension to this great film.

The mix of fetish wear, brilliantly designed cyber punk technology and super cool actors (both Reeves and Fishburne were catapulted into mega-stardom by this film) makes for an audio visual cocktail that influenced virtually every film that followed.

There are frame rate issues and the lack of diversity among quests is a bit disappointing, but the jaw dropping visuals and superb audio design left me pining for more.

EXTRAS: In addition to an audio commentary by Roy E. Disney and historian John Canemaker, the Signature Collection edition includes new featurettes on the film's iconography and character design, archival recordings of Walt Disney discussing the project, deleted scenes, an alternate sequence and much more.

EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.

The flatness is a selling point because of the film's unique audio design; the disembodied voices sound completely isolated as they should.

Although some might lament the lack of an audio commentary by director Gary Ross and the cast, the ridiculously in - depth making - of featurette «The World is Watching» (which runs just over two hours long) more than makes up for it, covering an array of topics like adapting the script, casting, production and costume design, stunts, special effects and more.

EXTRAS: There's an audio commentary by director / co-writer Mike Flanagan, seven deleted scenes and a trio of featurettes on making the film, production design and actress Lulu Wilson.

The single disc DVD version is presented in widescreen with the following bonus features: an audio commentary with director Andrew Stanton, deleted scenes, featurettes (Animation Sound Design and WALL - E's Tour of the Universe) and two animated shorts (Presto and BURN - E).

- Mixing & Mastering - Stereo & Stem track mixing - Clean up of vocal or instrument tracks - Noise reduction - Post production for TV / film / YouTube - Voice overs, Ad bumpers & Podcast Intros - Sound design - Video game audio

These include an audio commentary with director Andrew Stanton, deleted scenes, featurettes (Animation Sound Design: WALL - E's Tour of the Universe, The Pixar Story by Leslie Iwerks, - BnL Short, Wall - E's Treasures and Trinkets, Lots of Bots Storybook and Bot Files) and animated shorts (Presto and BURN - E).

EXTRAS: In addition to an audio commentary by co-directors Pete Docter and Ronnie del Carmen and producer Jonas Rivera, there's a behind - the - scenes look at the movie's evolution, featurettes on sound design, film editing and creating the emotions and the inside of Riley's mind, as well some deleted scenes, the short film «Lava» and an all - new short titled «Riley's First Date?»

The 5.1 DTS - HD master audio mix is more remarkable, a delicious piece of sound design that uses all the channels to striking effect.

The audio portion is just as good and the 7.1 DTS - HD lossless soundtrack highlights the density of the sound design.

In an illustrated audio interview on release of Ang Lee's chilly tale of suburban dysfunction, Friedberg goes into fascinating detail about the decisions that went into the film's meticulous design, from the interiors of the homes to how they achieved all that ice (hint: there was a lot of hair gel on set).

I'm two speakers short of enjoying the disc's 7.1 DTS - HD master audio to its full extent, but even so, the soundtrack proved to be an agreeable powerhouse, loaded with creative sound design and inspired directionality.

New to this disc is the four - minute «In Walt's Words: Snow White and the Seven Dwarfs,» an audio - only interview with Walt Disney discussing the film set to an image track, the seven - minute featurette «Iconography» that explores the film's influences on popular culture, art, and fashion, «@DisneyAnimation: Designing Disney's First Princess» with four contemporary animators discussing the design of Snow White, and an «Alternate Sequence: The Prince Meets Snow White,» plus the breezy promo - style pieces «The Fairest Facts of Them All: 7 Facts You May Now Know About Snow White» with Disney Channel star Sofia Carson and the rap retelling «Snow White in Seventy Seconds.»

It will provide insight into the audio design process of these fictional creatures; creating audio to realize a high level of variety, nuance and functionality, while keeping the process manageable and scalable for the breadth of the machine lineup.

Ruzowitzky uses camera angles designed to force audience identification with the prisoners, and one scene late in the film follows suit with subjective audio effects — a very flat soundmix, with muffled dialogue — to put you inside Sol's head, his senses going dull after he witnesses the death of another inmate.

Much like the rest of the game, it's so simple and perfectly integrated that you almost don't notice it which is a prime example of why this game so greatly designed in every aspect, especially in the audio department.

With absolutely no audio commentaries to be found, the biggest highlight of the set is the 25 - minute «Masters of Design» — a series of production featurettes that cover the creation of props like Sao Feng's map and the Pirate Code book, the Singapore set, and Keith Richard's costume.