Sentences with phrase «of audio effects»

The rest of the audio effects have been reworked to provide more dynamic range and add more weight to the sounds of explosions and gunfire, with the satisfying click of your weapon reloading even being filtered through the Dualshock 4 controller, which is a nice touch.

Apple also includes a new set of audio effects.

Scenes allude to the band's gloomy inclinations, bass - driven melodies and innovative use of audio effects (one band member uses an aerosol spray can to form a beat), but the story of Joy Division is an afterthought in the movie, replaced instead by a much more routine study of depression and the effects of sudden success and touring on a marriage.

Not exact matches

And in another live - demo, Shanghai - based video game startup Directive Games showed an AR game in which the sound effects generated by digital imagery get louder or quieter depending on where people move in the physical world, underscoring the importance of precise audio in augmented reality.

Over the past 24 months, we have pored over tons of medical research and studies about the effects of breathing, audio, and affection on stress - related insomnia.

Audio from the original trailer was re-purposed to give a 3D audio effect on top of the existing trailer, creating an immersive experience.

BEAM SUNTORY also assumes no responsibility, and shall not be liable for any such damages caused by viruses or other forms of contamination or destructive features that may effect your computer equipment, software, data or other property on account of your access to, use of, or browsing in the Site or your downloading of any materials, text, images, video or audio from the Site or any linked sites.

(2) The audio - visual effects of the lights feature are great, but seem to be overwhelming to the baby (and adults as well) with too many lights flickering on and off at the same time and over stimulating the baby.

But here's the internet effect — yes, a published transcript is one thing, but listening to the actual audio is more powerful and ultimately more effective (I love how Scott just plows ahead in the face of «Koch's» constant and often obscenity - laced interjections).

e.politics has been fascinated by the effects of portable video and audio recording on politics from the beginnings of the site in the Antediluvian days of 2006, and I'm damn jealous that Dan thought of that one before I did.

In the audio which is in the public domain, ACP Addo Danquah is heard, allegedly, informing the complainant, A-Plus, to withdraw the obviously damning aspects of his allegations he made against the two deputy Chiefs of Staff, Mr. Abu Jinapor and Asenso Boakye in order to limit the effects of the outcome of the investigations referred to her outfit since they are «all from the same stock».

And in a famous illusion called the McGurk Effect, videos of lip cues dubbed with mismatched audio cause people to hear the wrong sound.

Redundancy reduction within the system allows them to cut down the effects of background noise in any given audio recording and so improve accuracy still further.

I highly suggest you pick up some of Gary Taubes audio books, it goes through study by study with full pull on the effects and there are many studies over the past few decades.

With a solid graphics engine and some decent audio effects to boot, there's no doubting that Archer Maclean's Mercury offers an engrossing, absorbing PSP gaming experience that offers the sort of longevity most titles can only dream of — even if you do run the risk of losing handfuls of hair each time you play it.

It's outstanding, and that doesn't even begin to mention the blast of depth charges and battle audio effects later in the film.

Most of the audio for the sound effects were done by voice instead of sound generation.

The audio deserves equal recognition as the score and bone - shattering sound effects keep the viewer enraptured amidst all the derring - do of this adventurous romp.

Shirley Jackson's classic 1959 novel The Haunting of Hill House gets the full effects - laden, end - of - the - century treatment from action director De Bont (Speed, Twister), which essentially means more computer - generated phantasms and a much, much louder audio track than Robert Wise's superlative 1963 version.

The audio department of Pokémon Sun is as cheery and colourful of the graphics with its catchy tunes and fun sound effects that help get you immersed into this wonderful gaming world.

EXTRAS: In addition to an audio commentary by director Travis Knight, there's a series of featurettes on making the film (from animating the monsters and water effects to composing the score), a closer look at the Japanese inspiration for the story and more.

These include an audio commentary by Julie Andrews, Dick Van Dyke, Karen Dotrice and Richard Sherman, a making - of featurette, Pop - Up Fun Facts, a look at the film's special effects, footage from Mary Poppins» Gala Premiere, Dick Van Dyke's make - up test and the original theatrical trailers.

The voice acting and sound effects of the game are where the audio shines.

The 5.1 DTS - HD master audio soundtrack is surprisingly robust, getting your attention with crisp recordings of proper weight and fittingly mixed and distributed effects and music.

Big on special effects, though small on bonus features, the disc offers you a behind the scenes look at the creation of the film's «incredible action sequences and spectacular stunts,» plus an audio commentary by Director Michael Bay.

Likewise, the 5.1 DTS - HD master audio leaves nothing to be desired, distributing strong sound effects, evenly - distributed elements, and a good amount of atmosphere.

As for the audio, while the DC's 5.1 DTS - HD MA track sounds deceptively tamer than the TC's lossy 5.1 DTS option, after some level - matching the DC comes out on top again; only with the DC does the voice of Darkness come close to reverberating with that basso profundo effect you'd expect.

EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.

The DTS offers a superbly immersive audio environment, with excellent use of directional effects laid on top of a crisp, clear, and rich overall soundtrack.

Although some might lament the lack of an audio commentary by director Gary Ross and the cast, the ridiculously in - depth making - of featurette «The World is Watching» (which runs just over two hours long) more than makes up for it, covering an array of topics like adapting the script, casting, production and costume design, stunts, special effects and more.

Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..

Blu - ray extras on Demon Knight include audio commentary by Dickerson; separate audio commentary by various special effects personnel; a making - of featurette; a panel discussion with Dickerson and Miller; and the theatrical trailer.

Mix tracks, experiment with audio effects, and stream live to your friends over the PlayStation Network by using 4 am's unique Virtual Audio Canvas to control your composition with the PlayStation Move's full range of motion.

The music is generic and forgettable, too, but the main problem with the audio is the lack of effects.

With three different audio commentaries leading the pack, the disc also includes a backseat interview with stars John Cho and Kal Penn, a sound effects featurette entitled «The Art of the Fart,» eight short interviews with supporting cast members, a short featurette on the making of the CG - based Land of Burgers, eight deleted scenes and the film's theatrical trailer.

When it comes to audio, the lighthearted orchestral music and delightful sound effects as letters pop onscreen and monsters collapse add a great deal of enjoyment to the overall experience.

When it comes to audio, a pleasant mix of tribal rhythms and cartoon sound effects blend seamlessly together while always matching the onscreen action.

EXTRAS: In addition to cast and crew audio commentaries on four episodes, the Blu - ray set includes «Inside «The Walking Dead»» and «The Making of «The Walking Dead»» featurettes for each episode, some deleted scenes and additional featurettes on the parallels between the comic book and TV series, visual effects and more.

«One of the final stages of the process was having a print of the film prepared with the music stripped out for the live mix; the mix in the rehearsals and concert being a constant conversation between the on - stage performances, the film's audio and the room's acoustics, requiring a huge amount of skill and awareness of the moments where a particular element (be it the music, dialogue or sound effects) needs to come to the fore, or be shaded off to make way for another layer.

The 5.1 DTS - HD master audio mix is more remarkable, a delicious piece of sound design that uses all the channels to striking effect.

On the other hand, the audio is fantastic with gratifying sound effects and a diverse soundtrack that consists of a lot of catchy tunes and appropriate dramatic orchestral pieces that suit the hectic action.

Full of good songs and some artillery effects, the 5.1 DTS - HD master audio soundtrack is lively and commendable.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerof Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallerOf Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

As well, you can take a peek at composer Harold Arlen's home movies, outtakes and deleted scenes, special effects sequences, the 1938 MGM short From the Vault: Another Romance of Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners, audio vault, the radio promo Leo Is on the Air, the 1939 radio show Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.

The audio consists of satisfying effects and music that perfectly suits the hectic onscreen action.

The accompanying DD 5.1 audio is a predictable blitzkrieg of discrete effects; it's a soundtrack sure to impress but also one with a slightly - undercooked centre channel and slightly overcooked surround channels.

Featuring both 2.0 and 5.1 Dolby Digital audio mixes, the latter demonstrates a nice depth of field, including some excellent rear - channel effects and a throaty rumble from the subwoofer.

The 5.1 DTS - HD master audio is also lively, dealing out a good deal of atmosphere and directional effects with good levels and perfect clarity.

Blu - ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame - Smith, the disc also includes a collection of production featurettes (ranging from a basic making - of documentary, to more specific departments like make - up effects and fight choreography) that fans of the movie will definitely want to check out.

Ruzowitzky uses camera angles designed to force audience identification with the prisoners, and one scene late in the film follows suit with subjective audio effects — a very flat soundmix, with muffled dialogue — to put you inside Sol's head, his senses going dull after he witnesses the death of another inmate.