Sentences with phrase «of audio production»

Assist Audio Engineers and Audio Designers with assembly of audio production.

In short, an audio producer handles the working procedures of all stages of audio production.

Players increasingly expect more from games and the quality of audio production is no different.

A prolific Lynda.com author, Brian shares real world industry experience and craft via engaging online training titles on a variety of audio production topics.

We offer a full range of audio production services and can handle the most complex productions.

We are an experienced team of audio production and voiceover specialists with a focus on creating high quality audio for the eLearning industry.

Resources to support the exploration of audio production - week 3 - microphones.

Resources to support the exploration of audio production.

Not exact matches

We see a spike in new podcasts every now and then in part because entrepreneurs and small businesses want to market themselves and they see audio podcasting as an inexpensive, easy - to - learn cousin of video production.

I was able to practice as a professional writer, producer of film, video and audio - visual productions and as a PR practitioner and spokesperson for Johns Hopkins Health System, American Red Cross and other Baltimore hospitals.

Entrepreneurs and small businesses that want to market themselves see audio podcasting as an inexpensive, easy - to - learn cousin of video production.

The technology is deployed in production across an array of fieldwork, heavy manufacturing, and warehousing environments, augmenting workers» experiences with custom voice and gesture - driven apps, and providing HD audio and video feeds for a first - person view into everything from field service training to constructing jet engines.

Learn more about living a sustainable lifestyle by viewing one of these free audio / video productions:

Due to a lack of production time, it went on a hiatus, but was reinvigorated as an audio podcast in mid-2012.

If they are considering something in electronic media, which is a quickly growing industry for college students, you might want to find something with a wider, clearer screen (for graphic design and production - related majors) or top of the line speakers (if they consider audio production, music, or even broadcast journalism).

YouTube ensures that users can't upload video footage that infringes the copyright of almost 2000 TV, video, music and audio production companies.

As part of dissemination, some of the winning audio - visual productions of the European Science TV & New Media Festival in 2015 were presented at the European Researchers» Night on 30 September 2016 at CERN (the European Organization for Nuclear Research).

These pills supplement 85 different nutrients in bio-available type to increase power degrees, muscle mass, muscle endurance, bone, stamina and immunity density, these capsules also advertise production of quality semen in large volumes and uplift functioning of all the vital systems of the body for audio physical wellness.

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

«The Story» audio commentary hosted by Richard Dyer (Professor of Film Studies, University of Warwick) and featuring screenwriter Andrew Kevin Walker, director David Fincher, editor Richard Francis - Bruce, and New Line President of Production Michael De Luca.

The joint audio commentary by Anderson, co-writer and star Jason Schwartzman, and co-writer Roman Coppola is more contrived and rambling, but does provide some interesting insight into the writing process and production of the film.

«The Picture» audio commentary hosted by Richard Dyer and featuring director David Fincher, director of photography Darius Khondji, production designer Arthur Max, and editor Richard Francis - Bruce.

Unlike 12 Rounds, CutThroat Island's audio commentary with Renny Harlin is very interesting to listen to as you get a lot of background on the trials involved with filming a production of this magnitude.

Extras include an audio commentary by writer / director Mike Mills and a pair of featurettes on production and casting.

EXTRAS: In addition to a pair of audio commentaries (one with director / co-writer Paul Feig and co-writer Katie Dippold, and the other with Feig and various crew members), there's a series of production featurettes covering things like casting, creature design and visual effects, over an hour of deleted / extended scenes, alternate takes and two different gag reels.

The sole audio option is a Dolby Digital 2.0 stereo track that is mostly dedicated to narration, with the most impressive moments being displayed during some of the accompanying score that is as big and as bold as the production itself.

Although some might lament the lack of an audio commentary by director Gary Ross and the cast, the ridiculously in - depth making - of featurette «The World is Watching» (which runs just over two hours long) more than makes up for it, covering an array of topics like adapting the script, casting, production and costume design, stunts, special effects and more.

Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..

The supplements (duplicating those on the 2 - disc DVD) begin with a thorough audio commentary by director Sidney Lumet who speaks continuously throughout the film and delivers a vast array of information on all aspects of the production.

EXTRAS: There's an audio commentary by director / co-writer Mike Flanagan, seven deleted scenes and a trio of featurettes on making the film, production design and actress Lulu Wilson.

Additionally, there's an audio commentary with director Adam McKay and the cast, a making - of featurette, four more production featurettes, a lengthy gag reel, deleted, extended and alternate scenes, clips from the table read, and if you can believe it, much more.

Additionally complementing a flawless, 2.35:1 anamorphic transfer and thudding Dolby and DTS 5.1 mixes (note that the DTS audio draws gratifying attention to the surrounds) on this Ultimate Mummy are a pair of wisely - deleted scenes; brief lessons in Egyptology and pharaoh lineage; full - motion split - screen storyboard - to - final film comparisons; an extraneous montage of production stills; what appears to be the Electronic Press Kit for this summer's The Mummy Returns; trailers for The Mummy and its upcoming sequel (in Dolby 5.1); cast and crew bios (plus notes); and the following DVD - ROM links to: a soon - to - be live webcast from the premiere of The Mummy Returns; Sommers's script; screen savers; The Mummy's PC game demo; and The Mummy Returns» official website.

Video and audio are reference - quality, and the excellent supplements definitely fill in more details of the production.

- Mixing & Mastering - Stereo & Stem track mixing - Clean up of vocal or instrument tracks - Noise reduction - Post production for TV / film / YouTube - Voice overs, Ad bumpers & Podcast Intros - Sound design - Video game audio

First up is an audio commentary with director Daniel Attias, moderated by Michael Felsher, which goes over much of Attais» involvement with the production, as well as his other film and TV work.

All of the extras from the previous two releases also appear, including both audio commentaries (one with writer / director Whedon, and another with Whedon and cast members Nathan Fillion, Adam Baldwin, Summer Glau and Ron Glass), as well as deleted scenes, six production featurettes, and the Fruity Oaty commercial in its entirety.

Tim Lucas delivers another exemplary audio commentary about a Jess Franco production, covering every significant aspect of The Diabolical Dr. Z's production history.

For such an epic production, the underperforming film gets a disappointing DVD that's well under capacity yet needlessly deprived of the audio commentary, three deleted scenes, and Advent calendar found on the Blu - ray.

In addition to the hour of new exclusive special features, there are all previously included extras including 28 audio commentaries, 13 episodes Picture - in - Picture tracks and over four hours of production documentaries and featurettes.

EXTRAS: In addition to an audio commentary by director Michaël R. Roskam and author Dennis Lehane, there's a collection of deleted scenes with option commentary and five production featurettes, including a profile on the late James Gandolfini.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Extras: New Q&A in which Jarmusch responds to questions sent in by fans; new readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop; new selected - scene audio commentary by production designer Robert Ziembicki and sound mixer Drew Kunin; new interview with actor Gary Farmer; deleted scenes; Jarmusch's location scouting photos; essays by critic Amy Taubin and music journalist Ben Ratliff.

Extras: New audio commentary featuring critic Tony Rayns; new video essay on the film's symbols and references, featuring scholar James Steffen; new interview with Steffen detailing the production of the film; «Sergei Parajanov: The Rebel,» a 2003 documentary about the filmmaker, featuring him and actor Sofiko Chiaureli; «The Life of Sayat - Nova,» a 1977 documentary about the Armenian poet who inspired «The Color of Pomegranates»; an essay by film scholar Ian Christie.

Extras include an audio commentary by writer / director Michael Dudok de Wit, a pair of production featurettes and a director Q&A from AFI Fest.

First up we have an audio commentary track with director John M. Chu and producer Lorenzo Di Bonaventura, which delivers tons of great information about the production.

Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.

Blu - ray Highlight: In addition to a fairly informative audio commentary by writer Seth Grahame - Smith, the disc also includes a collection of production featurettes (ranging from a basic making - of documentary, to more specific departments like make - up effects and fight choreography) that fans of the movie will definitely want to check out.

EXTRAS: There's an audio commentary by director Jon Favreau and a trio of featurettes on production, newcomer Neel Sethi and creating the King Louie sequence.

The full - length audio commentary with Ruzowitzky is interesting enough, boasting a generous supply of anecdotes about the production and some of the director's thoughts on translating real events into screen material (and inventing a few), but it feels like the 90 - year - old Burger is the real star of the fairly generous slate of extras, almost all of them only in SD.